查看原文
其他

【展讯】魏皓亮个展——自导他演|厦门

三影堂厦门 三影堂摄影艺术中心 2022-04-27

For English, please scroll down.




魏皓亮个展——自导他演


艺术家:魏皓亮

策展人:肖瑞昀

艺术总监:滕青云


主办:三影堂厦门摄影艺术中心

展期:2021年11月13日-12月12日

开幕:2021年11月13日  15:00


地点:厦门市集美区杏林湾商务营运中心2号裙楼301

(从连接1号楼、2号楼之间的大平台进入)



前言
文/肖瑞昀

“自导他演”可以视为一个视觉双关语。“自导”是相机背后的魏皓亮,而“他演”既是扮演城市入侵者那些形形色色的人,也指代着在拍摄客体过程中,魏皓亮将自我代入客体的扮演状态。

《人间形状》呈现的是魏皓亮日常记录的影像碎片,这些事物多是我们视野的边缘地带,例如凝结的气体、反射的光,以及太阳底下拉长的阴影。黑白影像似乎凸显了质感乃至触感,试图透过形状与纹理,重新解释这些事物的另类价值与意义。

《人间形状》系列


《荒原》拍摄他所生活的城市——东莞的地景,展现这座超级世界工厂的城市内在冲突。魏皓亮对于城市的记录不是全然客观的,而是带着对景观的共情。无论是地景、厂房、港口还是废弃空间,这些看似平静的画面实则潜藏在现实景观的暗涌之中。他凝视着这座城市的时时刻刻,在这个急剧城市化的失衡世界中,寻求内心与外在世界微妙的平衡感。


《荒原》系列


《十日低语》是最新的驻地创作项目,以“路上观察学”1的视角进行拍摄。作品关注上海外滩全年无缺的群体现象——老年旅行团,以诙谐幽默的方式开启这组作品的叙事。他将在《荒原》中的城市生活和拍摄经验带入到上海,自然产生了一些疏离感,因此也具备了对于这座城市的他者视角。在这一视角下,东方明珠塔和诸多建筑转化为一些形状和光源,以图像的趣味元素构成符号,以此来缓和“入侵”时感到的局促和不安。2

《十日低语》系列


魏皓亮的作品多是直觉性的,带着年轻摄影师的新鲜视角。他从个体的城市经验出发,展现着城市的边缘物,同时折叠了独特的视觉奇观和时代感。在自我与对象之间的摇摆中,呈现了生命在景观世界的流动。


《人间形状》系列


注:

1、路上观察学:1986年由赤濑川原平等人编辑出版的《路上观察学入门》,提出“路上观察学”是以类似科学的方式定义在路上对于城市日常生活的观察。

2、与魏皓亮的专访



关于艺术家


魏皓亮,生于1995年,广东梅州人,现生活于东莞。2020年硕士毕业于广州美术学院摄影系;2018-2019年赴比利时安特卫普皇家美术学院摄影系学习。他的创作以内心世界的切面为土壤,强调实践中与外部世界的相互作用,从第一人称视角出发探究人与人、自然、城市之间的关系。创作涉及摄影、影像、手工书等。


个人网页:www.weihaoliang.com




Wei Haoliang Solo Exhibition —— In the flow of life 


Artist:Wei Haoliang

Curator:  Xiao Ruiyun

Art Director:  Teng Qingyun


Organizer: Three Shadows Xiamen Photography Art Centre

Duration: Nov 13, 2021– Dec 12, 2021

Opening: Nov 13, 2021 15:00


Venue: No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen

(Enter from the large platform connecting Building 1 and Building 2)



Preface
Text/Xiao Ruiyun

The Chinese title of this exhibition, which literally means “the self directs while the other performs”, can be seen as a visual pun. The self that directs refers to Wei Haoliang behind the camera and the other that performs represents a variety of people who play the role of urban invaders. The latter also represents Wei's change of perspective when he subsumes himself in the eyes of the other in the process of photographing them.

 
Shape of Life features fragments of images documented by Wei on a daily basis. These fragments mostly linger at the periphery of our vision, such as condensed gas, reflected light, and elongated shadows under the sun. The black and white images highlight the texture and the touch of those fragments, through which Wei tries to reinterpret their alternative values and meanings.
 
Shape of Life series

Wasteland captures the landscape of Dongguan, the city where he lives, revealing the inner conflict of this world factory. Wei’s account of the city is not entirely objective but carries with it an empathy for what he sees. Whether it is landscape, factory, port or abandoned space, these seemingly tranquil images lurk in the undercurrents of reality. He gazes at the city at every moment, seeking a delicate sense of equilibrium between the internal and the external in this rapidly urbanizing and unbalanced world.

Wasteland series


Ten Days of Whispers is Wei’s latest residency project, based on the perspective of "Street Observations"1. This series of work focuses on a year-round group phenomenon on the Bund in Shanghai--the elderly tour group--and opens the narrative with a witty and humorous approach. By bringing in his past experience of city life and photography from Wasteland, he naturally creates a sense of detachment and therefore inherits a perspective of the other when observing the city. From this perspective, the Oriental Pearl Tower and many other buildings are transformed into shapes and light sources, forming symbols with playful and visual elements, thus softening the sense of confusion and unease when "invading" the city.2

Ten Days of Whispers series


Wei's works are mostly intuitive, with a fresh point of view of a young photographer. Starting from his individual urban experience, he displays the marginal space of the city, while unfolding a unique visual spectacle and a sense of our time. In the oscillation between the self and the object, he presents the flow of life in the world of the spectacle.


Ten Days of Whispers series

Notes:
1、Street Observations: "Introduction to Street Observations", edited and published by Genpei Akasegawa and others in 1986, suggests that "street observation" is a scientific approach to defining the observation of daily urban life on the street.
2、Interview with Wei Haoliang



Artist Biography

Wei Haoliang, born in 1995, is a native of Meizhou, Guangdong, and now lives in Dongguan. He graduated from the Photography Department of Guangzhou Academy of Fine Arts in 2020 with a master's degree; he studied at the Photography Department of the Royal Academy of Fine Arts in Antwerp, Belgium, from 2018 to 2019. His works are grounded in the inner world, emphasizing its interaction with the external world in practice while exploring the relationship among people, nature, and the city from a first-person point of view. He creates in the forms of photography, video, and handmade books.

Personal website: www.weihaoliang.com



扫码购买三影堂摄影艺术中心门票


年度重磅 抢先预览 

三影堂厦门正在展出



三影堂北京正在展出


三影堂北京即将展出


合作展出

您可能也对以下帖子感兴趣

文章有问题?点此查看未经处理的缓存