VIEW观看 | 第二届天水摄影双年展邀请展——马丁·伦德尔 ( 德国) 策展作品
第二届天水摄影双年展邀请展由观看艺术空间作为策展机构策划，由德国、法国、美国、中国和香港等国家和地区的著名策展人组成策展团队，邀请了国内外85位知名艺术家的900余幅（组）作品参加展览。
View Art Space is the curatorial institution of the invitational exhibition unit of the Second Image of Silk Road-Tianshui Photography Biennale. A curatorial team has been set up by famous curators from Germany, France, the United States, China and Hong Kong. This exhibition invited 85 well-known artists at home and abroad more than 900 (set) works to attend.
第二届天水摄影双年展邀请展
德国单元｜GERMAN UNIT
策展人｜CURATOR
马丁·伦德尔 ( 德国)
MARTIN RENDEL (GERMANY)
艺术家 & 作品｜ARTISTS & WORKS
阿尔布雷克特·福克斯（德国）《德国联排房屋》
IN GERMAN ROW HOUSES Albrecht Fuchs (Germany)
贾法·法斯 《根》
ROOTS Jafa Fass
弗兰克·米特（德国）《陆路 》
OVERLAND Frank Meter (Germany)
汉斯- 格奥尔格·埃施（德国）《未知城 市》
CITIES UNKNOWN Hans-Georg Esch (Germany)
斯蒂芬妮·诗蒂格（德国）《雾浪 》
NEBEL WELLEN Stefanie Thiedig (Germany)
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策展前言｜CURATORIAL PREFACE
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摄影的终结
摄影已经成为一种大众现象，每天都有数以百万计的照片在增加，以至于无法量化。仅仅在Instagram 上，2011 到2017 年间，已经发布了大约700 亿张图片。据统计，数十亿计的图片每天都在社交网络和应用程序中传播，比如Facebook、Instagram 和Snapchat。它以白噪声的形式出现，不再可控，也不可消费。
由于这样和那样的原因，欧洲知识分子和艺术评论家中有不少人认为摄影已经死了，因为它们越来越多地失去了真实性和相关性。
这对于过度消费的西方社会来说可能是真的也可能不是真的。但对于中国我并没有看到这一点。为什么？很简单的原因，好奇心是其中强大的驱动力。当世界上没有更多的好奇心时，它就是一切的终结。在这里，在东方世界，好奇心似乎取之不尽。
从这个意义上说，天水摄影双年展不仅仅是一个摄影节——它也是一种好奇心和创造力的庆典。让我们简单地享受这一点，让我们敞开胸怀，互相启发。只有这样，这个精彩的双年展才得以实现。
马丁·伦德尔
2018 年5 月1 日于科隆
THE END OF PHOTOGRAPHY
Photographic images have become a mass phenomenon. Their occurrence can no longer be quantified numerically. Millions of pictures are added every day. On Instagram alone, between 2011 and 2017, around 70 billion pictures have been published. Statistics estimate that billions of images are spread across social networks and apps like Facebook, Instagram and Snapchat every day. It has taken the form of white noise. No longer controllable nor consumable.
For these and other reasons quite a few among European intellectuals and art critics believe that photography is dead, as they are losing more and more authenticity and relevance.
This might be true or not for the surfeited western society, but for China I don't see that. Why? Because of a simple element which is a powerful engine: curiosity. When there's no more curiosity in the world it is the end of everything. Here, in the eastern world, curiosity seems inexhaustible.
In that sense, Tianshui Biennale is not only a festival of Photography – it's also a celebration of curiosity and creativity. Let us simply enjoy that, let’s be openminded and inspire each other. Then, only then, this wonderful Biennale comes to its fulfillment.
Martin Rendel
Cologne, 1st of May 2018
马丁 · 伦德尔（德国）
1968 年出生于德国林堡
1988-1992 年毕业于德国达姆施塔特工业大学
1974-1987 年学习期间获得优秀成绩
现任K26 中德艺术交流协会主席
文化艺术职业经理人与演讲者
极力推进中德艺术和文化交流
出版书籍涉及艺术、设计、建筑和城市发展、社会学和人类学
职业生涯
2014 年创办K26 －中德艺术交流协会
曾先后合伙在德国科隆成立文化品牌管理与发展公司、在汉堡和巴黎运作设计企划公司
曾参与在丹麦、希腊、前南斯拉夫、匈牙利、奥地利和荷兰的艺术项目
曾与意大利和法国的知名设计师合作共事
策展、出版与奖励、讲座
参与多个国际艺术展览和艺术节的策展工作
出版数十本书籍
获得多个德国和欧洲的奖项
应邀客座讲座：科隆工艺学校，科隆工业设计和建筑学院等
2014 年在中国天津美术学院和中国传媒大学有关艺术的讲座
MARTIN RENDEL (GERMANY)
Martin Rendel is a cultural manager and lecturer, as well as board chairman of K26 Art Association in Cologne and Beijing. His main focus is the cultural exchange between China and Germany. Besides that he has continuously published books – in cooperation with sociologists, ethnologists, city developers, journalists and artists – on various subjects.
Chronology
Since 2015 Board Chairman of K26 Sino-German Art Association
2006-2015 rendel & spitz GmbH Brand & Cultural Management
1998-2006 rendel & spitz Advertsising Agency in Cologne
1995-1999 Own design office in Hamburg, later also Paris
1996-1999 Collaboration in "De Valigia" art project, in Denmark, Greece, Yugoslavia, Hungary, Austria and Holland
1992-1995 Collaboration at international design offices in Italy and France (Matteo Thun, Milan; Aldo Cibic, Milan; Federico Restreppo, Paris; Yves Saint Laurent, Paris)
Studies of Industrial Design in Darmstadt (Germany) and Vevey (Switzerland)
Born in Limburg, Germany
Spoken languages: German (mother tongue), English (fluent), French (fluent), Italian (basic)
阿尔布雷克特·福克斯（德国） 《德国联排房屋》
IN GERMAN ROW HOUSES Albrecht Fuchs (Germany)
贾法·法斯 《根》
ROOTS Jafa Fass
弗兰克·米特（德国） 《陆路 》
OVERLAND Frank Meter (Germany)
汉斯- 格奥尔格·埃施（德国） 《未知城市》
CITIES UNKNOWN Hans-Georg Esch (Germany)
斯蒂芬妮·诗蒂格（德国） 《雾浪 》
NEBEL WELLEN Stefanie Thiedig (Germany)
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