【拾萬现场】贺勋：黄金螺旋
拾萬空间将在2021年11月6日开启“黄金螺旋——贺勋个展”，本次展览是贺勋在拾萬空间的首次展览，亦是艺术家近三年最新作品的一次呈现。展览名字“黄金螺旋”源于本次展览中的一件同名作品，此件作品的构图有如儿童画，画面内容中不断出现诸如乌贼、圣诞树、羊角、钥匙、竹笋和陀螺等等螺旋形象，并在一片泛光的黄色当中升腾和跳跃。贺勋将观看事物的图像思维尽力去贴合儿童式扁平化的处理图像方式，使得扁平的“云朵”、“雪花”、“婴儿”，拟化为儿童心灵的映照；在人类的历史中，也正是这种纯真的映照，经由无数次的文明洗礼从而生成一种“图腾”式存在。我们在不同的文明语境中，都看见这些图腾符号。贺勋正是延续着非物质性的图像显现之路，来描述和传递“图腾”的力量。艺术家自称是用一种二点五维的智性方式试图去感知和理解某个“真理”——存在于大时空和小事物中的螺旋的结构；这也是一次事物和图腾之间往复的历程，艺术家期待在此路途中迎接“万物有灵”的复苏。
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在图腾生成的过程中，由于不断剥离图像和对象的关系，图像渐渐从对象的物质性和客观性中脱离，艺术家进而从一个“对象”中萃取出一种只和对象相连的气质。例如艺术家早期作品《家的样子一》，描绘艺术家杨健搬家的样子，画面中由粗壮的线条和弥漫的黄白色组成的结构和仪式感，呈现出事件过程中既无序又有序的状态；再例如作品《米》，艺术家一颗颗、一笔笔地描绘家中的米，使得最细小的平凡之物同样拥有精密的结构和情感；再例如艺术家近期的作品《斐波那契》系列的三件大幅绘画，艺术家将经年来收获的图像、观念、情感并置于一幅幅类似唐卡的制式画面中，犹如被顶礼的神圣形象，又仿佛是孩童的识字卡片，并经由感性和理性的编织，似乎在提示着某种不容忽视的存在。
本次展览将展出艺术家二十余件作品，通过这些胚胎文字式的《种子》、《叶子》和《果子》等作品，我们可以清晰地看到这条剥离和回归的螺旋之路。
本次展览将持续至2022年1月22日。
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贺勋，1984年生于江西，目前工作生活于杭州和北京。2006年毕业于中国美术学院。孑孓社策划小组成员。他的创作媒介包含绘画、装置和诗歌文本。关注农耕文明、神巫信仰和文学习惯在日常事物中的象征作用，着重于发现被忽视或被压抑的语言、民俗事项、图腾制度对当代生活的影响，藉此寻找人类普遍的情感关联、永恒的记忆及其衰败的历程。近期个人展览有：“黄金螺旋”（拾萬空间，北京，2021）；“望京”（想象力学实验室+游牧画廊，杭州，2021）；“迦陵频迦”（Tong Gallery+Projects，北京，2019）；“第二司仪”（亚洲当代艺术空间，上海，2018）；“念头珍珠”（飞地艺术空间，深圳，2017）；“农业迷幻”（亚洲当代艺术空间，上海，2016），“空包袱”（蜂巢当代艺术中心，北京，2013）。公共收藏包括星美术馆、德中艺术基金会等机构。诗歌及随笔散见于《西湖》、《飞地》、《诗江南》、《2006 中国最佳诗歌》、 《艺术世界》、《艺术碎片》等刊物。其策划项目包括南京艺术学院美术馆的“去写生”，北京 UCCA STORE 的“缝合:当代艺术从业人员诗选”等。
圆 Round | 木板油画 Oil on Board | 50×60cm | 2021
蜗牛与叶子 Snails and Leaves | 木板油画 Oil on Board | 40×50cm | 2020
左：红黄蓝 Red, Yellow and Blue | 木板油画 Oil on Board | 100×70cm | 2020
右：六个三角之一之二之三 Six Triangles-1/2/3 | 布面油画 Oil on Canvas | 30×40cm×3 | 2020
Hunsand Space will open the "Fibonacci-He Xun Solo Exhibition" on November 6, 2021. This exhibition is the first exhibition of He Xun in hunsand space and a presentation of the artist's latest works in recent three years.The name of the exhibition "Fibonacci" is derived from a work of the same name in this exhibition. The composition of this work is like a children's drawing, and the spiral images such as squid, Christmas tree, horns, keys, bamboo shoots and spinning tops are constantly appearing in the content of the screen. Rising and jumping in a flood of yellow.He Xun tries his best to match the image thinking of viewing things to the children's flat processing of images, so that the flat "clouds", "snowflakes" and "babies" are simulated as reflections of children's hearts; in the history of mankind, It is this kind of innocent reflection that generated a "totem" existence through countless baptisms of civilization.We see these totem symbols in different civilized contexts.He Xun is just continuing the path of immaterial image manifestation to describe and convey the power of "totem".
蜗牛与叶子 Snails and Leaves | 木板油画 Oil on Board90×150cm | 2020
海螺与钟 Conch and Bell | 布面油画 Oil on Canvas | 130×195cm | 2020
冠 Crown | 布面油画 Oil on Canvas | 50×60cm | 2020
舍利 The Shri | 木板油画 Oil on Board | 75×100cm | 2020
The artist reports that he is trying to perceive and understand a certain "truth" in a two-point five-dimensional intellectual way-the spiral structure existing in large time and space-time and small things; this is also a reciprocation between things and totems. Throughout the journey, the artist looks forward to welcoming the revival of "all things have spirits" along the way. In the process of totem generation, due to the continuous separation of the relationship between the image and the object, the image is gradually separated from the materiality and objectivity of the object. The artist then extracts a temperament that is only connected to the object from an "object". For example, the artist’s early work "A Look at Home I" describes the appearance of artist Yang Jian moving. The structure and sense of ritual composed of thick lines and diffuse yellow and white in the picture show a state of disorder and order during the event. ; Another example is the work "Rice", where the artist depicts the rice in the home one by one, stroke by stroke, so that the smallest and ordinary objects also have precise structure and emotion; Another example is the three large-scale paintings in the series of "Fibonacci", the artist's recent work. The artist juxtaposes the images, concepts and emotions harvested over the years in a standard picture similar to Thangka, which is like a sacred image saluted, and also like a child's literacy card. Through the weaving of sensibility and rationality, it seems to indicate a certain existence that can not be ignored.
This exhibition will display more than 20 works of the artist. Through these embryonic literal works such as "Seed", "Leaf" and "Fruit", we can clearly see this spiral road of separation and return.
The exhibition will be on view until January 22, 2022.
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He Xun, 1984 born in Jiangxi Province, 2006 graduated from China Academy of Art, and currently lives and works in Hangzhou and Beijing. Member of the JIE JUE Community. His creative medium includes paintings, installations and poetry and curating with attention to the symbolic role of agricultural civilization, wizard belief and literal habits in daily life. He emphasizes on the influence of neglected or suppressed language, folk customs, and totem worship on modern life, so as to seek for the common human emotional bonds, eternal memories and the course of its decline.
Recent solo exhibitions include: "Fibonacci" (Hunsand Space, Beijing, 2021); "Wang Jing" (imagokinetics+POP-UP GALLERY, Hangzhou, 2021); "Kalavinka" (Tong Gallery+Projects, Beijing, 2019); "The Second Oracle" (A+Contemporary, Shanghai, 2018); "Pearls of Citta" (Enclave Contemporary, Shenzhen, 2017); "Rural Rhapsody" (A+Contemporary, Shanghai, 2016), "Empty Baggage" (Hive Center for Contemporary Art, Beijing, 2013); and collected by Start Museum, GeKA and etc.
His poems and essays are published on journals as "West Lake", "Enclave", "Poem Jiangnan", "The Best Poems of China 2006", "Art World", "Artshard".Curation projects include "Go Live" with Art Museum of Nanjing University of the Arts, "Suture: A Collection of Poetry by Contemporary Art Practitioners" with UCCA STORE, Beijing and etc.
原因经过结果 The reason after that result | 布面油画 Oil on Canvas | 200×300cm | 2021
左：果子 Fruits | 布面油画 Oil on Canvas | 160×120cm | 2021
中左：叶子 Leaf | 布面油画 Oil on Canvas | 160×120cm | 2021
中右：种子 Seeds | 布面油画 Oil on Canvas | 160×120cm | 2021
右：光明 Bright | 布面油画 Oil on Canvas | 160×120cm | 2021
左：斐波那契之一 Fibonacci - 1 | 布面油画 Oil on Canvas | 200×180cm | 2020
中：斐波那契之二 Fibonacci - 2 | 布面油画 Oil on Canvas | 200×180cm | 2020
右：斐波那契之三 Fibonacci - 3 | 布面油画 Oil on Canvas | 200×180cm | 2020
左：树(大) Trees (large) | 布面油画 Oil on Canvas | 200×139.5cm | 2021
中左：光 Light | 布面油画 Oil on Canvas | 199×139.5cm | 2021
中右：盔甲与笋 Armour and shoots | 布面油画 Oil on Canvas | 130×195cm | 2020
右：黄金螺旋 Fibonacci | 布面油画 Oil on Canvas | 130×194.5cm | 2021
贺勋：黄金螺旋
展览时间：2021年11月6日 – 2022年1月22日
开幕时间：2021年11月6日 周六 下 午4点
拾萬空间于2014年成立于草场地艺术区211号院，并在2018年迁至798艺术区。拾萬空间对常规意义的方盒子展览保持警惕，意欲从当代艺术语言中的语法和语意结构出发并将之延展到更广泛的领域；希望通过持续的展览和项目，激发出当下文化中被忽视的部分，将当代艺术思想的价值生发到你我的身边。
Hunsand Space is founded in 2014, in No. 211 Caochangdi Art District, and is relocated to the 798 Art Zone in 2018. In keeping vigilance with the conventional ways of presenting art exhibitions in white cubes, Hunsand Space aims to take the semantics and syntax from the language of contemporary art as a point of departure and expand them into a broader field. Through its vigorous programs of exhibitions and projects, it hopes to stimulate the overlooked aspects in contemporary culture and brings the values of contemporary art into our lives.
拾萬空间
D-02, 798 West Street, 798 Art District, Chaoyang District, Beijing
微信 | WeChat: hunsandspace
T：010-57623059
E：hunsand@hunsand.com
W: www.hunsand.com