弥金 GENE | 艺术家介绍：庞飞
无题, 庞飞, 192x141cm, 绢本水墨, 2019
一：界定
相对抽象水墨的界定，我更趋向于意象的设定。因为我的意象水墨并不是无所指，它毕竟是我的山水画研究的延伸，确切的说是生长，对山水意象的追求和意境的酝酿，几乎发生在我的创作和生活的全部时刻。
二：过程
一方面我曾经受到较为严格的传统山水画画法训练，在个人风格的探索追求中，又尝试了水墨材料和材质的偶发效果的实验，结合对传统经典的感悟，在中国人的自然观统照下，形成了目前的以泼墨为主体的个人风格。另一个方面作为一个从业近二十年的策展人，我的艺术观念是比较开放的，对于和自身创作观念不合拍的艺术形态不会轻易给予否定的判断，而是先观察、再研究、有所判断也有所保留。所以在2000年前后就有朋友支持我把这类水墨作品拿出来。
“赐墨图”展览现场
三：生长
我的山水画创作过程有个前期制作过程，是第一步，是寻找偶然性；第二步是在制作的基础上绘画，是通过必然性展现自我修养。近三十年的制作过程中，的确有一部分，很少的一部分，逐渐在第一步的时候，就自给自足的产生了一种可以表达“我”的偶然中的必然，我慢慢的留意、留存、思考——磨刀不误砍柴功，直到今天，我认为这是一个自然生长的过程。
庞飞
2019.04.02
红谷之一,庞飞, 137x168cm, 纸本设色, 2019
First：Set a Boundary
Compared with the definition of abstract ink painting, I tend to set a realistic image. Because my ink painting is not meaningless, after all, it is an extension of my study of landscape painting, or rather, growth. The pursuit of landscape images and the brewing of artistic conception take place in almost all the moments of my creation and my life.
“赐墨图”展览现场
Secound：The Process
On the one hand, I was trained strictly in traditional landscape painting. In the exploration and pursuit of personal style, I also tried the experiment of accidental effects of ink on different materials. Combined with the perception of traditional classics as well as under the guidance of the Chinese people's view of nature, I formed my current personal style with splash-ink as the main body.
On the other hand, as a curator who has been working for nearly 20 years, my artistic concept is relatively open. I will not give negative judgment to art forms that are not in line with my own creative concept. Instead, I will observe, study, judge and reserve some judgments. So around 2000, some friends supported me to put out this kind of ink works.
"赐墨图"展览现场
Third：The Growth
My landscape painting creation always has a pre-production process, which the first step is to look for contingency; The second step is to paint on the basis of making, showing self-cultivation through inevitability. In my almost 30 years production process, there is indeed a very small part of paintings actually developed its necessity accidentally in the first step, that could express itself. I notice that kind of artworks and think about them till now. I think this is what could be concluded a "natural growth process".
Pang Fei
2019.04.02
"赐墨图"展览现场
庞飞
1973年生，陕西紫阳人，画家、策展人、中国美术家协会会员、上海中国画院画师、展览策划、上海中国画院中青年艺术沙龙成员、上海美术家协会会员、上海市第四届青年文学艺术联合会会员、上海市2011年度文化新人。主攻山水，擅长花鸟草虫、书法篆刻。1995年，毕业于宝鸡文理学院艺术系；1996-2000年，先后在厦门、广州、深圳工作；2001年，结业于中国美术学院中国画系山水画专业；2006年，结业于刘海粟美术馆萧海春山水画工作室；2007年，结业于上海中国画院高级研修班；2005-2008年，就职于上海徐汇艺术馆，任策展人；2009年，任上海中国画院展览策划。
个展
2007年 《望—庞飞中国画作品观摩展》，刘海粟美术馆，上海，中国。
2012年 《海上星象—庞飞水墨篆刻作品展》，上海徐汇艺术馆，上海，中国。
2019 《赐墨图》，弥金画廊，上海，中国。
群展
2008年 《纪念改革开放30周年全国美展》，广东美术馆，广州，中国。
2008年 《第三届全国青年美展》，中国美术馆，北京，中国。
2009年 《第十一届全国美展》，上海展览中心，上海，中国。
2011年 《第四届全国青年美展》，中国美术馆，北京，上海。
2012年 《上海艺术新人大展》，刘海粟美术馆，上海，中国。
2013年 《上海艺术新人大展》，上海中国画院美术馆，上海，中国。
2013年 《亚洲画廊艺术博览会上海海派艺术精品展》，上海展览中心，上海，中国。
策展
2005年 《珍藏的记忆——哈琼文宣传画回顾展》，上海徐汇艺术馆，上海，中国。
2006年 《畅神——林曦明写意花鸟画展》，上海徐汇艺术馆，上海，中国。
2006年 《徜佯丘壑间——萧海春山水画展》，上海徐汇艺术馆，上海，中国。
2007年 徐汇艺术馆青年美术年系列活动，上海徐汇艺术馆，上海，中国。
2007年 《水墨江南——林曦明从艺70周年回顾展》，上海美术馆，上海，中国。助理策展。
2008年 《上海土山湾美术馆开馆展暨江浙沪油画邀请展》，上海徐汇艺术馆，上海，中国。
2008年 《上海著名艺术家工作室系列展》，上海徐汇艺术馆，上海，中国。
2008年 《木石精神——赖少其晚年精品特展》，上海徐汇艺术馆，上海，中国。
2012年 《上海艺术新人大展》，刘海粟美术馆，上海，中国。
2013年 《上海.艺术新人大展》，上海中国画院美术馆，上海，中国。
2013年 《海上星象——上海青年水墨十人系列个展
2013年 《亚洲画廊博览会——“海上新水墨”版块》，上海展览中心，上海，中国。
Pang Fei
1995 Graduated from the School of Arts, Baoji University of Arts and Sciences
1996-2000 Work successively in Xiamen, Guangzhou, Shenzhen, China
2001 Graduated from School of Chinese painting, China Academy of Art
2005 Working as a curator at Xuhui Art Museum, Shanghai
2006 Left Xiao Haichun landscape painting studio, Liu Haisu Art Museum
2007 Graduated from advanced study program at Shanghai Chinese Painting Academy, Shanghai
2009 Started working at Shanghai Chinese Painting Academy, Shanghai, China
2013 Became a painter at Shanghai Chinese Painting Academy, Shanghai, China
Solo Exhibitions
2007 Hope—Chinese Painting by Pang Fei, Liu Haisu Art Museum, Shanghai, China
2012 Stars Above the Sea, Xuhui Art Museum, Shanghai, China
2019 Composition of Black, Gene Gallery, Shanghai, China
Group Exhibitions
2008 30th Years of Reform & Opening Up in China, Guangdong Museum of Art, Guangzhou, China
2008 3rd National Youth Art Exhibition, National Art Museum of China, Beijing, China
2009 11th National Art Exhibition, Shanghai Exhibition Centre, Shanghai, China
2011 4th National Youth Art Exhibition, National Art Museum of China, Beijing, China
2012 New Art Blood Shanghai, Liu Haisu Art Museum, Shanghai, China
2013 New Art Blood Shanghai, Museum of Shanghai Chinese Painting Academy, Shanghai, China
2013 Fine Art in Shanghai Art Expo of Asian Galleries, Shanghai Exhibition Centre, Shanghai, China
Curated Exhibitions
2005 Treasured Memory—A Retrospective of Propaganda Painting by Ha Qiongwen, Xuhui Art Museum, Shanghai, China
2006 Pleasance—Freehand brushwork of flowers and birds by Lin Ximing, Xuhui Art Museum, Shanghai, China
2006 Mountain Stroll—Landscape Painting by Xiao Haichun, Xuhui Art Museum, Shanghai, China
2007 Youth Art Festival at Xuhui Art Museum, Xuhui Art Museum, Shanghai, China
2007 Southern Yangtze in Ink—A Retrospective of Lin Ximing’s 70-year Art Career, Shanghai Art Museum, Shanghai, China
2008 An Invitational Exhibition of Oil Painting from Jiangsu, Zhejiang Province and Shanghai—The Opening Exhibition of Tou-Se-We Art Museum, Xuhui Art Museum, Shanghai, China
2008 A Series of Works from Artist Studios in Shanghai—Xuhui Art Museum, Shanghai, China
2008 The Spirit of Wood and Stone—A Selection of Lai Shaoqi’s Late Year Works—Xuhui Art Museum, Shanghai, China
2012 New Art Blood Shanghai—Liu Haisu Art Museum, Shanghai, China
2013 New Art Blood Shanghai, Museum of Shanghai Chinese Painting Academy, Shanghai, China
2013 Stars Above the Sea—Solo Exhibitions of Ink Painting by Ten Young Artists in Shanghai, Xuhui Art Museum, Shanghai, China
2013 New Ink Painting Above the Sea—Art Expo of Asian Galleries, Shanghai Exhibition Centre, Shanghai, China
往期回顾 LOOKING BACK：
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