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虽迟但到!我们来了!

何炬星 星美术馆 2022-12-17







星美术馆(START Museum)将于2022年12月31号正式向公众开放。我们位于上海徐汇西岸美术馆大道起始点(瑞宁路111号)。


现以星美术馆创办人何炬星先生的一篇亲笔信,致以开馆之序。


START Museum is coming to the public on 31th December 2022. Located on No.111 Ruining Road, the museum is the starting point of West Bund Art Museum Avenue in Xuhui, Shanghai. 


On the occasion of the opening, we would like to pay tribute with a personal letter from Mr. He Juxing, the founder of the Start Museum.



星美术馆Start Museum


何炬星先生的一封信


(这一篇原是2年前的个人日记,现拿来作星美术馆开馆之际致诸亲友的一封信,真实心情,您且当一笑了之 —— 何炬星感恩)


 

六十而立

--写在60虚度之年



人生虽短,六十已很长。六十而立,先将九鞭罪己,见微知著,以镜照己:一鞭问书无功,二鞭迷途乱勇,三鞭剩兴好胜,四鞭赌命猜运,五鞭虚梦妄谋,六鞭恃仁乱法,七鞭执拗滔滔,八鞭福泽寥寥,九鞭未尽子孝……九鞭之悔,在于镜像照己,人生一世,性情万千,终莫过于坦荡清白。

说自己六十而立,等于说要重燃战场。事实上战场一直很近,只是长空嘶鸣金戈横阵,你还要负得起--那么说说六十而立吧:一立体肤知觉,二立思奇辩真,三立心远怀苦,四立身以赴勇,五立无义不交,六立匣中剑声,七立润世微雨,八立尽孝护家,九立读书还债,十立自己仍是自己……
六十而立,无须谁主宰,主宰谁,固守家园。期待自己:还天真无拘束,摆脱无形牢笼,摆脱加害的权力,摆脱机器的挟持,瓦解执念和冥顽,瓦解宿怨旧恨,瓦解虚荣追慕,瓦解自命的价值,瓦解自翊的功赏,留住天气自然、本质纯朴,解放被语言梱梆的本性。
六十而立,等于重做有限人生、重新燃放自己。我欲告诸君亲友:我借名做星美术馆,做星艺术研究院,凡同学志愿者携手走起,其所仰者短,所继者远,共其付出,偿试再去认知艺术者谁,认知艺术家者谁,认知艺术历险赴难、安身立命,认知艺术伴随世间悲欢离合、沧海桑田……
我所记忆,艺术之源源在人之初,艺术之远远于人之灭,艺术命运之关怀研究无往无尽,我所心力意图如肌肤浅薄,但我所志愿可尽余生。
世间有正道,六十应不惑。我二十岁曾立誓:六十前积好攒好,六十后花好用好。积与攒是人生增添,花与用是人生燃灭。现在想想,六十后仍然是积好攒好,只是另一种积攒而已。此言自此应验,望诸君检视监督指正,不胜感激。

何炬星写于2021年1月1日



A Letter from Mr. He Juxing

(This letter is originally a piece of diary I wrote two years ago, which I now present to you all upon the founding of Start Museum. These are my heartfelt words for you to laugh away -- yours gratefully, He Juxing)




Standing Steadfast at Sixty

— written in the sixtieth year of idleness




Though life is short, sixty-year time is long.Turning sixty, I shall stand on my own two feet, before which my very own self should be introspected with nine whiplashes, to mirror my greatest weakness through the slightest faults: the first lash is for book learning that yields nothing; the second, for valor on the wrong path; the third, for indulgence in pleasure and competition; the fourth, for gambling with fate; the fifth, for attempting to delusions; the sixth, for crossing the line in the name of goodwill; the seventh, for the excess of obstinacy; the eighth, for the dearth of philanthropy; and the ninth, for failing filial piety…The nine lashes are to reflect on myself. We mortals live a life of thousands of temperaments that no one is qualified to complete blamelessness.


By “standing steadfast at sixty”, I mean I would strive hard in my old age, much like a war horse that returns to the battlefield. In fact, the battlefield has always been there, although, before going, you also need to be prepared to lose for those shining spears and flying bullets — Then let’s talk about the bases to stand on at sixty: The first base is to feel with the body, the second is to reason with the mind; the third, to empathise with the wretched; the fourth, to exercise braveness to deeds; the fifth, to walk with the righteous; the sixth, to exert the strength with sharpness; the seventh, to shower the others with gentleness; the eighth, to fulfill the duties of a son; the ninth, to read and make contributions; and the tenth, to be my true self…


Stand steadfast at sixty, on my own two feet, neither the ruler nor the ruled. My future self shall be an ingenious and unbounded one; one that flies away from the invisible cage, the menacing power, and the clutch of machinery; one that dispels obsessiveness and foolishness, grudges and grievances, pretension of self-value, and pursuit of vainglory; and finally, one that manages to keep a simple nature from the restriction of language.


Stand steadfast at sixty — in other words, time to restart and reshine. I would like to tell you, friends and family, that by establishing Start Museum, we share our ambition and strive forth together, with few predecessors and successors, to know once again what is art, what is an artist, how art has survived, and how art has witnessed the rises and falls in the world.


As far as I remember, when people were first born to this world, so was art, and when people reach their end, art carries on. In comparison with the endless research and discussion about art’s past and future, my attempt only scratches the surface, but is worth dedicating my remaining years to.


One should be clear of all confusions at sixty, just as the world should operate according to principles. I made a pledge at twenty that I would save up as much as I can before sixty, and spend as much as I will after that. To save up is to extend life, while to spend is to consume life. Now as I rethink about it, after sixty I would continue to save up, but in a different manner. This new pledge shall be honoured from this moment on, of which I gratefully ask for all of your supervision.


  He Juxing Jan 1, 2021


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