摄影作为二十世纪东亚的知识(再)生产 | 会议信息
Note: Panel discussions will be held online with local meeting rooms reserved for streaming, special events and refreshments.
14:15
Keynote lecture: Anti-Photography and Opaque Images
Towards an Alternative Narrative on the Genealogy of East-Asian Photography, from Meiji to Contemporary Practices
Ayelet Zohar (Tel Aviv University)
Moderation: Sarah E. Fraser (Heidelberg University)
15:30
Memory/everyday life (a)
Chair: Barbara Mittler (Heidelberg University)
Colour Dictionary: Revolutionary China’s Souvenir Photographs Shaowen Zhang, Harvard University
The Lens of Everyday Life: Amateur Photography and Modern Life in 1930s China Mi Zhou, University of St Andrews
Fractured Memories, Divided Frames: Revisiting Park Chan-kyong’s *Black Box* (1997) Minna Lee, Princeton University
17:15
Discursive spaces/situated knowledge
Chair: Maki Fukuoka (University of Leeds)
Margaret’s Letter: A Digital Media Shared Experience Celio H. Barreto Ramos, Seneca College
Night Excursions to West Lake: Photography and Expositions in Modern China, 1911-1929 Xinyue Yuan, UC Irvine
“A Vast Territory with Rich Resources” (dida wubo): Reframing Nature Through Photographic Objects in the 1950s Yi Liu, UC San Diego
19:00
Book launch: Photography’s appearances in China: over- and underestimated
Photography in China: Science, Commerce and Communication (Routledge, 2021)
Oliver Moore (University of Groningen)
Moderation: Barbara Mittler (Heidelberg University)
10:00
Memory/everyday life (b)
Chair: Ayelet Zohar (Tel Aviv University)
Portraying the Self or Performing the Other? Costume Photo, Transformed Body, and Gender Performance in *The Goddess Scatters Flowers* (Tiannü sanhua, 1917) Jiaqi Wang, CU Boulder
From Aerial Photography to New Documentary: Representation of Disasters between 1923 and 1945 in Japanese Photography Shih-cheng Huang, SOAS
Visualising the Postwar Shadow: Ishiuchi Miyako, Tōmatsu Shōmei, and Yokosuka Ji Hye Alice Han, Sophia University
11:45
Ecology/built environment
Chair: Oliver Moore (University of Groningen)
Representation and Excavation in Engineering Landscapes Shirley Ye, University of Birmingham
Construction Photography in Post-independence Pune (India): An Emerging Tool of Building Practice? Sarah Melsens, University of Antwerp
15:15
Eye-witnessing/social reality
Chair: Thy Phu (University of Toronto)
The New Photography Movement: From “Scientific” Knowledge to Social Realism Mycah Braxton, Harvard University
Bringing the Human World Home: Renjian (Human World) Magazine and Third World Photojournalism Po-hsi Chen, University of Cambridge
Eva Sandberg Siao: Photographs of the Reconstruction of Tiananmen Square in 1959 Lin Du, UCLA
18:15
Film screening: Memories of China
Based on Thomas Sauvin’s collection and Shixin Liang’s research on the Beijing Silvermine. Director: Emiland Guillerme. Film with English subtitles.
Followed by a discussion among Emiland Guillerme, Thomas Sauvin, Barbara Mittler, Shixin Liang and students from the seminar Intimate Histories at Heidelberg University
10:00
Photographic art reproduction
Chair: Fengyu Wang and Giulia Pra Floriani (Heidelberg University)
Unboxing ‘Exotica’: Perspectives on Non-European Art in the Bruckmann Archive Franziska Lampe, ZI Munich
Reading a Photograph: Auguste Rodin, Victor Goloubew and the Possibilities of the Art Book in *Ars Asiatica* (Éditions G. Van Oest, 1914–1935) Elise Dupré, Ghent University
11:15
Travel/expeditions
Chair: Sarah E. Fraser (Heidelberg University)
The Photo Series of the “Archaeological-historical Expeditions” from the Archives of the Japanese Colonial Government of Korea Jeehye Kim, University of Salzburg
Rediscovering the Frontier: the Northwest Photography in Republican Chinese Media (1931-1945) Feng Guo, University of Edinburgh
Combining the History of Photography and Anthropology in Postwar Taiwan: Chang Tsai and His Photographs Revisited Peng-hui Wang, CTGU
14:00
Materials/materiality
Chair: Franz Prichard (Princeton University)
Printed Windows, Traveling Frames: Transnational Photograph Albums and Missionary Visualities in Modern China and Taiwan Joseph W. Ho, Albion College
Disobedient Photobook: Photobooks and Protest Image in Contemporary Hong Kong Wing Ki Lee, HKBU
*Busshitsu* in Photography: The Materiality of Photographed Objects in Conceptual Photography in Japan and California in the 1960s–1970s Asako Katsura, UC Irvine
Local meeting rooms are located at Voßstraße 2, 69115 Heidelberg.Map of the rooms
https://photoworkshop2022.com/programme