Travel | Guests of Honor 梅州:全世界客家人的精神故乡
Meizhou is a city that the global Hakka diaspora can call home
离乡的人们是“客”,久别的故土是“家”
There was, though, another piece of ancestral identity that he managed to retain—the Hakka dialect. My father and his siblings still speak Hakka at home, though their variety is different from the other Hakka dialects in China. They did not pass the dialect on to my generation, but I knew the name of my great-grandfather’s ancestral village from the inscription on his gravestone, plus another name that my father gave me—Meizhou, the “capital” of Hakkas around the world.
The Hakka, known as the Kejia (客家, “guest family”) people in Mandarin, are not officially considered a separate ethnic group from the Han majority in China. Originally residents of northern China’s Yellow River plains, the Hakka’s distinct identity and culture have been shaped by at least five mass migrations in their history: fleeing the Xiongnu invasion at the end of the Han dynasty, war and famine during the Tang, the Jurchen conquerors during the Northern Song, and finally the Mongols during the Southern Song.
Today, Guangdong is still home to 60 percent of the 80 million Hakkas around the world; 95 percent of all overseas Hakka—close to 30 million people—trace their ancestry to the province. Meizhou welcomes thousands of “root-seeking” returnees each year, and even the local football team is known as the Meizhou Kejia. As my taxi took me across one of several bridges straddling the Mei River, I was looking forward to tasting pickled Hakka yamien (腌面) noodles, a perennial snack on my family’s table, in its home and original form.
After checking into a hostel, I took off to traverse the Old Town on the lookout for lunch. The central Zhongshan Road is lined with arcade-houses, or qilou (骑楼), residential buildings with a recessed unit on the ground floor to protect shoppers from the rain. A familiar sight in Chinese diaspora communities in South and Southeast Asia, these structures made their first appearance in Meizhou in the early 1930s, built by emigrants who had succeeded abroad and returned to build up their hometown.
Steam billowing from a vast pot in front of a restaurant caught my eye. Within minutes, the owner, an elderly woman who enthusiastically attempted to communicate with me in the local dialect, ladled up a piping bowl of niang tofu (酿豆腐)—boiled tofu filled with ground meat. The story behind this savory dish is a well-known example of the Hakka’s adaptability: Tofu was one of their substitutes for flour after migrating to the rice-eating south.
My next destination was the Hakka Park (客家公园), home to the Hakka Museum and Huang Zunxian Memorial Hall, dedicated to a well-known Hakka diplomat of the Qing dynasty. The museum, unfortunately, was closed for renovation, but the descriptions state that it is the biggest museum of Hakka culture in China, and offers a comprehensive view of the Hakka’s origin, their customs, their emphasis on hard work and high achievement, and the “enclosed-houses” (围屋) customary of Hakka villages—structures where the whole clan lived together, and were protected against bandits and hostile locals in areas where they settled.
The global Hakka community, too, is full of luminaries who’ve credited their success to their Hakka identity, from Chinese revolutionary Sun Yat-sen to Singaporean president Lee Kuan Yew. Another notable Hakka was Basuki Tjahaja Purnama, the first ethnically Chinese governor of Jakarta, who received a multitude of domestic and international awards for his achievements in governance, but faced discrimination throughout his life from native Indonesians. Such histories are woven into the identity of itinerant peoples: One well-known example is the Hakka-Punti clan wars, armed conflicts between the Hakka and Cantonese between 1855 and 1867.
In the evening, I headed to the Old Town again in search of street snacks. At nighttime, the neighborhood of quiet family businesses is transformed by lights on the qilou’s pillars that make the beige walls glow gold. Below these, plastic tables and benches from the restaurants spill into the qilou’s pedestrian corridor, which are packed with customers shouting their orders into the narrow shops. I was forced to shift back and forth between picking my way between the tables, and walking among the swarm of motorcycles on the road.
Overwhelmed by the vast selection of rice noodle soup, rice noodle rolls, milk-boiled egg custard, fried dough-sticks, and beef entrails (牛杂), I took the easy option and choose two shops with the longest lines—both “time-honored brands”—and end up trying entrails for the first time. A mix of bite-sized innards served with a sweet-and-savory dipping sauce on the side, the delicacy is eaten with toothpicks, and is a common after-school snack among the Cantonese.
My great-grandfather’s home village, Jiaoling (蕉岭), is 48 kilometers north of urban Meizhou. Because of difficulty finding transportation, I decided to save it for another trip, when I plan to bring my family along. For now, I settled for Ketianxia, or “Hakka World,” a 2,000-hectare theme park located 6 kilometers outside the city. One of its main attractions is a replica of a Hakka village, displaying traditional architecture such as the circular tulou (土楼) characteristic of Fujian, and the Guangdong’s local weilongwu (围龙屋), semi-round houses which are on the verge of extinction.
Like authentic Hakka villages, these replicas are constructed into the hillside and beside water for good feng shui. Elsewhere, the park has lifelike statues of Hakkas hard at work and demonstrations of arts like shange (山歌), or “mountain song,” in Hakka dialect. One exuberant Meizhou custom I was sad to miss, but look forward to next time, is the annual “Burning the Fire Dragon” ceremony in Fengshun county. It’s said that 300 years ago, a dragon descended from heaven and brought rain to Hakka villages during a drought; now, every Chinese New Year, the local clans parade a paper dragon strapped with firecrackers, which are let off while men dance underneath the shower of sparks.
As the sun slowly set, I headed down the mountain to watch a performance of Hakka culture, showing the traditional life of a Hakka: Birth, farm work, marriage, and funeral. As the lights of Ketianxia illuminate the night sky like fireflies, I mulled over words my father would say to me and my siblings when we were growing up: “Remember, wherever we go, we will always be the guest.”
Photography by William Tanza; cover image by VCG
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