展览名称：中国当代艺术年鉴展（上海）2020
展览时间：2021年12月25日-2022年4月10日
开幕时间：2021年12月25日15:00
主 办：
上海多伦现代美术馆
上海美术学院当代艺术研究所
北京大学“中国现代艺术档案”（CMAA）
吴作人国际美术基金会
出品人：曾玉兰
策展人：朱青生
年鉴2020艺术家：
（注：共99名/组艺术家，标*者为展出原作的艺术家，以姓氏笔画排序）
丁乙、于吉、马可鲁、马轲、王功新、王光乐、王庆松、王兴伟、王拓、王郁洋*、王鲁炎、王璜生、毛旭辉、仇晓飞、方力钧、尹秀珍、厉槟源*、史金淞、付小桐、鸟头、冯梦波、朱金石、邬建安、刘小东、刘庆和、刘建华、刘娃、刘韡、孙逊、孙原&彭禹、苏新平、李津、李怒、李燎、杨振中、杨圆圆、杨福东、邱志杰、邱岸雄、何工、何云昌、何多苓、何岸、何翔宇、余友涵、汪建伟、沈勤、宋冬、张文心*、张晓刚、张恩利、张培力、陈天灼、陈丹笛子、陈文令、陈抱阳、陈界仁、范勃、林科、庞茂琨、郑达、郑国谷、郑源、赵半狄、赵赵、胡介鸣*、胡为一、胡尹萍、胡伟*、胡庆雁、段正渠、段建宇、施勇*、费俊、顾承洋*、耿雪、徐文恺、徐冰、徐震 、展望、陶辉、曹雨*、曹斐、梁绍基、梁铨、隋建国、彭薇、葛宇路、蒋竹韵、蒋志、喻红、程然、程新皓、焦兴涛、童文敏、童昆鸟*、蒲英玮*、蔡国强、谭平、黎薇
由上海多伦现代美术馆、上海美术学院当代艺术研究所、北京大学“中国现代艺术档案”（CMAA）、吴作人国际美术基金会共同主办的“中国当代艺术年鉴展（上海）2020”（以下简称“年鉴展2020”）将于2021年12月25日在上海多伦现代美术馆开幕。《中国当代艺术年鉴》（以下简称“《年鉴》”）自2005年启动以来，每年一卷，现已编辑至2021年。其基本工作方法一直强调的是持续而深耕，通过对当代艺术现场和生态的记录、观察、追问及反思来试图反映这个时代及其伴随着的各种问题。《年鉴》侧重于记录其“变量”而非“常量”，从而将艺术现场“文献化”和档案化。其所依托的中国现代艺术档案（CMAA）的三个基本层次的工作分别为：作为基础的档案数据库、在此基础上一年一编的《中国当代艺术年鉴》和相关的研究论文，以及在数据库和《年鉴》成果的基础上进行的“中国当代艺术年鉴展”的展览呈现工作。“中国当代艺术年鉴展（上海）2020”第二次落地上海，正是秉承着这样的理念，对2020年中国当代艺术的最新发展和突出的变化进行总结和归纳，分设九个单元呈现为展览。这九个单元包括：激活与重置、社会应变、媒介的可能、观念呈示、绘画的扩展、科技与试验、全球与地缘、性别的反省、介入与自组织。2020年是从疫情中走来的一年。一切已经改变。中国的当代艺术在这样的一个关键的转折点上发生了怎样的情况，是《年鉴》着重记录和追问的问题。一年以来，共计收录中国当代艺术的展览和活动1819条、文献3168篇、涉及6000多位艺术家的活动信息。通过档案调查工作可以看到，艺术在当代性上的探索、对社会现实问题的关注、艺术与科技、性别艺术、艺术介入等方向上的具体实践皆呈现出更为多元且阶段性的发展。疫情并没有过去，中国的当代艺术的转折点还未到达，改变尚在继续。疫情后时代至今仍未到来，所以现在只能在“疫情中时段”的过程中体验和记载，尽量使《年鉴》及“年鉴展”成为时代的特殊记录。《年鉴》编辑每年根据艺术家的作为（发表的情况、展览的情况和各家的评论），从中选出近100位艺术家作为研究和记录的对象，称之为年鉴艺术家。受场地限制，年鉴展览主体为文献形式，每年只有部分艺术家可以原作展出，以此提示本年度的核心议题和问题意识。同时，《年鉴》亦专设“观察专区”，对统计结果前三百名的中青年艺术家进行建档关注，并推荐参加展出。此次“中国当代艺术年鉴展（上海）2020”展出原作的艺术家是：曹雨、顾承洋、胡介鸣、胡伟、厉槟源、蒲英玮、施勇、童昆鸟、王郁洋、张文心。疫情爆发以来，对于中国当代艺术的考验与挑战之广之深，是前所未有的。媒介与媒体的双重性正在暴露出巨大的能量和无限的发展与可能性存在，颠覆世界，也正在给中国的当代艺术留下最广阔和最不可预知的可能。对于技术与社会的反思和实践，也在2020年迈向2021年的过程中逐步由应激转向新阶段的实验和探索，网络和互联亦由此被推向一种“刚需”。基于此，本次展览还将与北京798“中国当代艺术档案”（专馆）上线启幕的年鉴网络展2020构成“线上+线下”的联动模式，以展览为线索，构成未来记录、研究的一个环节。往届展览：
新展预告 | 中国当代艺术年鉴上海展2019
曹雨，我就是想你过得没我好，霓虹灯装置，2021，由艺术家本人提供
Cao Yu，I Just Don’t Want You To Live Better Than I Do，Large Outdoor Color-changing Neon Sign，2021，Courtesy of the Artist
顾承洋，身体邀约及其后──余温，现场行为、装置，2020，由北京大学“中国现代艺术档案”（CMAA）提供Ku Cheng-Yang，Remaining temperature，Performance，Installation，2020，Courtesy of the Chinese Modern Art Archive ( CMAA )，Peking University
胡介鸣，14天，行为、影像、装置等，2020，由艺术家本人提供
Hu Jieming，14 Days，Performance、Video、Installation etc，2020，Courtesy of the Artist
胡伟，样板间 – 如何共同居住，录像、桦木、布料、钢、亚克力、造雾机、木板、LED屏、透明片、印刷品，2020，由艺术家本人提供
Hu Wei，Prototype Room-How to Live Together，Video、Birch、Cloth、Steel,Acrylic、Fog Equipment、Board、LED Screen、Transparent Cut、Print，2020，Courtesy of the Artist
厉槟源，最后一封信，纪录片、文献、照片，14'05'' ，2020，由北京大学“中国现代艺术档案”（CMAA）提供
Li Binyuan，Last Letter，Documentary，Document，Photograph，14'05'' ，2020，Courtesy of the Chinese Modern Art Archive ( CMAA )，Peking University
蒲英玮，红与黑：中国资本的第二大陆，布面油画，亚克力，图像拼贴，丝网印刷，喷漆，油漆笔，石墨，2020，由艺术家本人提供
Pu Yingwei，Red and Black The Second Continent of China Capital，Oil on canvas，acrylic，image collage，screen printing，spray paint，paint pen，graphite，2020，Courtesy of the Artist
施勇,2020 新“抽象”字体研究——全王求化，装置，2020，由北京大学“中国现代艺术档案”（CMAA）提供
Shi Yong，2020 Research on New Abstract Fonts-Quan Wang Qiu Hua，Installation，2020，Courtesy of the Chinese Modern Art Archive ( CMAA ), Peking University
童昆鸟，三毫米上的金色恶托邦，金属为主（实心钢板，不锈钢，钢筋等），烫金漆，黄金漆等综合物料，2020，由艺术家本人提供
Tong Kunniao，Three Millimeters of Golden Dystopia，Mainly Steel(Solid Steel Plate，Stainless Steel，Rebar etc.)， Gilding Paint，Gold Paint and Other Comprehensive Materials，2020，Courtesy of the Artist
王郁洋，关系，电机、LED、微型电脑、电线，2020，由艺术家本人提供
Wang Yuyang，Relationship，Materials:Motors、LED、 Light Tube，Computer and Cable，2020，Courtesy of the Artist
张文心，瀛海威2020，影像，2020，由北京大学“中国现代艺术档案”（CMAA）提供
Zhang Wenxin，Information Highway 2020，Video，2020，Courtesy of the Chinese Modern Art Archive ( CMAA )，Peking University
Exhibition: The Exhibition of Annual of Contemporary Art of China 2020，Shanghai
Duration: December 25, 2021 - April 10, 2022
Opening Ceremony: 3 p.m. on December 25, 2021
Organizer:
Shanghai Duolun Museum of Modern Art
Institute of Contemporary Art at the Shanghai Academy of Fine Arts
Chinese Modern Art Archive ( CMAA ), Peking University
Wu Zuoren International Foundation of Fine Arts
Producer: Zeng Yulan
Curator: LaoZhu
Executive Curator: Pei Lei, Gu Jiajun
Artists of Annual of 2020：（Note:99 artists/group, marked with * are artists whose works are exhibited, sorted by strokes of family name）Ding Yi, Yu Ji, Ma Kelu, Ma Ke, Wang Gongxin, Wang Guangle, Wang Qingsong, Wang Xingwei, Wang Tuo，Wang Yuyang*, Wang Luyan, Wang Huangsheng, Mao Xuhui, Qiu Xiaofei, Fang Lijun, Yin Xiuzhen, Li Binyuan*, Shi Jinsong, Fu Xiaotong,Birdhead, Feng Mengbo, Zhu Jinshi, Wu Jian'an, Liu Xiaodong, Liu Qinghe, Liu Jianhua, Liu Wa, Liu Wei, Sun Xun, Sun Yuan & Peng Yu, Su Xinping, Li Jin, Li Nu, Li Liao, Yang Zhenzhong, Luka Yang, Yang Fudong, Qiu Zhijie, Qiu Anxiong, He Gong, He Yunchang, He Duoling, He An, He Xiangyu, Yu Youhan, Wang Jianwei, Shen Qin, Song Dong, Zhang Wenxin*, Zhang Xiaogang, Zhang Enli, Zhang Peili, Chen Tianzhuo, Chen Dandizi, Chen Wenling, Chen Baoyang,Chen Chieh-Jen, Fan Bo,Lin Ke, Pang Maokun, Zheng Da, Zheng Guogu, Zheng Yuan, Zhao Bandi, Zhao Zhao, Hu Jieming*, Hu Weiyi, Hu Yinping, Hu Wei*, Hu Qingyan, Duan Zhengqu, Duan Jianyu, Shi Yong*, Fei Jun, Gu Chengyang*, Geng Xue, aaajiao, Xu Bing, Xu Zhen , Zhan Wang, Tao Hui, Cao Yu*, Cao Fei, Liang Shaoji, Liang Quan, Sui Jianguo, Peng Wei, Ge Yulu, Jiang Zhuyun, Jiang Zhi, Yu Hong, Cheng Ran, Cheng Xinhao, Jiao Xingtao, Tong Wenmin, Tong Kunniao*, Pu Yingwei*, Cai Guoqiang, Tan Ping, Li WeiThe Exhibitions of Annual of Contemporary Art of China 2020，Shanghai（hereafter as “the Shanghai Project”）will open at Shanghai Duolun Museum of Modern Art on December 25, 2021, co-organized by Shanghai Duolun Museum of Modern Art, the Institute of Contemporary Art at Shanghai Academy of Fine Arts, Chinese Modern Art Archive ( CMAA ) of Peking University and Wu Zuoren International Foundation of Fine Arts.Since its launch in 2005, Annual of Contemporary Art of China (hereafter as “the Annual”) has been published in one volume every year and has been edited until 2021. Emphasizing continuous and deep culture, it tries to reflect various problems of this era and its accompanying issues through recording, observation, questioning and reflection of contemporary art scene and ecology. The Annual focuses on recording its variables rather than constants. In this way, the art scene will be documented and archived. Three basic levels of Chinese Modern Art Archives (CMAA) on which it relies are as follows: fundamental archive database, yearbook of the Annual and related research paper, and the exhibition on the basis of the database and the results of the yearbook. This is the second time that the Annual takes place in Shanghai in which the latest development and outstanding changes of Chinese contemporary art in 2020 are summarized. The exhibition is divided into nine units, which is activation and replacement, social response, media possibility, concept presentation, painting expansion, technology and experiment, global and geographical, gender reflection, intervention and self-organization.2020 is the year of COVID-19. Everything has changed. What happened to Chinese contemporary art at such a critical turning point is what the Annual records and asks. 1,819 exhibitions and activities of Chinese contemporary art, 3,168 articles of literature, and information about more than 6,000 artists have been recorded over a year. It can be seen from profile survey that art has shown a more diversified and phased development on exploration of contemporary art, the attention to social problems, art and technology, gender art, art intervention and other specific practices. The epidemic is far from over, the turning point of Chinese contemporary art has not yet been reached, and change is under way. The post-epidemic era has not yet arrived, so now we can only experience and record in the process of "epidemic period", and try to make the Yearbook and the exhibition a special record of the era. The editorial department of the Annual picks out around 100 artists based on their performance (including their publications, exhibitions and reviews), as the objects of study in the annual, which called “the Annual Artists” . Among them only a few artists could have the original works exhibited. At the same time, the 2020 Annual also sets up a zone "Focus", aiming to keep a long term record of the top 300 young artists. Some of them will be recommended to exhibit. The following artist are among those whose original works are exhibited this year: Cao Yu, Gu Chengyang, Hu Jieming, Hu Wei, Li Binyuan, Pu Yingwei, Shi Yong, Tong Kunniao, Wang Yuyang, Zhang Wenxin.Since the outbreak of the epidemic, Chinese contemporary art has faced unprecedented tests and challenges. The duality of medium and media is revealing enormous energy and infinite development and possibility, subverting the world and leaving the broadest and most unpredictable possibility for Chinese contemporary art. The reflection and practice of technology and society is also gradually shifting from stress to experiment and exploration in a new stage in the process from 2020 to 2021, and the network and interconnection are thus pushed to rigid need. Based on this, the exhibition will also form a linkage mode of online + offline with the Annual Exhibition 2020 of Beijing 798 Archives of Chinese Contemporary Art (special museum), which will constitute a link of future record and research with the exhibition as a clue.The exhibition will last until April 10, 2022.
上海多伦现代美术馆
上海多伦现代美术馆由上海市虹口区文化和旅游局于2003年创建，是一个按现代多功能目标规划建设的、为中国当代艺术发展和服务的非营利文化艺术机构，是一个当代艺术国际化交流的平台。它以 " 原创性、学术性、国际性 " 为办馆理念，具有展览、研究、教育、收藏、交流五大功能。
温馨提示：观展须提前预约，来现场的观众须出示当日有效的预约码、行程码（14天内未经过中高风险地区）和实时绿色“健康码”，入馆前须接受体温测量，参观过程中皆需全程佩戴口罩，排队和观展时请保持1.5米以上距离。
预约参观二维码
Tips
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Opening hours
周二至周日
Tuesday to Sunday
10:00-18:00（17:30 停止入场）
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Closed on Mondays
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