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New Mao Livehouse to Open in Wukesong

Kyle M. theBeijinger 2018-11-16

Usually it's the closure of yet another Beijing music venue that makes headlines, but thankfully not this time. Instead, most of the capital's music buffs will be pleasantly surprised to hear about the opening of a new Mao Livehouse in Wukesong. Others might be irked or intrigued – depending on where their loyalties lie – by the fact that this new Mao will not be opened by the owners of the long-running original Mao on Gulou Dajie but instead Shiji Lemeng Culture Communication Co., the company that has operated Mao Livehouses in Shanghai, Hangzhou, Chongqing, and Kunming after a contentious falling out with Mao founder Li Chi.

Despite the tense history between the Beijing and remaining Mao camps, Shiji Lemeng's Assistant Marketing Director Piao "Tina" Dongmei was quick to downplay word of bad blood.

"Like other fans of Mao Gulou, I felt very sorry and even surprised when I heard the announcement regarding its closure," Piao tells the Beijinger of the livehouse's official shuttering last year, before it subsequently, albeit quietly, continued putting on shows on a regular basis to this day. Piao adds: "It is undeniable that Mao Gulou has had an indispensable impact in introducing indie music to Beijing in the past 10 years."

Instead of Shiji Lemeng infringing on Mao Gulou's turf, Piao sees the opening of the new Wukesong livehouse as something far more positive. She says: "I would never want to see it as a competition between us and any other livehouse in Beijing. Because we are serving people with music, and music is everything ... Our mission is to help indie music’s further thriving and introduce a livehouse as a vibrant lifestyle to audiences in China."

Mao founer Li Chi


Mao founder Li Chi also tried to be gracious when asked about the Wukesong opening. Though he is by no means thrilled about them using the Mao name, his inner music nerd can't help but be pleased to see another venue opening in Beijing. It's also unlikely that his business will be directly affected – apart from some confusion on the part of gig-goers every now and then – given that the new venue is in the western Beijing boonies. He tells the Beijinger that he was first inspired to open Mao during a visit to Tokyo in his youth, where he saw numerous music venues thriving and quickly longed for Beijing to have an equally healthy scene.

"My intention from the very beginning of opening Mao was to help provide a better venue for young bands," he says. "And my deepest wish was always to see more and more professional venues established in China. So I'm happy to see conditions like this now."

The original Mao in Gulou


That being said, Li Chi does point out, "It is their (Shiji Lemeng's) choice to use Mao as their title. But almost everyone in this town knows I'm the founder of Mao. So all we need to solve is the issue of them using the Mao name as we do."

Li Chi clearly longs to regain ownership of that moniker, saying that, "maybe one day none of their venues will not be called Mao in any city. But regardless, seeing more and more venues opening in China is my dream come true."

Despite that lingering point of contention, Shiji Lemeng is clearly eager to move ahead with establishing its Wukesong Mao. Though no specific opening date has been announced, a poster for the forthcoming venue is prominently on display on its outer wall (in the top photo).

Piao says the livehouse will open in July, and she and her colleagues plan to host at least 150 gigs there per year, featuring a variety of genres across the rock, hip-hop, and electronica spectrum. She adds that the venue will be about 700 square meters and have a capacity of approximately 1,000 people.

The Beijinger will follow up with more details about the Wukesong Mao once they are available.

Photos: Courtesy of Mike Wester, Li Chi



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