尚-马理·费欧理 JEAN-MARIE FIORI：我就是那个住在大人身体里的孩子

尚-马理·费欧理

JEAN-MARIE FIORI

尚-马理·费欧理 (Jean-Marie Fiori，1952年出生)，现工作生活于巴黎。早期创作以壁画及装饰艺术为主，后于90年代初全情投入雕塑的创作，近年来更以其“功能性雕塑”独树一帜。在材质方面，艺术家也不断突破自我，早期以大理石、汉白玉直接雕刻，后钻研翻模铸铜、烤漆铜雕，以及陶瓷作品的创作。

费欧理作品的灵感主要源自高古文明(High Antiquity)，尤其是亚述文明的碑石、浮雕，爱琴海地区基克拉泽斯文明的极简主义(Cycladic Minimalism)等，而其创作的野兽形象大多基于古希腊神话和寓言等典故，忠于其审美与文化修养。同时，费欧理的作品以当代的视野展现了鲜明的个人风格——既拥有神像般的庄严，又透着孩童般的纯真。
Jean-Marie FIORI (b.1952) is a french artist who lives and works in Paris. With an early focus on fresco and decorative arts, Fiori devoted himself to sculpture in the early 1990s, and more recently, distinguished himself with his functional sculptures. 
The artist has also experimented with varied materials, starting from direct cutting in alabaster and marble to bronze casting and later lacquered bronze and biscuit porcelain.
Fiori's work is also inspired by heritages of the High Antiquity, particularly Mesopotamian Art and Cycladic Minimalism. Associated with Ancient Greek mythologies and fables, Fiori's creations remain true to his essential aesthetic and culture.
A contemporary vision of his highly distinguishable personal style, Fiori's "beasts" are imbued with dignity, but also childlike purity, sincerity, and mischievousness, bringing heartfelt joy to the viewer.

尚 – 马理·费欧理 Jean-Marie FIORI | 2006 | 马的头像 Horse's Head | 汉白玉 Alabaster | 45 x 32 x 60 cm

尚 – 马理·费欧理 Jean-Marie FIORI | 2005 | Cannelle | 汉白玉 Alabaster | 38 x 39 x 38 cm

曾经利穆赞(Limousin)高中操场上的玩伴居然在二十五年后巴黎艺术圈再次相遇，没有什么比一个艺术家和一个画廊主像这样的殊途同归更让人惊喜了。

—— 皮耶·杜梦堂 Pierre Dumonteil

或许是命运的安排，尚-马理·费欧理和皮耶·杜梦堂(Pierre Dumonteil)在同期就读于利穆赞(Limousin)地区的Lycée Gay-Lussac高中(1968-1971)。费欧理独特的想法、幽默的个性和出众的模仿能力给Pierre留下了深刻印象，两人从那时起就成为了朋友，但在Pierre1974年移居巴黎后失去了联系。直到九十年代初，两人在费欧理参展的一个巴黎画展中再次相遇。

Lycée Gay-Lussac高中，利穆赞，法国 | Lycée Gay-Lussac, Limousin, France

The fascinating story of an artist and an art dealer whose paths crossed from a random encounter on a school bench during their high school years in the Limousin lands. The two were destined to join forces twenty-five years later on the Parisian art scene.

—— Pierre Dumonteil

Perhaps it was fate that Jean-Marie Fiori and Pierre Dumonteil both studied at Lycée Gay-Lussac (1968-1971), a boarding high school at the Limousin area in central France. Soon Dumonteil was impressed by Fiori's eccentric personality, humor, and extraordinary ability to imitate. The two remained friends until Dumonteil moved to Paris in 1974. They found each other again in the early 1990s at a painting exhibition in Paris in which Fiori was exhibiting.

尚 – 马理·费欧理 Jean-Marie FIORI | 1995 | 石雕花器 Stone Flowerpot | 石头，石板铭文，粉红大理石 stone, slate inscription, pink marble

 过人天赋——绘画转向雕塑 

 Discovery of An Exceptional Talent: 

From Painting to Sculpture 

重逢前，费欧理的创作以绘画为主。毕业于法国国立高等美术学院(l’École Nationale des Beaux-arts)绘画专业的费欧理做过各种不同的尝试。他曾以“耶稣诞生”的主题探讨如何把神圣具象化。自1989年起，他在Polycrea艺术学院(l'École Polycrea)壁画专业任教。同时，他还参与了众多建筑、设计事务所的壁画项目，其中包括在普罗万(Provins)完成的大型错视(trompe-l'œil)画。尽管在专业上备受认可，费欧理却始终无法从绘画中获得实现自我的满足。

在很长一段时间里，我一直在努力画画，但我对我的各种尝试并不满意。我需要体量(Volume)、渴望体量，已至我创作了许多“错视画”，画作上也堆满了厚厚的石膏层，经过处理后再上色。可以说，通往‘体量’的道路是自然而然建立起来的。

—— 尚-马理·费欧理

对体量(Volume)创作的渴求让他在90年代初开始尝试雕塑创作。而当Pierre Dumonteil造访费欧理的工作室时，作为画廊主、20世纪雕塑和绘画方面专家的老同学看出了费欧理在雕塑上的过人天赋。在他的鼓励下，费欧理全身心投入到雕塑的创作。

尚 – 马理·费欧理 Jean-Marie FIORI | 1993 | 亚当的王座 Adam's Trone | 查芙妮石，拉沃石，色粉 chauvigny stone, lavoux stone, pigments | H: 45 cm

Prior to their reunion, Fiori mainly focused on pictorial creations. A graduate of the painting department at l’École Nationale des Beaux-arts, he once explored the representation of the sacred with two huge panels depicting the Nativity. Since 1989, while teaching fresco at l'école Polycrea, Fiori has involved in multiple projects of architectural and interior design agencies, including a monumental trompe-l'œil fresco painting at Provins, France. Despite all the recognitions, Fiori was unable to make himself satisfied through painting. 

I practiced painting for a long time, but I was not satisfied with my various attempts.

I needed volume; I was in desire of volume. It's not surprising that I worked a lot on "trompe-l'oeil". Before I concentrated on sculpture, my paintings were already thick with layers of plaster, worked and then colored. The passage to volume was thus built "naturally", I would say inevitably.

—— Jean-Marie Fiori

His desire for volume led him to sculpture. When his old friend Pierre Dumonteil, a gallerist and registered art expert in sculpture and painting of the 20th century, visited his studio and discovered his works, he strongly advised the artist to devote himself to sculpture, for which he had an exceptional talent. 

尚 – 马理·费欧理 Jean-Marie FIORI | 1993 | 亚当和夏娃 The Wall of Adam & Eve | 多色蜂窝混凝土 polychrome cellular concrete | H: 3.20 m

最初，对材质和色彩有着敏锐直觉的费欧理选择以直接雕刻的方式在汉白玉、莫里恩石膏、蜂窝混凝土、大理石等材质上创作，再配以丰富的色彩。1993年，杜梦堂(巴黎)为其举办了首次个展“亚当与夏娃之墓的假想”，一位德国重要藏家收藏了展览的标志性作品《亚当与夏娃的墓墙》，之后又委托费欧理创作了多件大型作品。

费欧理在雕塑上展现的才华很快为他赢得了许多新的项目，其中包括为西班牙马略卡岛(Majorca)的Pinter基金会创作的“动物之柱”(Tour aux bêtes, 1997)，以及为法国塞里斯(Serris)新开发的学区La Cité des Enfants创作的公共雕塑“Dolmen de Serris”(1999)。

“动物之柱 ” 项目

"TOUR AUX BETES" PROJECT

西班牙马略卡岛Majorca, Spain  | 1997

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艺术家手稿

Artist Manuscript

At first,  with a strong sensitivity towards material and color, Fiori executed his sculptures indirect size, unique pieces in alabaster, Maurienne gypsum, cellular concrete, or marble, to which he brought sumptuous polychromy. In 1993, his first solo exhibition "The Imaginary Tombs of Adam and Eve" was held at Galerie DUMONTEIL Paris. A large tomb wall piece that inspired the exhibition title was bought by a large German collector who subsequently commissioned several monumental works.

Soon Fiori's talent for sculpture won him more and more commissions, including 'Tour aux Bêtes(Tower of the Animals)' for the Pinter Foundation in Majorca, Spain (1997), and "Dolmen de Serris", a public sculpture for La Cité des Enfants, a newly developed school district in Serris, France (1999). 

“塞里斯碑” 公共项目

"DOLMEN DE SERRIS" PROJECT

法国塞里斯市

Serris, France  | 1999

费欧理早期的石雕作品以古希腊、美索不达米亚等古文明为灵感，延续了艺术家一贯对神圣的追求，在后续的创作中费欧理将这份追求融入了自身的造型语汇，成为支撑其作品的内在力量。

在古文明的艺术中，真正让我着迷的是这个令人惊叹的世界。

—— 尚-马理·费欧理

Inspired by the wonders of High Antiquity civilizations, Mesopotamia in particular, Fiori's early stone sculpture continued the artist's consistent pursuit of the sacred, which was gradually absorbed into his stylistic vocabulary, thus became the inner strength of his work.

What fascinates me in the art of "ancient" civilizations is first of all the wonder of the world.

—— Jean-Marie Fiori

尚 – 马理·费欧理 Jean-Marie FIORI | 1998 | Castelnau碑 "Castelnau" Stele | 石头, 大理石, 孚日灰, 火山石, 颜料 stone, marble, Vosges grey, volcanic stone, pigments

 让石头敞开心扉 

 Bringing Stone to Life 

费欧理的作品始终忠于其审美与文化修养。渐渐地，作品日趋成熟的他开始钟情于创造各种动物形象，尤为偏爱鸟类、猫科动物和羊族。在他的工作室随处可见各种“野兽”，从羚羊和猎豹身上流畅的线条，到公羊和熊身上起伏的毛发，尽显其精湛技艺。材料的朦胧质感与艺术家丰富大胆的着色相得益彰。

尚-马理·费欧理的动物们犹如那些绽放在法国后印象派画家亨利·卢梭(Henri Rousseau)绘画中的花朵，用色彩、纯真和美感，神奇地赋予石头生命。费欧理的创作是我们灵魂的伴侣，将他的独创性带给我们。每次我离家时都会问候我的鹦鹉，因为我知道，它在静静的聆听我。

感谢费欧理，因为有你，这些石头才能敞开心扉与我交谈。

—— Gérard Depardieu法国演员、电影制片人、著名藏家

 鸟类 BIRDS 

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老鹰头像 Eagle's Head

2004 | 汉白玉 Albaster | 60 x 30 x 39 cm

猎鹰头像 Falcon's Head

2004 | 汉白玉 Albaster | 45 x 50 x 25 cm

军舰金刚鹦鹉头像 Military Macaw

2009 | 汉白玉 Albaster | 55 x 71 x 31 cm

蓝黄金刚鹦鹉头像 Blue-and-Yellow Macaw

2008 | 汉白玉 Albaster | 67 x 55 x 39 cm

玫瑰鹦鹉头像 Rosella's Head

2008 | 汉白玉 Albaster | 55 x 45 x 30 cm

蓝金刚鹦鹉头像 Blue Macaw's Head

2007 | 汉白玉 Albaster | 60 x 45 x 35 cm

公鸡头像 Rooster's Head

2009 | 汉白玉 Albaster | 60 x 50 x 25 cm

Fiori's work is increasingly mature and remains true to his essential aesthetic and culture. Gradually, he became attached to animal figures, particularly birds, felines, and rams. In his studio surrounded by his “beasts” — from the pure and sleek lines of the oryx or the leopard to the rough and rugged hairs of the ram and the bear — the ingeniously translucent material allows him to expand his talent by giving rich radiation to the color that characterizes his sculptures.

Like flowers that would have sprung out of Douanier Rousseau’s paintings, with the color, the naivety, and the beauty, all his animals are magically bringing stone to life. Jean Marie Fiori’s creations are the keepers of our souls, giving us his originality, as every time I leave my house, I talk to my parrot, and I know he can hear me.

Thank you, Jean-Marie Fiori, because it is only thanks to you that those stones open up to me.

—— Gérard Depardieu

French actor, film producer, art collector

 公羊 RAMS 

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公羊头像 Ram's Head

2015 | 汉白玉 Albaster | 72 x 72 x 60 cm

公羊头像 Ram's Head

2012 | 汉白玉 Albaster | 50 x 65 x 36 cm

公羊头像 Ram's Head

2005 | 汉白玉 Albaster | 51 x 60 x 37 cm

阿拉伯大羚羊头像 Arabian Oryx's Head

2007 | 汉白玉 Albaster | 100 x 80 x 30 cm

公羊头像 Ram's Head

2014 | 汉白玉 Albaster | 73 x 50 x 55 cm

 猫科动物 FELINES 

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狮子头像 Lion's Head

2006 | 汉白玉 Albaster | 65 x 72 x 30 cm

老虎头像 Tiger's Head

2005 | 汉白玉 Albaster | 75 x 65 x 32 cm

猎豹头像 Cheetah's Head

2004 | 汉白玉 Albaster | 50 x 70 x 60 cm

 熊 BEARS 

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棕熊头像 Brown Bear's HeadCannelle

2005 | 汉白玉 Alabaster | 38 x 39 x 38 cm

棕熊头像 Brown Bear's Head

2007 | 汉白玉 Alabaster | 50 x 70 x 60 cm

熊猫头像 Panda's Head

2005 | 汉白玉 Alabaster | 38 x 37 x 30 cm

白熊头像 White Bear's Head

2002 | 汉白玉 Alabaster | 30 x 33 x 50 cm

私人收藏 Private Collection

Image ©Maison francaise, 2005

尚 – 马理·费欧理 Jean-Marie FIORI | 2005 | 山魈头像 Mandrill's Head | 汉白玉 Alabaster | 65 x 76 x 40 cm

尚 – 马理·费欧理 Jean-Marie FIORI | 2003 | 野猪头像 Boar's Head | 汉白玉 Alabaster | 48 x 34 x 60 cm

 走近铜雕，才华尽展 

 Approaching the Bronze, 

 Talent in Full Bloom 

在与杜梦堂合作后，费欧理开始真正接触铜雕。刚开始他对铜并不是很感兴趣，但在不断了解的过程中他渐渐喜欢上了铜——这一承载悠久人文历史的高贵材质。而技术上的困难和高昂的制作成本成为了将创作实体化的阻碍，好在杜梦堂画廊给予了制作上的全力支持，让艺术家得以不受限制地施展他的才华。时至今日，铜已经成为艺术家最喜欢的材质。

It was not until collaborating with Galerie Dumonteil that Fiori truly encountered bronze — a noble material with a long human history. In the beginning, he was not very interested in this material. Over the years, he has learned to love and understand it. However, technical difficulties and high production costs are obstacles to bringing the creation to life. Fortunately, the fact that Galerie Dumonteil takes care of all the production aspects has allowed the artist to create his bronze works without limits. Today, bronze has become the artist's favorite material. 

 铜雕 BRONZE 

图片来源：ELLEDECO家居廊 | Tiffany Shi 惠允, 包含尚 – 马理·费欧理的《法国斗牛犬》| Image ©Elle Decoration

尚 – 马理·费欧理 Jean-Marie FIORI | 2006 | 铜雕, 艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry 

Left 左: 法国斗牛犬 French Bulldog | 32 x 33 x 17cm

Right 右: 八哥犬 Pug | 30 x 33 x 19cm

费欧理作品中所有的美感和意义都源自他创作的初衷——用最直接的、每个人都能理解的方式触动我们的心灵和情感。这是对普遍和永恒的追求。

—— 皮耶·杜梦堂

费欧理在雕塑上的才华和全身心的投入同样受到了专业的认可。艺术家于2009年被授予了动物雕塑的最高荣誉“爱德华-马塞尔·桑度斯奖(le prix Edouard-Marcel Sandoz)”，后于2012年入选了重要美术馆展览“100件动物雕塑：从20世纪30年代到当代艺术（100 Sculptures Animalières : des Années 30 à l’Art Contemporain，30年代美术馆，布洛涅-比扬古，法国）”，与克莱尔·摩根(Claire Morgan)、威姆·德沃尔(Wim Delvoye)等共同呈现当代部分与动物有关的创作图景 。

尚 – 马理·费欧理 Jean-Marie FIORI | 2003 | 狮子 Lion | 铜雕，艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry | 140 x 45 x 108 cm | 展览现场 Installation view @ PAD LONDON, 2017

尚 – 马理·费欧理 Jean-Marie FIORI | 2002 | 羊 Ram | 铜雕, 艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry | 70 x 115 x 50 cm

All the beauty and the very meaning of Jean-Marie Fiori’s work is held in his simple wish to touch our hearts and sensitivities in a  straightforward way, comprehensible to everyone, leaving its mark on the universal and the timeless.

—— Pierre Dumonteil

Fiori's talent and dedication have also been recognized in the academic field. In 2009, the artist received "le Prix Edouard-Marcel Sandoz", the most distinguished art prize for the representation of animals. Later in 2012, his work was included in the significant museum exhibition "100 Animal Sculptures: from the 1930s to Contemporary Art", along with Wim Delvoye, Claire Morgan, etc., for the contemporary art part at Musée des Années 30, Boulogne-Billancourt, France.

 上漆铜雕 LACQUERED BRONZE 

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绿色金刚鹦鹉头像 Green Macaw's Head

2013 | 上漆铜雕, 艺术家署名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 58 x 70 x 45 cm

红色金刚鹦鹉头像 Red Macaw's Head

2013 | 上漆铜雕，艺术家签名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 57 x 50 x 45 cm

紫蓝金刚鹦鹉头像 Hyacinth Macaw

2013 | 上漆铜雕, 艺术家署名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 60 x 53 x 37 cm

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法国斗牛犬，八哥与吉娃娃

French Bulldog, Pug, and Chihuahua

2010

上漆铜雕 Lacquered bronze

吉娃娃 Chihuahua

2010 | 上漆铜雕，艺术家签名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 32 x 30 x 19 cm

八哥 Pug

2010 | 上漆铜雕，艺术家签名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 32 x 30 x 18 cm

法国斗牛犬 French Bulldog

2010 | 上漆铜雕，艺术家签名，Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | 32 x 32 x 18 cm

出于对色彩的喜爱，费欧理从2010年开始尝试用烤漆工艺为他的铜雕作品上色。这在铜雕中并不常见，一方面是因为铜雕自身的锈色工艺是其凝练优雅的重要象征，很少有人敢于将铜雕与色彩夺目的烤漆联系在一起；另一方面是因为铜雕制作原本就工艺复杂、造价高昂，再加上烤漆的工艺就更加耗时耗力。但费欧理最终成功说服了Pierre Dumonteil，这位他长期信赖和仰仗的合作伙伴，支持他创作了一系列别具一格的上漆铜雕作品。

Around 2010, Fiori's fondness for colour led him to coat his bronze creations with a shiny lacquer finish, which few would dare to associate with the all-time adored patinaed bronze, the very essence of refined elegance, not to speak of the additional high cost and long production time. Nevertheless, Fiori was able to convince Pierre Dumonteil — the partner he has long trusted and relied on — to lacquer the bronze with some of his works, which turned out to be a risk worth taking.

尚 – 马理·费欧理 Jean-Marie FIORI | 2013 | 马的头像 Horse's Head | 上漆铜雕, 艺术家签名, Deroyaume 铸造厂 Lacquered Bronze, signed, Deroyaume Foundry | 100 x 80 x 47 cm

尚 – 马理·费欧理 Jean-Marie FIORI | 2016 | 巨嘴鸟 Toucan | 上漆铜雕, 艺术家签名, Deroyaume 铸造厂 Lacquered Bronze, signed, Deroyaume Foundry | 40 x 40 x 25 cm

尚 – 马理·费欧理 Jean-Marie FIORI | 2016 | 鸭子 Duck | 上漆铜雕, 艺术家签名, Deroyaume 铸造厂 Lacquered Bronze, signed, Deroyaume Foundry | 40 x 40 x 25 cm

2013年，应法国赛夫尔陶瓷制造局(Manufacture de Sèvres)的邀请，费欧理首次将自己的作品《大嘴鸟》和《金刚鹦鹉》以赛夫尔最著名的素瓷赋予雕塑朦胧的质感，创造了纯净、梦幻的动物形象。

In 2013, invited by the Manufacture de Sèvres (France), Fiori rendered his two works, "Head of Toucan" and "Head of Macaw", in biscuit porcelain — one of Sèvres' most famous creations, transforming them into pure, dreamlike fantasy.

 素瓷 BISCUIT PORCELAIN 

尚 – 马理·费欧理 Jean-Marie FIORI | 2010 | 巨嘴鸟头像 Head of Toucan | 素瓷, 塞夫尔国家陶瓷制造局 Biscuit Porcelain, Manufacture de Sèvres | 52 x 70 x 30 cm

尚 – 马理·费欧理 Jean-Marie FIORI | 2010 | 金刚鹦鹉头像 Head of Macaw | 素瓷, 塞夫尔国家陶瓷制造局 Biscuit Porcelain, Manufacture de Sèvres | 56 x 65 x 37 cm

“动植物集”展览现场 @ 塞夫尔国家陶瓷制造局 Fauna & Flora installation view at Manufacture de Sèvres | Image ©Rebecca Fanuele

2014年，费欧理用其独特的造型风格创作了大型铜雕作品《马之丰碑》，高达2.6米的作品借鉴了古希腊遗迹中骏马的形态，不同于以往对马奔腾驰骋的描绘，艺术家选择用近乎庄严的站姿赋予马绝对的自主，表达对马这一物种的敬意。该作品曾于“法国五月”活动期间展出于香港皇后像广场(2014), 并于贝鲁特艺术周(Beirut Art Week)期间在勒格雷酒店(Hotel le Gray)前展出(黎巴嫩，2014)，后于巴黎PAD博览会期间展出于杜乐丽花园(2015)。

In 2014, Fiori created "The Monument for a Horse", a 2.6-meter-high monumental work that draws inspiration from ancient Greek ruins. Unlike the usual evocative portrait of a horse that emphasizes its sportive or physical qualities, this work of Jean-Marie FIORI, standing in an almost solemn manner, is intended to be a tribute to the Horse in general. 

This majestic work was exhibited at Statue Square in Central Hong Kong during the French May (China, 2014), in front of the Hotel le Gray during Beirut Art Week (Lebanon, 2014), and at Jardin des Tuileries during PAD Paris (France, 2015).

 大型雕塑 MONUMENTAL SCULPTURES 

 马之丰碑 THE MONUMENT FOR A HORSE

2013 | 铜雕, 艺术家签名, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | 限量8件 Limited edition of 8 | 263 x 240 x 83 cm | 香港皇后像广场 Installation view at Statue Square, Hong Kong

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鸟之穹THE ARCH OF BIRDS

2013 | 铜雕, 艺术家签名, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | 限量8件 Limited edition of 8 | 320 x 220 x 140 cm

 独树一帜的功能性雕塑 

 Enchanted Functional Sculptures 

一直以来，费欧理时常将设计与建筑的元素融入自己既有的雕塑语言中，进一步丰富自己的动物寓言。从早期石雕的牛头杯、象头杯，到小件的功能性雕塑如对椅、边几，再到长椅、边桌、烛台、花器、橱柜等，以及极富建筑感的室外作品《鸟之穹》。他希望能用自己的作品来美化日常生活，尽可能地让它充满奇迹。但他同时强调：

无论有功能与否，我的所有作品首先是一件雕塑。设计的工业层面对我来说完全是陌生的。我的作品保持着绝对的 ‘工匠精神’。作品是一件一件制作的，数量少，成本高，制作时间长。珍贵、高雅、稀有和尽可能地追求完美，这些是我的标准。是的，我知道：这种做法是非常不真实的......

—— 尚-马理·费欧理

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双鹿边几 Deer Side Tables

2003 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 25 | 46 x 32 x 32 cm

猴子矮凳 (一对) Pair of Tampouf

2003 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 25 | 48 x 31.5 x 31.5 cm

Fiori always incorporates elements of design and architecture into his established sculptural language to enrich his animal allegory, starting from the early stages of his bronze sculptures to sculptural creations that can function as side tables, chairs, cabinets, candlesticks, flower vessels, and even the outdoor monuments, "The Arch of Birds", for instance. He hopes to embellish everyday life, to fill it with wonder if possible. But he also points out that

My works remain above all sculpture, even if I am more and more concerned that they have a use. 

The industrial dimension of design is foreign to me. My work remains absolutely "artisanal". The works are produced one by one, in small numbers, with an expensive manufacturing cost, and a long production time.

Preciousness, sophistication, rarity, and a desire for perfection, are my criteria. Yes, I know: it's very unrealistic...

.

—— Jean-Marie Fiori

 壁炉 FIREPLACE 

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Le Gentil Yeti by Alberto Pinto

Hotel & Lodge, 2004 Mar.-Apr.

壁炉 Fireplace

2003 | 铜雕, 艺术家签名, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | 限量8件 Limited edition of 8 | 130 x 130 x 100 cm

很快，费欧理凭借自己的雕塑类作品赢得了全球藏家的喜爱，其中包括Alberto Pinto(1943-2012)、Jacques Grange、Tony Ingrao在内的众多顶级室内设计师的青睐。其中设计界传奇Alberto Pinto对费欧理尤为欣赏，他曾为费欧理的壁炉作品撰写了一首藏头诗《Le Gentil Yéti(善良雪兽, 2004)》，而这件作品随后被俄罗斯RuArts基金会的主理人Marianne Sardarova收藏。

Not for long, Fiori's sculptures including functional pieces have won the hearts of collectors worldwide, including many top interior designers, Alberto Pinto (1943-2012), Jacques Grange, and Tony Ingrao, to name a few. Among them, Fiori was particularly close to design legend Alberto Pinto, who wrote a poem entitled "Le Gentil Yéti (The Good Snow Beast, 2004)" for his fireplace design. One of the editions was collected by Marianne Sardarova, the director of the RuArts Foundation in Russia.

 长椅 BENCH 

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公牛长凳 Bull's Bench

2007 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | 限量8件 Limited edition of 8 | 85 x 245 x 28 cm

乌龟圆凳 Turtle Bench

2010 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 8 | 68 x 265 x 142 cm

猫形长椅 Feline Bench

2010 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 25 | 75 x 210 x 110 cm

老鹰长凳 Falcon's Bench

2010 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 8 | 70 x 208 x 40 cm

鸭形长椅 Duck Bench

2010 | 上漆铜雕, Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | Limited edition of 8 | 95 x 310 x 90 cm

罗马长椅 Rome Bench

2013 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry |  Limited edition of 25 | 95 x 180 x 50 cm

公羊长凳 Ram Bench

2015 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 8 | 56 x 180 x 30 cm

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尚 – 马理·费欧理《Rome Bench》，Alberto Pinto 设计事务所，巴黎，2020 | Jean-Marie FIORI's Rome Bench at Alberto Pinto Agency in Paris, 2020

尚 – 马理·费欧理《猫形长椅》私人收藏，法国，2020 | Jean-Marie FIORI, Feline Bench, private collection, France

PAD London 展览现场 | 2018 | Installation view at PAD London

2010年费欧理接到了来自上海世博会的官方委托。他从中国传统文化中汲取灵感，创作了由5件长椅组成的“城市家具”系列，分别是公牛、老虎、乌龟、鸳鸯和老鹰的造型，并以自己独特的幽默重新诠释这些具有象征意义的动物。这些作品在世博期间展出于中国馆附近的滨江大道休息区，为忙碌的上海带来一个驻足停留的惊喜瞬间。在费欧理看来：

人类的发展，城市的建设驱使动物远离了原本属于它们的家园。生态的观点使得人类重新呼唤自然和动物的回归。

—— 尚-马理·费欧理

Jean-Marie FIORI was commissioned in 2010 by the Chinese Committee of the Shanghai World Expo, for which he then created a set of Urban Furniture consisting of five benches. Drawing inspiration from Chinese tradition, he transformed this everyday object into a turtle, a falcon, a tiger, a buffalo, and a duck, reinterpreting these symbolic animals while giving them a touch of humor specific to his work. These works were placed in the promenade adjacent to the China Pavilion, offering a dreamlike pause in the hectic world of Shanghai.

The progress made by mankind and urban infrastructures has driven animals far away from the habitat and homes where they used to belong. The ecological notion has inspired the human race to re-call for the return of both nature and animals.

.

—— Jean-Marie Fiori

 桌子 CONSOLE & TABLE 

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阿尔贝托边桌 Alberto Console

2013 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 8 | 187 x 91 x 57 cm

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鹿形桌 Deer Table

2014 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 25 | 90 x 187 x 60 cm

马桌 Horse Console

2016 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 25 | 148 x 240 x 30 cm

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多立克方桌 Dorique Table

2017 | 铜雕, Turquin大理石，Deroyaume铸造厂 Bronze, turquin marble, signed, Deroyaume Foundry | Limited Edition of 25 | 77 x 70 x 70 cm

鹿形香槟桌 Champagne Deer Console

2020 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 8 | 142 x 155 x 35 cm

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Falcon Table 隼桌

尚-马理·费欧理 Jean-Marie FIORI |  2007 | 铜雕，艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry | 62 x 142 x 62 cm | Edition of 25 | PAD Paris 展览现场，2017

Turtle Table 龟形圆桌

尚-马理·费欧理 Jean-Marie FIORI |  2010 | 铜雕，艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry | 68 x 265 x 142 cm | Edition of 25 | PAD Paris 展览现场，2018

2012年的某一天，费欧理接到了Alberto Pinto的电话，告诉他自己对其作品的喜爱，令其感动不已。同时Pinto还欣喜的宣布：“我在格施塔德(Gstaad)接了一个新的项目，里面将会放满你的作品！”然而一个月后迎来的却是Pinto过世的消息。费欧理将当时正在创作的边桌作品命名为《Console Alberto》，以纪念这位品位卓绝的朋友。去年2月，Pinto巴黎事务所的橱窗也在最醒目的位置摆放了费欧理的长椅作品《Rome Bench》。

In 2012, Fiori received a phone call from Alberto Pinto, who told him how much he liked his work, which has touched the artist a lot. "I've taken on a new project in Gstaad," Pinto announced, "and it will be furnished in Fiori!" Alas, a month later came the news of Alberto Pinto's death. Fiori had time to make the first console for him, named "Alberto Console" as a tribute. Last February, Pinto's Paris office window also featured Fiori's "Rome Bench" in a prominent position.

 花园系列 THE GARDEN 

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高兽首花器 Tall Beast Vase

2013 | 铜雕, Deroyaume铸造厂 Lacquered bronze, signed, Deroyaume Foundry | Limited Edition of 8 | 82 x 78 x 78 cm

高兽首花器 Tall Beast Vase

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猫形花器 Cat Pots

2013 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 100 | 55 x 45 x 45 cm each

大型花器 Grand Planter

2018 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 8 | 90 x 100 x 100 cm

尚 – 马理·费欧理《猫形花器》私人收藏，法国，2020 | Jean-Marie FIORI, Cat Pots, private collection, France

 烛台 CANDELABRA 

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高烛台 Tall Candelabra

2014 | 铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited Edition of 8 | 187 x 57 x 91 cm

鹿形烛台 Deer Candelabra

2014 | 上漆铜雕, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | Limited edition of 8 | 50 x 30 x 31 cm

 喷泉 FOUNTAIN 

狮头喷泉 Lion's Head (Fountain) 

尚-马理·费欧理 Jean-Marie FIORI |  2018 | 铜雕，艺术家签名, Deroyaume 铸造厂 Bronze, signed, Deroyaume Foundry | 直径 Diameter 50 cm | PAD Paris 展览现场，2018

在过去的25年里，杜梦堂为费欧理举办了多次展览，主要在巴黎、纽约、上海、香港、新加坡和贝鲁特。我们很高兴看到费欧理的作品通过我们参加的博览会和展览(巴黎、纽约、上海、北京、香港、阿布扎比、迪拜、莫斯科、伦敦、布鲁塞尔、马斯特里赫特、日内瓦、摩纳哥、芝加哥、迈阿密、棕榈滩等地)在世界各地被发现和收藏，除了诸多著名室内设计师，还包括王室贵族和各界名流。

During the last 25 years, Dumonteil held several exhibitions of Fiori's work, notably in Paris, New York, Shanghai, Hong Kong, Singapore, and Beirut. Our participation in fairs and shows in Paris, New York, Shanghai, Beijing, Hong Kong, Abu Dhabi, Dubai, Moscow, London, Brussels, Maastricht, Geneva, Monaco, Chicago, Miami, palm beach has allowed his work to be discovered and appreciated by collectors all over the world, not only renowned interior designers but also royalty and notable names from all walks of life.

 浮雕 RELIEF 

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美第奇良驹HORSE OF MEDICI公羊RAM

2017 | Labelite砌块，直接切割，漆，金箔，LabElite®, direct cutting, Lacquer, and gold leaf | Limited edition of 4 | 100 x 70 x 5 cm

 橱柜 CABINET 

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苏美尔动物寓言柜GREAT SUMER CABINET

2019 | 铜雕，染色梣木, 艺术家署名，Deroyaume 铸造厂 | Bronze and tinted ash, signed, Deroyaume Foundry | 185 x 115 x 34 cm | Edition of 8

 扶手椅 ARMCHAIR 

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2013 | 铜雕, 艺术家签名, Deroyaume铸造厂 Bronze, signed, Deroyaume Foundry | 限量8件 Limited edition of 8 | 100 x 60 x 70 cm

PAD London 展览现场 | 2019 | Installation view at PAD London

缘分，将一段友谊化为数十年非比寻常的合作，让他的作品得以展现、被人欣赏，继续激励后世的艺术爱好者。

—— 皮耶·杜梦堂

从1993年的第一场个展至今，两人的友谊与这场不平凡的合作之旅迎来了30周年的纪念里程碑。尚-马理·费欧理依然用他持续的创作热情和坚守的创作方式不断给我们带来新的惊喜和诗意的欢乐。他喜欢用一个有趣的文字游戏去形容他的作品：L’enfance de l’art [1]“孩童般的艺术”。

---

[1] L'enfance de l'art在法语中指“非常容易做到，如同孩子的游戏”，与从字面上的“孩童般的艺术”形成双关。

Pierre Dumonteil & Jean-Marie Fiori，杜梦堂(巴黎) DUMONTEIL Paris | 2013 | Image © Fang Yunling

Fate, which turned a friendship into an exceptional collaboration, has thus allowed his work to be revealed, admired, and will continue to inspire future generations of art lovers.

—— Pierre Dumonteil

From the moment of the first exhibition, an exclusive collaboration, which is now thirty years old, crowned with success, has developed between Jean-Marie Fiori and Pierre Dumonteil. Fiori continues to bring us delightful, poetic surprises with his latest creations with his consistent enthusiasm and creative standards. He often speaks of "L'enfance de l'art" [1] in a double meaning when asked about his work.

---

[1] In French, "L'enfance de l'art" means "very easy to do, like child's play", while literally, it means "the childhood of the Art".

Jean-Marie Fiori，巴黎工作室 Studio in Paris | 2013 | Image © Fang Yunling

当你走进费欧理的工作室，看到墙上和四处堆放的手稿，摆放的各类工具，由石雕和铜雕的石膏模型塑造的动物们静静的看着你，如梦似幻，这就是费欧理创造惊喜的世界。费欧理曾以音乐为例将自己类比成“阉伶歌手”——成人的身体却拥有孩童的稚音，犹如被禁锢在大人身体中的天真灵魂用他们独特的声音为观众带来无与伦比的欣喜。而费欧理在创作时也始终秉承着这样单纯的心愿：

愿我这些勇敢的野兽们，以它们沉静的状态，为你们带来别样的欣喜。

—— 尚-马理·费欧理

Jean-Marie Fiori，巴黎工作室 Studio in Paris | 2013 | Image © Fang Yunling

When you walk into Jean-Marie Fiori's studio—surrounded by his scattered drawings, tools, as well as an animal kingdom sculpted in stone and plaster casts for bronze— you feel like walking into a dream. This is the magical world that Fiori has created. 

Using music as an example, the artist once compared himself to a castrato: a child's voice in a man's body. These high-voiced singers caused ineffable ecstasies in the audience. Jean-Marie Fiori, also a child trapped in an adult body, bears in mind this simple wish when creating his works:

May my brave beasts, in their immobile serenity, provoke such ecstasies in you.

.

—— Jean-Marie Fiori

尚-马理·费欧理，"黄金时代"展览现场，杜梦堂(上海)

Jean-Marie FIORI, Golden Age at DUMONTEIL Shanghai, video ©Xiangchen & Alexis LU

 艺术家简历概述 

 Selected Chronicles of Artist CV 

1970s

- 1980s

毕业于巴黎国家高等美术学院以及巴黎第八学院

Graduated from l’École Nationale des Beaux-arts (BA) and Paris Vincennes VIII (MFA)

1985

-1986

创作“耶稣诞生"，双联福木板油画，高达5米，并于巴黎两所教堂内展出 

Created “Nativity”,  two panels of fresco for the Commission d’Art Sacré; exhibited at Saint Merri’s Church and Saint-Pierre de Chaillot’s Church in Paris, France

1989

大型错视(trompe-l'œil)壁画项目，普罗万，法国

Realized a monumental trompe-l'œil fresco painting at Provins, France. 

Beginning of 1990s

尝试雕塑创作：以直接雕刻的方式在汉白玉、大理石等材质上创作，再上色

Creations of polychromic stone sculptures in direct size, unique piece in alabaster, marble, etc.

1993

首次个展「亚当与夏娃之墓的假想」，杜梦堂(巴黎)，法国

First solo exhibition “The Imaginary Tombs of Adam and Eveus”at DUMONTEIL Paris, France

尝试铜雕创作

Beginning of his practice in bronze sculpture

1997

Pinter 基金会委托创作“动物之道”项目，西班牙马略卡岛

“La Tour aux Bêtes” commission for a private Foundation, Pinter Collection, Majorca, Spain 

1999

法国里斯市委托创作公共雕塑“里斯碑”

 “Dolmen de Serris” commission for La Cité des Enfants, a newly developed school district in Serris, France

2000

巴黎钱币博物馆委托创作12星座主题勋章

"Zodiac" commission for La Monnaie de Paris, France

2003

开启功能性雕塑的创作

Creation of functional sculptures

2009

荣获法国动物雕塑最高荣誉“爱德华-马塞尔·桑度斯”大奖

Recipient of "le Prix Edouard-Marcel Sandoz", the most distinguished art prize for the representation of animals

2010

尝试创作烤漆铜雕作品

Creation of lacquered bronze sculptures

应上海世博会中国官方委员会之邀，创作了一套由五个长椅组成的“城市家具”作品

A set of “urban furniture” commission for Chinese Committee of the Shanghai World Expo, China

2012

美术馆展览 “100 件动物雕塑: 从20世纪30年代到当代艺术”，30年代美术馆, 布洛涅-比扬古, 法国

Museum exhibition "100 Animal Sculptures: from the 1930s to Contemporary Art", Musée des Années 30, Boulogne-Billancourt, France.

2013

应法国赛夫尔陶瓷制造局之邀，费欧理首次创作两件素瓷作品

Invited by the Manufacture de Sèvres, Fiori began his experiment with biscuit porcelain

2014

大型铜雕作品《马之丰碑》(高达2.6米）

于“法国五月”活动期间展出在香港皇后像广场

后于贝鲁特艺术周期间在勒格雷酒店前展出

“The Monument for a Horse”, exhibited at Statue Square in Central Hong Kong and Beirut Art Week in Lebanon

个展 “异想天开”，杜梦堂(纽约)，美国

Retrospective exhibition, “The Whimsical”, Galerie Dumonteil, New York, USA

2022

个展 “黄金时代”，杜梦堂(上海), 中国

Retrospective exhibition, “Golden Age”, an exhibition at DUMONTEIL Shanghai, China