新氧艺O2art |展讯预告| 王伟伟个展「甜蜜的头颅」将于11月30日开幕
新氧艺O2art荣幸的宣布艺术家王伟伟个展“甜蜜的头颅”将于2021年11月30日在空间展出，展期将持续至2022年1月18日，欢迎预约看展。
O2art is honored to announce that Wang Weiwei's latest solo exhibition "Sweet Sweet Heads" will be open on November 30, 2021. The exhibition will last until August 25, 2022. Welcome to make an appointment.
王伟伟的雕塑人像大多是人的头部，用简约的圆形概括出来，利用纸浆泥的团块造型，模糊边缘的界限。头颅是身体的一部分，“头颅”这类人的比喻，在此次展览中跨度到各种物体上，拟人化的瓜果，亦或去除了头颅外部的金色大脑。“头颅”的形象是展览中的主角，蕴含人的状态，精神和思想。此次展览，王伟伟延续了纸浆这一特殊材质的创作，也延续了之前作品当中散发的温度与柔软。不同于以往作品中常见的无情绪人物形象，她试图挣脱以往给自己设置的条条框框——使它们显然更俏皮，外放，自我。这种自我，是艺术家对内部世界的一种表达和纾解：它甜蜜细腻、原始且天真，在快乐、无聊、焦虑与期待之间来回徘徊。
Sculptures of WangWeiwei are dominated by heads of people, which are outlined with simple round pattern and obscure the boundary in the edges with the cloddy style of the muddy pulp. As a part of the body, analogy of "skull" can be seen in various objects of the exhibition, such as the personifed melons and fruits, or the golden brain without the external skull. Images of "skull" is the center of the exhibition, which reflects the status, spirits and thoughts of human beings. It is in this exhibition that WangWeiwei continues to create works with the special material of pulp, which also shows that he inherits the warmth and softness from the previous works. However, different from the frequent emergence of indifferent images, works at this time tell us that she is trying to break away from the limits that she sets by herself in the works before. She attempts to make them obviously more active, outgoing and free to display the true self. It is a kind of way for artists to express and interprete something in the inner world, which is sweet, refined, primitive, naive, and wandering among happiness, boredom, anxiety and expectation.
「关于艺术家 About Artist」
王伟伟，1986年出生于河北唐山市，2012年毕业于中央美术学院雕塑系，获学士学位，2017年毕业于中央美术学院雕塑系，获硕士学位，现为职业艺术家，生活工作于北京。
Wang Weiwei was born in Tangshan, Hebei Province in 1986, and graduate from Department of Sculpture, China Central Academy of Fine Arts. She is now a professional artist and lives and works in Beijing.
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