Stefan Rurak携新作亮相，AGO Photo首展“Bloom”，Carmen D’Apollonio个展首秀.....
欢迎来到The Buzz！我们将每两星期一次推送全球设计新闻，为Design Miami/ 社区的创意人士以及藏家提供源源不断的新鲜热讯和灵感！
Welcome to The Buzz, a biweekly roundup of design world news and inspiration for Design Miami/’s discerning community of creatives and collectors.
这一期，我们将带来的全球艺术设计要闻有：
/ Stefan Rurak新作由Todd Merrill Studio艺廊在南安普顿展出；
/ 艺术家Carmen D’Apollonio展览“Don’t Wake the Snake”在Friedman Benda艺廊展出；
/ BassamFellows: “Modern In Your Life”（使你的生活现代）展览在R & Company举行；
……
In this issue, we will bring the following highlights of design worldwide:
/ Stefan Rurak at Todd Merrill in Southampton;
/ Don’t Wake the Snake by Carmen D’Apollonio at Friedman Benda;
/ Modern In Your Life by BassamFellows for R & Company;
…….
📍英国，南安普顿
Southampton, United Kingdom
曼哈顿艺廊Todd Merrill Studio在南安普顿举办了第7届夏季快闪店，展示了布鲁克林艺术家/设计师 Stefan Rurak 的新作品。
For its 7th summer pop-up in Southampton, Manhattan gallery Todd Merrill Studio presents new works by Brooklyn-based artist-designer Stefan Rurak
绘画、桌子和书柜、手工焊接和手工涂漆钢的灯具，这整个系列作品都让人想起Paul Evans的中世纪家具，他的作品曾受到Merrill的喜欢，但Stefan Rura的这种作品氛围更加丰富多彩、更加年轻、也更加有趣。展览将持续整个夏天。
Paintings, tables, credenzas, and lighting in hand welded, hand painted steel, the collection calls to mind the mid-century furniture of Paul Evans—whose work is also championed by Merrill—but the vibe is decidedly more colorful, youthful, and fun. The show runs through the summer.
Stefan Rurak的新作品由Todd Merrill Studio艺廊在南安普顿展出。图片 © Todd Merrill Studio
New work by Stefan Rurak on view at Todd Merrill Studio in Southampton. Photo © Todd Merrill Studio
📍美国，里奇菲尔德
Ridgefield, United States
本月，纽约的 R & Company 艺廊推出“BassamFellows: Modern In Your Life”展览，这间来自康涅狄格州的艺廊长时期探讨着有关现代主义的艺术收藏议题，这次展览也是艺廊与BassamFellows合作的两部曲中的第二部分。展览在里奇菲尔德一座具有里程碑意义的菲利普·约翰逊大楼展开，这栋大楼在2018年曾由BassamFellows重修并随后设其为公司总部。
This month, New York’s R & Company opened BassamFellows: Modern In Your Life, the second installment of a two-part collaboration with BassamFellows, examining the Connecticut-based studio’s ongoing dialogue with the legacy of modernism. Presented in a landmark Philip Johnson building in Ridgefield—restored in 2018 by BassamFellows to serve as its HQ
“BassamFellows: Modern In Your Life”展览展出了艺廊的当前作品，一组由James Zemaitis策划，挑选出 R & Company 艺廊收藏系列中极具20世纪代表性的设计作品，展览还展出一组由艺术顾问Erica Barrish策展的现代艺术大师们的杰作。这两部曲的第一部分以“Carve, Curve, Cane”命名，探索 BassamFellows 的材料方法，已于 6 月在翠贝卡（Tribeca）的 R & Company 开幕。
BassamFellows: Modern In Your Life presents the studio’s current work alongside iconic 20th-century designs curated by James Zemaitis from R & Company’s collection and a grouping of modern art masterpieces curated by art advisor Erica Barrish. Part one of the collaboration, Carve, Curve, Cane, exploring BassamFellows’ approach to materials, opened at R & Company in Tribeca in June.
BassamFellows: Modern In Your Life展览，参展艺术家：Josef Albers, Alvar Aalto, Greta Magnusson Grossman, Poul Kjaerholm和BassamFellows 图片© Michael Biondo; BassamFellows and R & Company艺廊提供
BassamFellows: Modern In Your Life, featuring works by Josef Albers, Alvar Aalto, Greta Magnusson Grossman, Poul Kjaerholm, and BassamFellows. Photo © Michael Biondo; courtesy BassamFellows and R & Company
📍美国，纽约
New York, United States
艺术家Carmen D’Apollonio展览“Don’t Wake the Snake”（不要叫醒那条蛇）在Friedman Benda展出
Don’t Wake the Snake by Carmen D’Apollonio at Friedman Benda. Photo © Daniel Kukla; courtesy of Friedman Benda and Carmen D’Apollonio
纽约的Friedman Benda艺廊正在展出： “Don’t Wake the Snake”（不要叫醒那条蛇），这是旅居洛杉矶的瑞士艺术家Carmen D’Apollonio的个人首展。
On view now at Friedman Benda in New York: Don’t Wake the Snake, the first solo show for LA-based, Swiss artist Carmen D’Apollonio. Self-taught in ceramics.
展览展出了他的众多新作品：可爱又充满悲情色彩的灯具、器皿和雕塑，这些作品是他7年以来不断的研究与实验积累的结果。这个充满讽刺的新系列从现代艺术和古代考古文物的经典到日常生活中的平凡时刻，企图映射出不同的意义与影响。展览将持续至8月13日。
D'Apollonio presents new works—loveable, pathos-filled lamps, vessels, and sculptures—that are the culmination of seven years of research and experimentation. This wry new collection alludes to diverse influences, from the canon of modern art and ancient archaeological artifacts to mundane moments from everyday life. The show runs through August 13th.
每一盏灯都有自己的个性，它们就像个小人类一样，我永远都不知道将会发生什么。一个想法会引领我通向另外一个想法，就像失控了一样，我也就顺其自然的让它们发生。
Each lamp becomes its own character and seems like a little human. I never know what’s going to happen. One piece leads to another piece and there is no control. I just go with the flow.
—— Carmen D’Apollonio
📍墨西哥，墨西哥城
Mexico City, Mexico
《凌晨12:51的Kengo Kuma》，摄影艺术家组合Lake Verea创作
图片 © Lake Verea、 AGO Photo提供
Kengo Kuma at 12:51AM by Lake Verea. Photo © Lake Verea; courtesy of AGO Photo
AGO Projects艺廊最近刚刚落地了AGO Photo项目，这是艺廊在墨西哥分部的新举措，为了展示当代拉丁美洲出色的摄影作品。首展是一组由摄影艺术家组合Lake Verea（Francisca Rivero-Lake Cortina 与Carla Verea Hernández）近期共同完成的数字图像作品。
AGO Projects has just launched AGO Photo, the Mexico City gallery’s new initiative aimed at showcasing stellar contemporary Latin American photography. The debut project, Bloom, is a digital exhibition of recent photographs by Lake Verea, the collaborative studio of artist-photographers Francisca Rivero-Lake Cortina and Carla Verea Hernández.
《清晨 6:49 的Tadao Ando》，摄影艺术家组合Lake Verea创作
图片 © Lake Verea、 AGO Photo提供
Tadao Ando at 6:49 AM by Verea，Photo © Lake Verea; courtesy of AGO Photo
《深夜10:42 的Tadao Ando》，摄影艺术家组合Lake Verea创作
图片 © Lake Verea、 AGO Photo提供
Tadao Ando at 10:42 PM by Lake Verea，Photo © Lake Verea; courtesy of AGO Photo
展览展示了25幅充满情绪又精美的图像，它们是摄影师在瓦哈卡Casa Wabi基金会发现的有关自然及建筑元素的图像，这些图片体现了画廊长期以来对建筑的看法：一种加强我们与地面、天空和外部世界接触的东西。
Bloom features 25 sublime and moody images of the natural and architectural elements found at the Casa Wabi Foundation in Oaxaca, embodying the studio’s perspective on architecture: “Something that intensifies our contact with the ground, the sky, and the outside world."
📍 美国，纽约
Matter, New York, United States
虽然光是无形的，但它也可以像固体材料一样具有建筑轮廓。电磁辐射从反射表面反弹，或被丰富的吸收纹理覆盖，这种形式有助于定义图案、表示深度和放大空间。意大利建筑师出身的雕塑家 Umberto Bellardi Ricci 通过探索空间干预的相互作用，创作了一系列的纪念性家具和灯具作品。
The New York-based Italian architect’s latest furniture and lighting collection plays on the refractive qualities of bent metal. Though entirely intangible, light can have as much architectural delineation as a solid material. Bouncing off reflective surfaces, or curtained by rich absorbent textures, this form of electromagnetic radiation can help define patterns, denote depth and magnify space. A new collection of monumental furnishings and luminaires by Italian architect-turned-sculptor Umberto Bellardi Ricci explores this interplay through a series of spatial interventions.
这些极简主义的弯曲铝制作品将这间市中心的画廊变成了一个由交叉平面组成的彩虹矩阵，提供了一系列关于将平板复合材料几乎炼金术转化为三维关节的大师级即兴演奏。运用青铜和石灰华等互补的高贵材料，DAWN 系列中包括落地灯、挤压壁灯、低矮的平台沙发、阿米巴咖啡桌等。作品将在 Matter 展出，展览持续至 7 月 30 日。
These minimalist bent aluminium works transform the downtown gallery into an iridescent matrix of intersecting planes, offering a virtuoso series of riffs on the almost alchemical transformation of a flat sheet composite into three-dimensional articulations. Created using complementary noble materials like bronze and travertine, the DAWN collection includes tall floor lamps, extruded wall sconces, low-lying platform sofas, amoebic coffee tables and more. The exhibition will be at Matter until 30th July,
📍 中国，深圳
Shenzhen , China
设计互联应2021巴黎时装周的邀请，将在男装周与高定周先后上线7部由“磁器CHINA”制作出品的时尚系列短片《摩登中国》，这一系列短片捕捉近5年来中国时装设计的关键审美趋势。这一系列影片事实上源自“磁器CHINA”之前开展的一个项目，是一个长期以来专注当地趋势和文化的时尚媒体。
Design Society is pleased to present Modern China, a series of films capturing the pivotal aesthetical trend in Chinese fashion design in recent 5 years. It derives from a project by CIQIChina, a fashion media in local trend and culture.
《摩登中国》以前所未有的方式将起源于19世纪欧洲的“中国风”重新诠释为“时尚中国风”，这一潮流逐渐在中国年轻一代中越来越流行。这套影片由“节气”、“节日”、“文物”、“象征”和“生活”五个部分组成，探索传统文化作为年轻一代丰富灵感来源的意义和价值。通过在线放映，设计互联希望展示中国当代设计师如何向他们悠久的传统致敬，创造一种替代现代化社会的沉浸式体验。
Modern China initiates an unprecedented way to reinterpret “Chinoiserie”, a fashion trend originated in the 19th century in Europe, into a “fashionable Chinoiserie”, a trend getting increasingly popular among the younger generation in China. The set of film comprises five sections: Solar Terms, Festivals, Artifacts, Symbols and Lives, exploring the meaning and value of traditional culture as a rich source of inspiration for the younger generation.Through online screening of these films, design society wishes to showcase how Chinese contemporary designers are paying homage to their long tradition, creating an immersive experience alternative to the modernized society.
📍 英国，伦敦
London, United Kingdom
6月30日，Phillips拍卖行在夏季设计拍卖会中总计拍卖金额1170万英镑，这是公司历史设计拍卖会的最高纪录。这次拍卖会也是今年夏天伦敦举办的唯一一次大型线下拍卖会。Phillips拍卖行逐步吸引了越来越多对室内设计、家具及装饰艺术感兴趣的藏家们。
30th June, Phillips achieved an impressive £11.7m in its summer design sale, the highest total for a design auction in the company’s history. The only major auction house holding an in-person design sale in London this summer, Phillips was able to appeal to an audience increasingly attuned to their own interiors and eager to enhance them with outstanding pieces of furniture and decorative art.
《‘Les Palmiers’ 吸烟室》, 艺术家Jean Dunand
‘Les Palmiers’ smoking room, Jean Dunand
艺术家Jean Dunand精致的《‘Les Palmiers’ 吸烟室》，以 330 万英镑（估价 150 万英镑至 200 万英镑）售出，这间吸烟室曾于 1930 年至 1936 年为巴黎科莱特·阿布卡亚小姐 (Mademoiselle Colette Aboucaya) 的住所设计，这也刷新了艺术家的世界拍卖纪录。
Jean Dunand’s exquisite ‘Les Palmiers’ smoking room, created for the residence of Mademoiselle Colette Aboucaya, in Paris, in 1930-1936, which sold for £3.3 million (est. £1.5m-£2m), a world record for the artist.
《D-沙发》, Ron Arad
‘D-Sofa’, Ron Arad
艺术家Ron Arad见证了他 1993 年生产的《D-沙发》竞标价超过了 120,000 英镑的最高估价，达到了惊人的 1,232,500 英镑，同样刷新了他的世界拍卖纪录。
Ron Arad, who saw bidding on the 1993 Prototype for his ‘D-Sofa’ sail past the £120,000 high estimate to arrive at an astonishing £1,232,500, his own new world auction record.
《Daybed》, Katsu Hamanaka
1935 年，由旅居巴黎的日本设计师 Katsu Hamanaka，一位漆器专家为巴黎 Colette Aboucaya 小姐的住所设计的《Daybed》以 403,200 英镑的价格创下了艺术家的世界拍卖纪录，是最低估价的两倍200,000 英镑。
The ‘Daybed’ designed in 1935 by the Paris-based Japanese designer Katsu Hamanaka, a specialist in lacquer, also from the residence of Mademoiselle Colette Aboucaya, Paris, achieved an artist’s world auction record, selling for £403,200, twice the low estimate of £200,000.