展览现场 On Site | 翁纪军 Weng Jijun & 文森漆 Wensen Qi 双个展「髹行」
翁纪军 & 文森 漆
Weng Jijun & Wensen Qi
髹行
The Enduring Practices of Lacquer
01/09 > 10/10/2018
上海市衡山路199号永平里105栋
Bldg 105, Yong Ping Lane, 199 Hengshan Road, Shanghai
展览现场 | ON-SITE IMAGES
翁纪军 & 文森漆 「髹行」展览现场 @ 杜梦堂（上海）
Weng Jijun & Wensen Qi, installation view of The Enduring Practices of Lacquer @ Galerie Dumonteil Shanghai
关于翁纪军 | ABOUT WENG JIJUN
翁纪军具有深厚的传统漆艺功底，在借鉴传统的基础上持续探索创新。他的作品以传统大漆为主要材料，主要工艺技法为变涂彩绘并施以贴箔通过髤涂罩染打磨抛光。表现题材从早期的静物系列和佛像系列逐渐发展为注重漆材料本身的抽象视觉表达。除漆画外，艺术家还运用为大漆脱胎的传统工艺制作立体漆器。主要作品包括《红系列》、《山水系列》、《佛头系列》以及近期的《集聚系列》、《角度系列》等。
Deeply rooted in the history of lacquer art in China, Weng Jijun continues to explore and innovate while persisting the tradition. Weng uses wood panel and lacquer as his basic materials for painting, and various sophisticated lacquer-making techniques as his expressions. The subjects and themes evolved from the early still life and Buddhists to the abstract visual representations of lacquer, the material itself. In addition to lacquer paintings, the artist also makes sculptures with bodiless lacquer techniques. His main series including ‘Red’ series, ‘Landscape’ series, ‘Buddha’ sereis, as well as recent ‘Gathering’ series, and ‘Angle’ series, etc.
翁纪军《角度》系列展览现场 @「髹行」展览现场，杜梦堂（上海）
Weng Jijun, Angle series installation view @ The Enduring Practices of Lacquer, Galerie Dumonteil Shanghai
翁纪军（1955年出生于上海），1981年江西师范大学艺术学院毕业，1996年中央美术学院壁画课程结业，后任教于上海工艺美术学校，现为中国美术家协会会员、中国漆器专业指导委员会委员、上海美术家协会漆画艺委会副主任。
Weng Jijun (b. 1955, Shanghai, China) graduated from Jiangxi Normal University College of Fine Arts in 1981 and from the Mural Paintings department of Central Academy of Fine Arts in 1996. Later he began his teaching career at Shanghai Art & Design Academy. He is recognized as a member of China Artists Association, China Professional Lacquer Steering Committee, and vice director of Working Committee of Lacquer Painting, Shanghai Artists Association.
翁纪军的作品屡获殊荣，包括：上海美术大展沈柔坚艺术基金奖（2015及2017），第三届全国漆画展优秀作品奖（2012），上海世博会中国美术作品展览漆画优秀作品奖（2010），第二届全国漆画展优秀作品奖（2007）等。艺术家的作品被国内许多重要艺术机构收藏，包括：广州博物馆、福建美术馆、中华人民共和国奥林匹克委员会，上海世博主委会等。重要著作包括：《翁纪军作品集》，上海美术家协会编辑出版（2005），千文万华—漆艺》著作，上海科技教育出版社出版（2006）等。
Weng Jijun’s work has won numerous awards in China including: “Shenroujian” Art Fund Prize of the 9th Shanghai Art Exhibition (2017); “Shenroujian” Art Fund Prize of the 8th Shanghai Art Exhibition (2015); Recognition Award of the 3rd National Lacquer Painting Work Exhibition (2012); Recognition Award of the 3rd National Lacquer Painting Work Exhibition (2012); Recognition Award of the 2nd National Lacquer Painting Work Exhibition (2007). His work has been collected by major art institutions in China such as Guangzhou Museum of Art, Fujian Museum of Art, Chinese Olympic Committee, Expo Shanghai China, etc. His publications include “Weng Jijun”, 2nd column of Shanghai Artists Work Collection (2005); “Splendidness - Lacquer Art”, Shanghai Scientific and Technological Education Publishing House (2006).
翁纪军《记忆 2017-1》@ 「髹行」展览现场，杜梦堂（上海）
Weng Jijun, Memory 2017-1 installation view @ The Enduring Practices of Lacquer, Galerie Dumonteil Shanghai
关于文森 漆 | ABOUT WENSEN QI
©文森漆Wensen Qi
文森漆（1977年出生于图卢兹地区，法国），原名Vincent Cazeneuve，毕业于利维尔工艺艺术学院（Ecole des Metiers d’Art）完成学业，随后建立自己的第一个工作室，并致力于西方与亚洲漆器的修复工作。为了进一步掌握漆画技法，文森于2009年移居中国重庆，一心钻研漆艺，以及与漆艺相关的中国传统文化。在学习过程中，文森逐步发展出其独特的艺术语言和审美，用看似简约实则繁复的语言对东西方文化兼容并蓄，并进一步探索将其他材料融入漆画的可能性，如苎麻帆布、麻绳、竹子、皮革等。同时，他还尝试汲取版画、浮雕印花、马赛克拼贴等其他艺术形式，使其作品拥有丰富的层次和触感。
Wensen Qi (b.1977 in Toulouse, France)，aka Vincent Cazeneuve, accomplished his study at Ecole des Metiers d’Art in Revel before opening his first studio specialized in the restoration of Western and Asian lacquer wares. To acquire the full knowledge of lacquer art, Wensen moved to Chongqing, China in 2009 and committed himself to deciphering the secret of lacquer as well as the traditional Chinese culture around this particular form of art.
He gradually developed his own narratives and aesthetics from both occidental and oriental influences with his deceptively simple and yet complex language, and further explored the integration of lacquer with materials including ramie canvas, rope, bamboos, leather, etc. Wensen also adopts various texture effects, such as lithography, relief prints and mosaic collage, lending his artworks rich layers and tactile feelings.
文森漆《无题》@ 「髹行」展览现场，杜梦堂（上海）
Wensen Qi, Untitled installation view @ The Enduring Practices of Lacquer, Galerie Dumonteil Shanghai
文森漆的作品曾在国内外广泛展出，其中个展包括：新新艺术画廊，香港（2017）；杜梦堂，上海（2015）；布普瑞城堡（Chateau de Beaupré）, 罗讷河口（Bouches-du-Rhône），法国（2015）；叶娜卡特别墅画廊（Yenakart Villa art gallery），曼谷，泰国（2015）；Roguet 空间（Espace Roguet），图卢兹，法国（2014）等。文森的作品已被纳入法国、意大利、美国、瑞士和中国等地的私人收藏。
Wensen’s work has been the subject of solo exhibitions both nationally and internationally, including Sin Sin Fine Art, Hong Kong (2017); Galerie Dumonteil, Shanghai (2015); Chateau de Beaupré, Bouches-du-Rhône, France (2015); Yenakart Villa Art Gallery, Bangkok (2015), Espace Roguet, Toulouse, France (2014), etc. Wensen’s work has also been included in private collections in France, Italy, US, Switzerland and China.
文森漆《无题》@ 「髹行」展览现场，杜梦堂（上海）
Wensen Qi, Untitled installation view @ The Enduring Practices of Lacquer, Galerie Dumonteil Shanghai