张爱玲研究新方向讲座系列之一|许子东：《秧歌》与二十世纪中国小説

張愛玲研究新方向講座系列 New Directions in Eileen Chang Studies Lecture Series

Co-hosted by School of Chinese and Department of Comparative Literature, HKU

Co-sponsored by Louis Cha Fund for Chinese studies & East/West studies in the Faculty & Center for the Study of Globalization and Culture (CSGC)

《秧歌》與二十世紀中國小説

The Rice Sprout Song and 20th Century Chinese Fiction

分享嘉賓Speaker: 許子東 教授  Prof. XU Zidong 

主持人Moderator: 林姵吟 博士  Dr. LIN Pei-yin

Date & Time: September 21, 2022 (Wed) 17:30-19:00pm

Language: Putonghua

Mode of Delivery (Updated): Face-to-face & Online Broadcasting (via Zoom)

Venue (Updated): KK201, 2/F, K.K. Leung Building, Main Campus, HKU

Zoom Meeting Details: 

https://hku.zoom.us/j/95265110608?pwd=WW5iUGtPK1lsWEVjQ1Y0ZG0rUXAyZz09 

Meeting ID: 952 6511 0608

Password: 705319

摘要：二十世紀中國小說裡最主要最成功的文學形象，是知識分子，農民和幹部官員。「士官民」三者之間的複雜矛盾關係，不僅貫穿在上世紀「革命文學」主題之中，也支配著百年小說的各種變化發展。從這個角度閱讀張愛玲在香港創作的中英文小說《秧歌》，我們可以重新檢討張愛玲作品與20世紀中國文學主流的關係。

The most successful literary images in 20th century Chinese fiction are those of intellectuals, peasants, and cadres. The complicated and contradictory relationship between intellectuals, party officials, and people not only penetrates the themes of 20th century "revolutionary literature" but also dominates the various changes and developments of modern Chinese fiction of previous century. By reading Eileen Chang's The Rice Sprout Song, a novel she composed in Hong Kong, from this perspective, this lecture reappraises the relationship between Chang's works and the mainstream 20th century Chinese literature.

簡介：許子東，華東師大、UCLA碩士，香港大學博士。前香港嶺南大學中文系主任、現任華東師大中文系紫江講座教授、香港大學中文學院榮譽教授。著有《郁達夫新論》、《當代小說閱讀筆記》、《香港短篇小說初探》、《張愛玲的文學史意義》、《越界言論》、《許子東現代文學課》、《細讀張愛玲》、《重讀二十世紀中國小說》等十幾種。本學期在香港大學中文學院開設「魯迅研究」專題課程。

Prof Xu received his MAs from East China Normal University and UCLA, and his PhD from HKU. He was previously the Head of the Department of Chinese at Lingnan University. Currently, he is Zijiang Chair Professor at East China Normal University and Honorary Professor at the School of Chinese, HKU. He has published extensively on modern and contemporary Chinese literature.  

ALL are welcome*