China Literature and Art Criticism No.3, 2023 Contents&Abstracts

Chinese Literature and Art Criticism

Chinese Literature and Art Criticism

No.3, 2023

Contents & Abstracts

Topical Design: Chinese-style Modernization & Chinese Literature and Art(I) 

■Artistic Conception of Modernization and Innovation(PP. 4-16) HU Jingzhi

Abstract: Combining with the author’ s aesthetic feelings, this essay puts forward three key points on how literature and art reflect the theme of Chinese-style modernization: first, to promote the truth, goodness and beauty of the times, and highlight the spirit of the people; Second, to refine the typical image and innovate literary and artistic conception; Third, to run through the spirit of realism and embody the romantic sentiment.

Keywords: Chinese-style modernization, new mainstream literature, modern spirit, typical image, artistic conception, realism, romanticism

■Modern Chinese Literature and Art toward the Guidance of Chinese Tradition(PP. 17-28) WANG Yichuan

Abstract: To investigate Chinese literature and art from the perspective of Chinese-style modernization, we can see the guiding position of Chinese tradition, and accordingly, modern Chinese literature and art should also be regarded as the modern literature and art directed by a Chinese-type tradition. Modern Chinese literature and art is generated by the intersection of internal and external sources, that is, the modern literature and art both internalized and externalized. At the same time, it is essentially a kind of modern literature and art that dates back to the source and create a new situation which can be clearly seen from the stages of modernity I, modernity II and modernity III of Chinese literature and art. The Chinese tradition has different appearances in many ways of modern Chinese literature and art. The significance of establishing the Chinese tradition lies in finding new soul guidance for modern Chinese literature and art to be directed to future.

Keywords: Chinese-style modernization, to be directed by the Chinese tradition, tracing back to the source and creating a new situation, soul guiding power

■The Chinese-style Modernization and the Theoretical Logic and Contemporary Implication of a People-oriented Literature and Art(PP. 29-39) XIE Na, SONG Wei

Abstract: “Advancing the great rejuvenation of the Chinese nation with Chinese-style modernization” is a proposition of the times with broad historical vision, great historical significance and huge historical value. This proposition of the times, using the method of historical dialectics, converges the two historical missions, the “Chinese-style modernization” and “the rejuvenation of the Chinese nation”, into a general proposition. What is modernization? What is the Chinese-style modernization? What is “advancing the great rejuvenation of the Chinese nation with Chinese-style modernization”? What role does literature and art play in the construction of Chinese-style modernization? As an important proposition of the times, the proposition of the “Chinese-style modernization” has its profound ideological resources and significant theoretical connotations. Therefore, to truly understand this proposition of the times, we need to proceed from the perspective of social criticism, especially from the perspective of Marxist critical theory of capitalism to understand and  interpret the “historical dialectic” relationships among the “Chinese-style modernization”, “the rejuvenation of the Chinese nation” and “modern Chinese literature and art” and to grasp the important theoretical proposition of “advancing the great rejuvenation of the Chinese nation with the Chinese-style modernization”, so as to reveal the theoretical logic and epochal significance of “the path of Chinese-style modernization”.

Keywords: Chinese-style modernization, the orientation of literature and art, affinity to the people in literature and art

Chinese Literature and Art, 2022 (III)

■Fine Arts in 2022: Empathy and Co-creation(PP. 40-53) ZHENG Gong

Abstract: This article will discuss the annual issues of Chinese fine art in 2022 from the following three aspects. First, a discourse platform jointly constructed by multiple participants, taking the International Art Biennale held in different cities as an example to discuss the discourse waxing and waning of the masses and the elites. Second, the spirit of the new era in the creation of thematic art, taking the 7th National Youth Art Exhibition and the 15th National Military Art Exhibition as examples to discuss the linkage between themes and times. Third, the disciplinary orientation of the deep integration of art and science and technology, taking the newly added list of undergraduate majors of the Ministry of Education and their implementation in various regions as examples to discuss the sequence and dependence in the system setting. All the above three are in a state of flux and they show us that the root of the movement lies in the situation of the field. In 2022, Chinese art is in a critical period of contemporary transformation, during which optimizing the ecosystem and co-creating with empathy is a solution to solve the problem. And in the post-epidemic era, it will probably once again face the challenge of the problems of individuality. 

Keywords: fine art in 2022, discourse platform, epochal character, art and science and technology, empathy and co-creation

■Art Studies in 2022: Open up a New Realm in Confidence(PP. 54-63) ZHANG Jinyao

Abstract: In 2022, the construction of “Chinese-style modernization” will become the context of the times. Art theory, criticism, subject design and other aspects have confidently opened up a new realm of the times in the context of this era. The field of art theory is trying to build up some new vocabulary of art theory, and it is also expanding new horizons under the guidance of Resolution of the Central Committee of the Communist Party of China on the Major Achievements and Historical Experience of the Party over the Past Century and Hold High the Great Banner of Socialism with Chinese Characteristics and Strive in Unity to Build a Modern Socialist Country in All Respects — Reportto the 20th National Congress of the Communist Party of China to find new theoretical qualities with the significance of “modernization”; art criticism strengthens the construction of independent knowledge system in the “Chinese-style” cultural self-confidence, especially the profound reflection on the values of art criticism and the standards of art criticism. The construction of the disciplinary system of art has a profound annual scratch, which has aroused extensive discussion in the academic community and put forward many coping strategies.

Keywords: art theory, art review, art discipline, art studies in 2022

■Dance in 2022: Innovating, Transforming and Being Ready(PP. 64-77) ZHANG Yanjie, REN Wenhui

Abstract: In 2022, under the guidance of the literary and artistic guideline of “innovative development and creative transformation,” new hot spots and controversies have emerged in the aspects of artistic creation, disciplinary construction, talent training, academic research and dance criticism. On the basis of reviewing the performance of dance works in the year, this article analyzes the discussion on the development of dance art in the context of new media communication and interdisciplinary integration, and puts forward the opportunity and adjustment of dance art under the new subject and specialty catalogue. Also, the article reviews the exploration of modern Chinese dance from the local and international perspectives and the return of the spirit of traditional Chinese art criticism in the aspect of dance criticism.

Keywords: dance in 2022, creative transformation, innovative development, new media, interdisciplinarity, disciplinary construction, dance criticism

Theoretical Exploration

■The “Isolating Circle” of Literary and Art Criticism and the Way to “Break the Circle” in the Digital Age(PP. 78-90) WANG Yaqin

Abstract: Behind the current carnival situation of literary and art criticism characterized by “everyone being a critic” lies the crisis of “Isolating Circle”. The so-called “Isolating Circle” is not only the basic feature of social relations in the digital age, but also the main problem of current literary and art criticism. In the critical ecology composed of “academic circle”, “we-media circle” and “fan circle”, each of these circles has constructed a set of unique “critical code”. In fact, this chronic disease of “circle” is not only closely related to the expansion of digital rationality and consumerism, but also related to the separation between humanities research itself and practical problems, which reflects the alienation of the generation mechanism of critical discourse, resulting in the limited integration of literary criticism and the loss of public criticism in the digital age. Therefore, we advocate a “Neo-perceptive Criticism” that combines history and phenomenology, respects textual experience and interpretive criticism, and advocates a criticism of diversity and presence. It faces the reality of literature and art in the digital age with a purer attitude, which not only provides us with a new opportunity to restore perceptual criticism in the digital age, but also provides a beneficial exploration of the development of literary and art criticism in the future.

Keywords: the digital age, literary and art criticism, Isolating Circle, Neo-perceptive Criticism

■Studies on the Non-semantic Characteristics of Musical Materials(PP. 91-100) XU Peihui

Abstract: Music and language are interlinked, especially in terms of expression and intonation. However, music has its own logic and expressiveness, therefore, the characteristics of music materials cannot be described only in the external relationship with language comparisons. A phenomenological study of musical performance from the musical materials themselves is needed to investigate the functional and non-semantic characteristics of sound in musical performance in order to fully interpret music.

Keywords: musical material, semanticity, musical text, musical performance

Discipline Construction

■An Exploration into the Construction of “Three Systems” in China’s Psychology of Art(PP. 101-110) LI Xin

Abstract: As one of the main areas of the subject of art studies, the psychology of art should aim at constructing the subject system academic system and discourse system of art psychology with Chinese characteristics, and contributing to the construction of the theoretical system of art studies with Chinese characteristics.This article holds that to construct the subject system of China’s psychology of art, we should pay attention to the self-reference and self-reflection Guided by Marxism,especially by Xi Jinping Thought of Socialism with Chinese Characteristics for the New Era. we should fully represent the Chinese characteristics, Chinese style and Chinese manner of art psychology in the process of learning from the excellent research achievements of Western art psychology based on the development of the spiritual pedigree of Chinese art and the actual needs of Chinese society. Similarly, to construct the academic system of China’s art psychology, we should be problem-oriented constantly strengthening and completing the theoretical construction of China’s psychology of art, and providing support for the construction of the academic system. To construct the discourse system of China’s art psychology, we should strengthen our cultural confidence, create the discourse of China’s art psychology, spread the voice of China, improve the publicizing power and influence of China’s discourse of art psychology; and strive for the international discourse of China’s art psychology.

Keywords: the psychology of art, subject system, academic system, discourse system

Interview with Renowned Experts

■He Is with Laughter: An Interview with the Cantonese Crosstalk Artist HUANG Junying (PP. 111-123) Interviewed by LUO Li

the Cantonese Crosstalk Artist HUANG Junying

 

Inside Front Cover 

Chinese Literary Critics: WANG Yonghao

Inside Back Cover

Review of Members of China Literature and Art Critics Association:  The Literature and Art Critics Association of Xinjiang Production and Construction Corps

Back Cover 

The Introduction to the Excellent Works in the Seventh “Woodpecker Cup” of Chinese Literature and Art Criticism:

A Course of Chinese and Foreign Dance Thoughts

《中国文艺评论》(刊号CN10-1342/J)是中国文学艺术界联合会主管，中国文联文艺评论中心、中国文艺评论家协会主办的学术月刊

● 中文社会科学引文索引CSSCI来源期刊

● “2022年度中国人文社会科学期刊AMI综合评价”核心期刊

● RCCSE 中国核心学术期刊(A)

● 复印报刊资料重要转载来源期刊(2020年版)

●《中国学术期刊影响因子年报》统计源期刊

● 2018中国最美期刊

● 中国知网全文收录

● 维普网全文收录

●《国家哲学社会科学学术期刊数据库》全文收录

● 中国文艺评论网全文收录(zgwypl.com/zz/)

—END—

签发：杨晓雪

审核：陶璐

《中国文艺评论》论文投稿邮箱

[e-mail]

中国文艺评论网微评投稿邮箱

[e-mail]

【欢迎关注▽】

···要不再看看···

☆ #《中国文艺评论》杂志

☆ #《中国文艺评论》2022年各期

点“阅读原文”，查看《中国文艺评论》电子版~

理论评论文章投稿邮箱：[e-mail]~

求分享

求点赞

求在看