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混沌的暴力——梅兰音乐

Coco.Lee 东仓建设 2022-12-08

梅兰音乐工作室及小型交响乐录音棚,位于广州大剧院内。由于场地的声效专业综合要求,墙地面均选用特殊材质用以强化隔音、控制声波弹性,防潮防静电。而空间的错落不规则面则通过设计手法组织及材料密度的搭配来避免空间内驻波对录音的干扰,最大净化音效的前提下,设计目的在于打破传统录音棚单调形象,同时表现更本能的场所精神面貌。

Meilan Music and Small Symphony Recording Studio is located in Guangzhou Grand Theater. Equipped with special materials, the walls and ground of the Studio are strongly sound-proof, moisture-proof and anti-static, which could also control the elasticity of sound wave based on the requirement of professional and synthesize sound effect in the site. Designed in a random and irregular way, one side of the walls decorated with materials of different density could prevent standing wave in the space from interfering recording. The design is seeking for breaking monotonous image of traditional recording studio, purifying sound effect to the maximum extent, and expressing a more instinctive spiritual outlook of the site at the same time. 



混沌:混沌之中才见本能。场所的质感建立与使用群体之间有绝对的关联。甚至某种角度来看,之所以在古典音乐演奏场所这样的精密度极高的使用场景下,混沌中的本能甚至成为一种具备一定攻击性和质疑的暴力性的作者观念表达。
Chaos. Instinct in chaos. There is a definitely correlation between quality and users in the site. Even from some angle, under this usage scenario with a high accuracy where classic music performs, instinct in chaos is the notion expression of performers that is skeptical violence with certain aggressivity. 


破坏:桉和韦森的原创高定线产品6度椅实验版,在打样过程中截取家具的未完成片段并对表面进行破坏性处理。这象征着在创作过程中对作品性的质疑与破坏冲动,它往往能够令作者更本质和归零的看待任何创作的起点和导向。

Destruction. Experimental 6 degree chair with a high alignment is Anhe Weisen original product, whose surface has a destructive dispose in the process of making a proof  by cutting out unfinished fragments of furniture. This emblems query and destroy impulsion for works in the creative process, leading writers look at the starting point and tendency of any creation with a more intrinsic zeroed attitude. 


无序:随机建立的形式被精密的逻辑组织后出现了有序的实用性。也就是,被准确体验的无序本质上仍然无法脱离秩序的梳理。从音乐创作与空间创作上皆是如此。在建立秩序与破坏秩序之间,几乎是一种创作的本能与技法的对弈与拉锯。
Destruction. Experimental 6 degree chair with a high alignment is Anhe Weisen original product, whose surface has a destructive dispose in the process of making a proof  by cutting out unfinished fragments of furniture. This emblems query and destroy impulsion for works in the creative process, leading writers look at the starting point and tendency of any creation with a more intrinsic zeroed attitude. 

Name | 项目名称:
GuangzhouGrand Theater Meilan small Symphony Recording Studio | 广州大剧院梅兰小型交响乐录音棚

Location| 项目地点:

Guangzhou,China | 中国· 广州

Area | 项目面积:

800㎡

Client | 项目业主:

梅兰音乐

Date | 完成时间:

2019.12

InteriorDesign | 主案设计:

Ann Yu 余霖 | DOMANI东仓建设

Installation | 艺术装置:

A & V 桉和韦森

CooperativeDesign | 协作设计:

Rex Liu 刘焕辉 | DOMANI 东仓建设

Media Management | 传媒管理
Coco Lee 李云云 | DOMANI 东仓建设
Photographer | 摄影师

Vincent Wu 吴鉴泉



DOMANI东仓建设成立于2005年,坐落于中国广州。致力为不同行业的前瞻性客户提供顶级的建筑、室内及产品的创意与设计。并为市场贡献完整的高水准商业设计作品,来帮助众多企业获得全新的空间体验。及通过高溢价的空间作品带来卓越的市场反馈。东仓建设作品已囊括诸多国际权威赛事殊荣,并成为亚洲地区顶级设计机构之一。
Headquarted in Guangzhou, China, DOMANI has committed to provide design excellence for each and every forward-looking project in architecture, interior and products since its inception in 2005. We devise integrated, sustainable design solutions which exceed client’s expectations. With high premium commercial space solutions, our energy and competency have attained remarkable market feedbacks. Awared by prestigious international prizes, we have consistently ranked amongst the top architecture and integrated design studios in Asia.

DOMANI东仓建设秉持严谨的职业态度、卓越的设计团队与全面的项目控管模式,并结合庞大的项目顾问资源系统,通过多元化的空间作品呈现更具国际视野的企业态度。
DOMANI adheres to strict code of professional conduct . We are a team of diverse talents, working alongside with a great number of other specialist consultants. Through comprehensive project management, we strive for the best in various architecure projects. All of our responsible design solutions reflect an international perspective.

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