【展讯】周欣雨个展——白日絮语｜厦门
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周欣雨个展——白日絮语
艺术家：周欣雨
策展人：肖瑞昀
艺术总监：滕青云
主办：三影堂厦门摄影艺术中心
展期：2022年2月19日-3月20日
开幕：2021年2月19日 15:00
地点：厦门市集美区杏林湾商务营运中心二号裙楼三层
周欣雨的作品处于现实与超现实的暧昧边界之中。它们是自然与动物园间细碎的耳语，是基于现实世界创造出的种种想象，悄声讲述着一段白日梦的欢愉。
走近展厅入口处的《路边花园》，观众将以叙事方式进入情景之内，如小径通幽，偶入桃花源，影像与绘画交替，再现了理想彼岸与真实之地的矛盾合一。画面上大量采用框景式的构图，例如水面反光的照片，内景中是虚幻的理想之镜，而外景则是枝叶繁杂的路边，映衬着我们的生活。这样的方式也用于另外两个系列之中。
《动物园絮语》将作者主观的视角放置进动物园，与动物共居。周欣雨在部分动物园的影像基底上，加入光斑等数字绘画元素，成为了悬置在空间之上的个人标注。对她而言，摄影是准确瞬时记忆与氛围捕捉，而绘画则是将之抽象化的表达，以绘画叠加的方式折射出社会中每个人的纷繁欲望。
选自《动物园絮语》系列
《摇曳向晚》则是纯绘画系列。周欣雨观察着每天最为浪漫的时段——傍晚，也是白日梦和一切欲望之始。透过数字绘画的笔触，她将这一时刻所见之景化作入夜前的细微之物，恣意摇曳，做着静谧的美梦。
周欣雨的作品回到了摄影与绘画两种媒介本质的讨论中。从艺术史角度看，早在印象派和立体主义阶段，画家们认为摄影足够记录现实，因此绘画有了更多的表现空间，得以从另一个角度诠释真实。今天对于真实的理解更为个体化，周欣雨透过个人的创作方式展现具有时间感的凝视，呈现一种内在欲望的真实之感。在摄影与绘画之间，观看的视角有所切换。拍摄是主观视角留存现实，而绘画以二次主观的视角为现实增加更多想象空间。作品中视角的叠加像是万花镜，观众在观看游戏中找到自己的情感和记忆共鸣。
希望观众可以享受白日幻梦，享受一段人造傍晚，享受真实的欲望和欢愉的自由。
关于艺术家
Zhou Xinyu Solo Exhibition ——Whispering Daydream
Preface
Text/Xiao Ruiyun
The works of Zhou Xinyu exist on the hazy line between reality and surreality. They are the delicate whispers between nature and the zoo, as well as the imaginations based on the real world, whispering the joy of daydreaming.
The audience will engage the scenario in a narrative manner as they approach Roadside Garden at the exhibition hall's entrance, as though following a trail to the Peach Blossom Spring through pure serendipity. The photos and paintings alternate, reproducing the paradoxical unity between the ideal shore and the actual location. The photographs frequently employ a framed composition, such as a photograph of water reflections with an illusory mirror of the ideal on the inside and a leafy roadside mirroring our life on the outside. Such an approach is also applied to the other two series.
Whispers from the Zoo immerses the audience in the author's subjective experience of living in a zoo among the animals. Zhou Xinyu enhances the picture base of the zoo, which acts as a personal marking suspended over the environment, with light spots and other digital painting components. For her, photography is about capturing instantaneous memory and atmosphere accurately, whereas painting is an abstracted expression of them, reflectingthe different desires of each individual in society by overlaying them in the language of painting.
Swaying at Dusk is a series of paintings only. Zhou Xinyu studies the most romantic time of day, dusk, which also marks the start of daydreams and all desires. She transforms the scene she sees at the present into the nuances before nightfall, swaying at will and dreaming of tranquil beauty, using the brushstrokes of digital painting.
The works of Zhou Xinyu return to a discussion of the nature of photography and painting. From the standpoint of art history, painters as early as Impressionism and Cubism believed that photography was sufficient to record reality, allowing painting to express itself more freely and interpret reality from a different perspective. Today's reality is more individualized, and Zhou Xinyu's personal invention exhibits a time-sensitive vision, exposing an inner desire for realism. The point of view changes between photography and painting. Painting adds more creativity to reality with a secondary and subjective perspective, whereas photography is a subjective perspective that preserves reality. Her work is like a kaleidoscope of perspectives where the audience could find their own feelings and memories reverberating in the game of looking.
We hope that the audience will experience a daytime fantasy, an artificial dusk time, and the freedom to true desire and pleasure.
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