矛盾之“间”｜The ‘room’ between of contradictions

UniDesignLab 2022-04-21

The following article is from 更建筑 Author 更建筑

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项目位于山东淄博市淄川区小田庄村，选址矿坑于在村庄东南角，紧邻乡村主要道路，可以场地观望当地特有的山林和梯田景观。

暴力式经济型开发后废弃的矿山群呈现出的一种‘人工再自然化’图景，这种新型形成的独特的景观包含着对立又统一的关系.在面对这种独特人文-自然景观的时候, 我思考的不是寻找一种主体对客体的技术性解决方案, 也不是强调工具式的使用和被使用的关系。我希望本次项目通过多义性的线性公共场域去干预并重新归化这种矛盾关系，旨在在外在的原始生态景观和内在的再自然矿山景观中达成新的平衡和永久性联结关系。

选址采石场矿坑的内侧为巨型弧形,外侧完全开放于道路和原始生态景观。我采取的策略是用一堵宽仅3.2米,长约80米的线性墙体来关闭采石场使其生成一片区域。通过墙体干预介入场地中，使其分为内外两种各自具有鲜明特征的景观, 与内侧石壁一起形成聚拢的封闭的场，外侧形态则回应了当地石头梯田的建造形态，连接两者的是一条半隐藏在地下的静谧通道。场地中原有弧形石壁被完整保留，成为整个场域的背景墙。面向石壁的垂直景框的界面和包括通道，阶梯平台，冥想室，观景台等多种空间体验为来访者提供一次冥想和自观的精神之旅，同时为来访者提供一种独特的在封闭空间和开放空间之间的移动体验。它试图通过揭示基地原有的精神力量来探讨人工与自然的关系并重新储存场地的精神内核。在具有独特文化、生态和社会条件的场地中生长出新的价值。

The project is located in Xiaotianzhuang Village, Zichuan District, Zibo City, Shandong Province. The mine pit is located in the southeast of the village, and adjacent to the main rural roads, offers a panorama view at the local mountain forest and terraced fields.

The abandoned mines after violent economic development present a scene of ‘artificial re-naturalization'. This new and unique landscape contains a relationship of opposition and unity. In the face of this unique cultural-nature landscape that I am not thinking about finding a technological solution for the subject to the object, nor is it emphasizing the relationship between instrumentalist use and being used. I hope this project will intervene and re-naturalize this contradictory relationship through the polysemous linear public filed, aiming to achieve a new balance and permanent connection between the external primitive ecological landscape and the internal re-natural mining landscape.

The inner side of the selected quarry pit is a giant arc, and the outer side is completely open to the road and the original ecological landscape. My strategy is to use a linear wall with a width of only 3.2 meters and a length of about 80 meters to close the quarry to create a precinct. Intervening in the site through wall intervention, it is divided into two kinds of landscapes with distinct characteristics for inside and outside, forming a closed field gathered together with the inner mines wall, while the outer form responds to the construction form of the local stone terraces .The connection between the two is a half-hidden underground corridor. The original curved stone wall in the site is completely preserved and becomes the background wall of the entire site. The side of the vertical frame facing the stone wall and the multiple spatial experiences including passages, step platforms, meditation rooms, observation decks, etc. provide visitors with a spiritual journey of meditation and self-observation, while providing arrivers with a unique experience a mobile experience between enclosed and open spaces. It attempts to explore the relationship between human and nature by revealing the original spiritual power of the site and to restocking the spiritual core of the site. And growing a new value in the site with unique cultural, ecological and social conditions.

农田望向建筑正面©毕立凯

《埋树》

京都市西本愿寺市御景堂边缘以及走廊的《埋树》。富士山，雨伞，葫芦, 鱼，银杏叶，花瓶，扇子等，可欣赏其工匠式的趣味和精致技巧。

The buried tree in the hallway and the edge of Mikgedo in Nishihonganji City, Kyoto City. Mount Fuji, umbrellas, gourds, fish, ginkgo leaves, vases, fans, etc. Visitors can appreciate the craftsman's fun and exquisite skills.

在物件被破坏的那一刻开始，完整和不完整这种矛盾关系便已产生，这种矛盾框架内包含着统一及对立关系。如《埋树》一样，同时也暗示着重新思考人工与自然造物的再归化可能性。本项目的概念即发源于创造一个只有与基地环境一起体验时才具有意义的场所空间，亦即人工与自然环境二者以同等重要性共同组成一片新的区域。

From the moment the object is destroyed, the contradictory relationship between completeness and incompleteness has arisen, and this contradictory framework contains the relationship of unity and opposition. Like "Buried Tree", it also implies rethinking the possibility of re-naturalization ofartificial and natural creations. The concept of this project originated from the creation of a place that is meaningful only when experienced with the site environment, that is the artificial and natural environment together form a new precinct with equal importance.

设计草图©毕立凯

场地和体块策略图解©毕立凯

在本项目中我期待使用一种强调、尊重当下场地条件的干预方式，通过介入线性墙体和场地修复的手法去重新归化并重新储存场地的精神内核。在整个矿山园区内，本项目定位为一个为来访者精神塑造的节点场所，在具有独特文化、生态和社会条件的场地中生长出新的价值，同时也期望也其他多样性设施组合连接成具有意义的园区综合体。

In this project, I look forward to developing an intervention method that emphasizes and respects the current site conditions, and re-naturalizes and restock the spiritual core of the site through intervention in linear walls and site restoration. In the entire mining park, this project is positioned as a node site shaped for visitors’ spirit, growing new value in a site with unique cultural, ecological and social conditions, and it is also expected that other diverse facilities can be combined to form a more meaningful park complex.

场地俯视©毕立凯

模型概念图©毕立凯

区位图©毕立凯

线性墙体的多义性图解©毕立凯

墙作为一个常见的线性几何体，如城墙，院墙，空间和空间的隔断墙等。它具有空间领域划分，对场所的暗示的功能。它也是群体和群体，个人和个人之间区隔的物件，同时具有诸多的空间意义，文化象征意义和政治意义。本项目遵循墙的功能属性，以线性墙体这样一种简洁明了的姿态将人工与自然联系在一起。这是一个被精心放置的几何体，其简单性和异质性与自然环境形成对比, 从场地尺度上这面墙将矿坑划分内外两种场域属性。墙的内腔所暗含的空间属性，将这面墙的单纯的物理性功能解译成多种内置空间和垂直维度上的观景塔，各种高度差异为独特的品质和空间提供了许多机会。墙的结构功能加上多孔的特性，多种个体元素可穿插于墙体中和依附在墙面上。来访者被引导以3D螺旋状的形式在建筑中移动，墙体充当了自然景观和矿山石壁的取景器，筛选了内外景观来凸显其的独特品质。正是以线性墙体为基本原型出发，通过一系列的解译手法转化成了一个多义性的公共场域，为来访者提供一次冥想和自观的精神之旅。

The wall is a common linear geometric body, such as city wall, courtyard wall, space and partition wall of space, etc. It has the function of dividing the space domain and suggesting the place. It is also an object that separates groups and groups, individuals and individuals, and has many spatial meanings, cultural symbolic meanings and political meanings. This project follows the functional attributes of the wall and connects the artificial and the nature in a simple and clear posture such as a linear wall. This is a carefully placed geometric body whose simplicity and heterogeneity contrast with the natural environment. From the scale of the site, this wall divides the pit into two kinds of field attributes, inside and outside. The spatial attributes implied in the cavity of the wall interpret the pure physical function of the wall into a variety of built-in spaces and viewing towers in vertical dimensions. Various height differences provide many opportunities for unique qualities and spaces. . With the structural function of the wall and its porous nature, a variety of individual elements can be interspersed in the wall and attached to the wall. Visitors are guided to move through the building in a 3D spiral form. The wall acts as a viewfinder for the natural landscape and the rock wall of the mine, screening the internal and external landscapes to highlight its unique qualities. It is based on the linear wall as the basic prototype, which is transformed into an ambiguous public field through a series of interpretation methods, providing visitors with a spiritual journey of meditation and self-observation.

矿山湖水朝向建筑内测©毕立凯

轴测图©毕立凯

路径图解©毕立凯

来访者从小田庄村出发，沿着一条两侧是山林，农田的乡村道路行进，绕过一个弯道就能看到项目外观及注意到半隐藏式的入口通道（准备），到达入口后穿过静暗且狭长的通道会看到前方的明亮的光及原场地保留的石壁边侧部分，它是属于半室内的空间也是入口前厅（前奏）。沿着台阶向上，台阶平台上连接着一个观景长桥，访客可以在此释放此前相对压抑的情绪，对石壁景观进行一次边侧角度的视觉接触。继续拾级而上经过圆弧楼梯后，到达了边侧平台，矿山石壁的整个形象变的更加清晰（序台）。紧接着再次进入室内，路程的第一个停顿点在于此，沿几步台阶而下是一个光线相对昏暗的冥想室，透过高度仅为600MM的开口部望向石壁而进行哲思（停顿）。接下来到达斜坡平台，呈现在眼前的是与石壁景观截然相反的自然景观（转换）。接着向前到达半封闭的室内平台，沿级向上的台阶将访客引导到可以观览整个区域两侧二元对立景观的观景平台，至旅程中段访客对这两种元素的压抑和不解，到达观景平台后对二者重新解译，形成一套自我反馈的情景叙事（高层呈现）。继续沿着一段直线台阶，L型台阶, U型台阶漫长路途而下（过渡），呈现的是此前旅途下意识体验到的石壁，光与湖水的水平全面情景（底层呈现）。通过边侧入口进入室内，两旁被当地常用石砖墙包围，由天花板和出入口渗透进室内的光使访客在线性空间内伴随着时间向前行进（升华）。转过一面墙后，通高天花板两侧的光及狭长的走廊，令访客感受终点体验于此开始（结束前奏）。回到半隐藏通道后人们加快步伐向对面的出口走去，直到农田地平线出现在面前，将我们送回至乡间的农业景观中，光线与噪声才渐渐变得密集起来（回归）。

冥想走廊望向入口处©毕立凯

湖水边侧望向建筑-01©毕立凯

湖水边侧望向建筑-02©毕立凯

矿山边侧望向湖水©毕立凯

冥想空间©毕立凯

沉思空间©毕立凯

项目图纸

底层平面图©毕立凯

上层和屋顶平面图©毕立凯

剖面图-01©毕立凯

剖面图-02©毕立凯

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