展讯｜归去来兮——肖日保摄影展
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归去来兮——肖日保摄影展
主办：三影堂摄影艺术中心
艺术家：肖日保
开幕酒会：2019年8月30日，下午四点
讲座：2019年9月1日，下午三点
暗房免费体验课：2019年9月20日
展期：2019年8月30日—9月29日
地点：三影堂摄影艺术中心
（北京市朝阳区草场地155A）
三影堂摄影艺术中心即将荣幸呈现“归去来兮——肖日保摄影展”。“归去来兮”中的“去”与“来”意味着不同空间和时间的转换，个人的情感在“去”“来”之间产生出某种飘忽不定的归宿感，进而实现时空穿梭中自我内化的过程。作为国内首屈一指的资深暗房师，来自广东湛江的艺术家肖日保于2000年在中央美术学院摄影系进修班学习，至今已有近20年丰富的暗房经验。他通过对于过去一段时间“北漂”生活的感悟与积累，以及内心世界的回归，从而寻找自我存在的价值。摄影在带领观众穿越一幅作品的深处时，同时也提供了一种反向的回归，因为观者会从画面中意识到所见之景确实是在自然世界中存在过片刻的光。由此，本次展览便是对自我精神回归的双向思考。
本次展出的作品具体分为“归去 ”、“山雪 ”、“三蛙”、“云山图”和“无题”等五个部分。受传统山水画中“托物言志”的启发，大部分作品为山水间暇游所创作的山林渐影，并和多年探寻人生的归宿形成了某种潜在对话。透过自然中杂乱无序的万象，以飞鸟与蛙寓人，以山水田园为江湖，无序中蕴藏着有序之人的精神境界。这其中既有元好问诗中“寒波淡淡起，百鸟悠悠下”所呈现出怀归人的“无我”之境，又有诗人冯延巳眼中的“泪眼问花花不语，乱红飞过秋千去”的“有我”之境。艺术家运用娴熟的黑白暗房技术，结合道家“无为”的思想，深入探究自然、社会与人之间的关系。通过黑白摄影这种精神实践构建出“自我与非我”、“真实与非真实”、“虚幻与存在”、“阴中有阳，阳中有阴”的主观世界，也是艺术家逐渐悟“道”的过程。
关于艺术家
肖日保
艺术家，1972年出生于广东，现工作生活于北京。2000年在中央美术学院摄影系进修班学习，2010年入围三影堂摄影奖。曾负责制作荣荣&映里、骆伯年、北野谦、黄锐，安娜伊思·马田等多位当代艺术家的银盐作品。
部分展览作品 Featured Works
《云山图-1》, 2016
127.2×300cm，无酸 收藏艺术纸
The Mountain in Mist 1
Acid-free paper for artwork collection
《云山图-3》局部, 2016
98×400cm，无酸 收藏艺术纸
Part, The Mountain in Mist 3
Acid-free paper for artwork collection
《无题-2》, 2016
80×60cm，无酸 收藏艺术纸
Untitled 2
Acid-free paper for artwork collection
《归去-1》, 2017
80×53.3cm，无酸 收藏艺术纸
Returning 1
Acid-free paper for artwork collection
《归去-4》, 2017
80×47cm，无酸 收藏艺术纸
Returning 4
Acid-free paper for artwork collection
《山雪-2》, 2018
150×200cm，无酸 收藏艺术纸
The Snow on the Mountain 2
Acid-free paper for artwork collection
"Wandering"
——Xiao Ribao Photography Exhibition
Organizer: Three Shadows Photography Art Centre
Artist: Xiao Ribao
Opening Reception: 16:00, August 30, 2019
Artist Talk:15:00, September 1, 2019
Darkroom Workshop: September 20, 2019
Duration: August 30 – September 29, 2019 (10:00-18:00 Closed on Mondays)
Location: Three Shadows Photography Art Centre (155A Caochangdi, Chaoyang District, Beijing 100015)
Three Shadows Photography Art Centre is delighted to present the Xiao Ribao photography exhibition:“Wandering” The concept of “Wandering” in Chinese evokes traveling between different times and dimensions, a way ofliving in which personal emotions produce an uncertain sense of belonging. Xiao Ribao is a wanderer, his past experience as a “Beijing drifter” shaping hissense of existence and profoundly informing his photography. Originally from Zhanjiang, Guangdong Province, he beagn to study darkroom at the Central Academy of Fine Arts in 2000 and is also one of the foremost darkroom experts in the country. He brings a keen sense to his work that everything contained in a photo, while offering a glimpse into his own core, is only but a brief shaft of light, its momentary existence suspended by the film. This exhibition represents the tension in Xiao’s thinking about the human spirit.
This exhibition consists five different parts: "The Mountain in Mist", "Returning", "The Snow on the Mountain", "Three Frogs" and "Untitled" inspired by the idea driving Chinese landscape painting -- that portrayals of objects can express one’s emotions – Xiao created many of these works while hiking in the mountains or alongside rivers. These photos internally connect to Xiao’sever lasting longing for a sense of belongings. Xiao used birds and frogs asmetaphors to urge human beings to establish spiritual order out of the disorder of nature.
In many ways, Xiao establishes his work in the spiritual realm of some ancientpoems like the anatta (“self=unconsciousness”). “Winter waves shimmer, hundreds of birds hovering down gently,” writes Haowen Yuan. Or look towards Yanji Feng:“My tearful eyes ask flowers but they fail to bring an answer, I see red blooms over the swing.”In his work, Xiao utilizes his meticulous knowledge of black-and-white darkroom techniques, combing the Taoist "inaction" methodology to probe the relationship between nature, society and human beings.Through the spiritual practice of black-and-white photography, he constructs a subjective world containing contrasts between "self and non-self.”"real and non-real.” "illusion and existence” and Yin and Yang. His process hints at the underlying law of nature.