展览· HdM 北京 | 即将推出群展《时间的秩序》
展览名称：时间的秩序
开幕时间：2020 年 5 月 16 日（周六） 16:00 - 18:00
展览时间：2020 年 5 月 16 日 - 7 月 4 日
展览地点：HdM 北京 | 北京市朝阳区酒仙桥路 4 号 798 艺术区七星东街
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董大为，《孤单的树之四季》，视频时长：5'15''，版本 6，2011-2014
HdM 画廊北京空间高兴的宣布我们将于2020年5月16日开启我们疫情过后的第一个展览《时间的秩序》，此次展览邀请了董大为、胡为一、李易纹、陆新建、吕松、曼纽尔·马蒂厄、查尔斯·桑迪森、王一、王庆松、尹航、云永业、张雪瑞、张云垚、朱日新在内的15位东西方艺术家，在特定的“时间”下用绘画、摄影、装置、影像和我们一起开启新的征途。展览持续到7月4日。
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胡为一，《蓝色骨头 No.5》&《蓝色骨头 No.8》，蓝晒法于水彩纸、木框、铝 塑板、白卡纸、亚克力，52 x 38 cm，独版，2020
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曼纽尔·马蒂厄，《服役》，布面综合材料，180x170cm，2020
关于展览
世上本没有“时间”，我们称之为“时间”的东西只在人类文化的范畴里成其为时间，人类对时间的认知更多来源于我们每个人对空间、物体以及事件成因的感知。我们所“认知”的时间根本不存在，事物混合的痕迹也只是一个又一个分化的点和线。在世界的基本方程式中，所谓过去、现在和将来的“时间”,实际上更像是当下人们心中的"记忆""感觉"和"期望"。因此，时间的秩序更像是由彼此影响的事件所组成的网络，它无法呈现给所有人一个广义的“真相”，更多的是以人的主观行为为根本出发点，控制着某个维度只有“自我”能感知的时空。
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朱日新，《有墙的风景No.1》，纸本丙烯、针管笔，40x60cm，2020
在《时间的秩序》展览中，15位艺术家分别用不同媒介，展现了在一个特殊“时间”下彼此对于“时间”概念最个人化的内在观感。他们中的大部分艺术家并不局限于将“时间”这个抽象概念作为表现对象，其中有的艺术家是将“时间”作为表达的方式和语言，有的则通过枯燥的千百次重复运动来记录“时间”的痕迹，但更多艺术家则聚焦于时间与私人记忆、时间与公共历史、时间与死亡、时间与空间、潜意识及想象中。
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云永业，《终景》，木上油画，23x18cm，2019-2020
“时间”之旅是一条无尽长河，对于一些人已经停下，但对大部分人仍在继续；我们周遭的时间和事物以各自的流速交织，向前或循环，指向未来或指向现在；时间就像隐喻，它的真实形态我们并不可知，不同个体的感知交错以及一种当下的空间性体验于是显得特别珍贵，这正是真正令人着迷的地方。
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李易纹，《深空场》 ，布面丙烯，尺寸可变、数量可变，2017
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张雪瑞，《225 201905》，布面丙烯，150x150cm，2019
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陆新建，《城市DNA 罗迪欧大道》，布面丙烯，100×100cm，2011
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马轲，《拿芒果的女人》，布面油画，97x83cm，2020
Exhibition: The Order of Time
Opening: 2020.05.16 (Sat.), 16:00 - 18:00
Duration: 2020.05.16 - 07.04
Location: HdM Beijing | 798 Art District, No.4 Jiuxianqiao Road, Chaoyang District, Beijing
HdM GALLERY Beijing is pleased to announce the opening of the exhibition "The Order of Time". This exhibition is showing 15 Chinese and Western artists including Dong Dawei, Hu Weiyi, Li Yiwen, Lu Xinjian, Lu Song, Ma Ke, Manuel Mathieu, Charles Sandison, Wang Yi, Wang Qingsong, Yin Hang, Yun Yongye, Zhang Xuerui, Zhang Yunyao, Zhu Rixin. Each started a new journey at a specific “time" within painting, photography, installation and video. The exhibition will open from May 16, 2020 to July 4, 2020.
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Lu Song, Foliage - 2, acrylic on canvas, 60x50cm, 2017
About the Exhibiton
There is no "time" in the world. What we call "time" only exists as a concept of human culture. Our cognition of time comes more from people's perception of space, objects and the causes of events. The time we recognise does not exist, and the traces of its passage are just countless points and lines. In the basic equations of the world, the "time" of the past, present and future is actually more akin to a type of memory, feeling and expectation within our mind. Therefore, the order of time is more like a network of events that affect each other. It cannot present a universal truth but an interpretation of the subjective behaviour of people as the basic starting point to control the time and space of a certain dimension that only someone’s consciousness can perceive.
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Wang Yi, Primary Structures, epoxy resin cast, dimension variable, 2016-2020
In this exhibition, the artists use different media to show each other's most personal inner feelings about the concept of time within this definition. Most of them are not limited to the abstract concept of "time" as an objective reality. Some artists use "time" as a mode of expression and language. Others record traces of "time" through thousands of repetitive actions. But more artists focus on time as individual memory, public history, death, space, subconscious and imagination.
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Zhang Yunyao, Intimacy -3, graphite and pigment on felt, 40x40cm, 2019
The journey of time is an endless river, which has stopped for some people, but continues for others who carry on their journey. The time and things around us are intertwined at their own speed, go forward or turn back on themselves, pointing to the future or to the present. Time is like a metaphor: we don’t know its true form. A particularly precious experience is the perception of different individuals intertwined in one space.
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Yin Hang, Kingdom, archival inkjet print, 173.7x139cm, Edition 1-3, 2019
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Wang Qingsong, Lu Xun Now, archival inkjet on Fine Art paper, 60x100cm, 2004
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Charles Sandison, The Reader 3, 40 - 50 inch screen, computer code, c++ algorithm, Edition unique, 2019