侯江南、胡昀 | 气候病
侯江南、胡昀《气候病》2023，交互动画影像，60×40×12 cm，14分钟20秒，由艺术家胡昀与新媒体艺术家侯江南合作完成
这件作品是艺术家胡昀同名绘画作品（“气候病”系列，2023）的实时数据动画版本，亦是北丘当代美术馆的展览委任作品，由胡昀与新媒体艺术家侯江南合作完成。作品根据南京的实时天气数据显示相应云图，在展厅也宛若瞬息万变的内部气候一般发生变化；在画面上方飘荡的各类云朵图像由艺术家从一组清宫铜版画中提取——它们来自清内府宫廷满族画家伊兰泰奉乾隆帝旨绘制，并由中国工匠雕刻的《西洋楼透视图铜版画》。艺术家将画面中由郎世宁、蒋友仁和王致诚等人设计的圆明园西洋楼建筑刨去，恰如早已倾颓的圆明园乃至历史空间本身，而转瞬即逝的云朵却穿越时间依旧在天空飞行。
作品由北丘当代美术馆委任制作
This work is a real-time data animation version of Yun Hu's painting titled "Climate Disease," part of the 2023 series of the same name. It was commissioned for the Beiqiu Contemporary Art Museum and created in collaboration between Yun Hu and new media artist Jiangnan Hou. The piece utilizes real-time weather data from Nanjing, which changes within the gallery like a rapidly shifting internal climate. The various cloud images hovering above the screen were extracted by the artist from a set of Qing dynasty copperplate prints, originally created by the Manchu painter Elantai on behalf of the Qianlong emperor and later engraved by Chinese craftsmen. These prints depict "The Western Building Perspective Copperplate." In this work, the artist has removed the buildings of the Western Building of the Summer Palace, designed by Lang Shining, Jiang Youren, and Wang Zhicheng. It creates the impression that the Summer Palace, and even the historical space itself, has long since crumbled, while the fleeting clouds continue to traverse the sky through time.
Commission by Beiqiu Museum of Contemporary Art
胡昀，1986年出生于上海。胡昀的作品包括绘画、水彩、行为、录像和装置。通过调动来自不同人和历史的经验，胡昀将各种以往生产过的材料重新纳入自己的日常工作中，因此，无法孤立地去看待他的每一件作品，每一个项目都享有共同的话题，都是有所预设、彼此关联的。
胡昀参加了第十届亚太当代艺术三年展（2021），第六届新加坡双年展（2019），第十一届光州双年展（2016），第四届广州三年展（2012）以及第七届深圳雕塑双年展（2012）；他的作品也曾在上海当代艺术博物馆，巴黎蓬皮杜艺术中心，广东时代美术馆及余德耀美术馆等机构展出。他的个展包括“微缩景观”，新加坡国立大学博物馆，新加坡，2019；“我们从未离开过”，西安OCAT，西安，中国，2017；“叙事病”，AIKE，上海，中国，2016；“轻拿轻放”，AIKE，上海，中国，2013；“我们的祖先”，歌德开放空间，上海，中国，2012；“自然的图像”，英国自然历史博物馆，伦敦，英国，2010。
Hu Yun(b. 1986, Shanghai) 's works range from graphite and watercolors to performance, video, and installation. Interested in how an individual positions him or herself within the course of history, he constructs the links that probe the inseparable coexistence of past and present, individual and public. He is adept at mobilizing various personal and historical experiences, incorporating previously produced materials into his artworks; as a consequence, it is impossible to consider any of Hu's works in isolation since they all share a common theme, an element of foreshadowing, and they are all conceptually interconnected.
Hu Yun has participated in the 6th Singapore Biennale (2019), the 11th Gwangju Biennale (2016), the 4th Guangzhou Triennial (2012) and the 7th Shenzhen Sculpture Biennale (2012). His works have also been exhibited at Power Station of Art, Shanghai; Centre Pompidou, Paris; Times Museum, Guangdong and Yuz Museum, Shanghai. His selected solo exhibitions include "Another Diorama", NUS Museum, Singapore, 2019; "We've been here before", OCAT, Xi'an, China, 2017; "Narration sickness", AIKE, Shanghai, China, 2016; "Lift with Care", AIKE, Shanghai, China, 2013; "Our Ancestors", Goethe Institut, Shanghai, China, 2012; "Image of Nature", Natural History Museum, London, UK, 2010.