展览预告 | 存念留真——深圳美术馆上款馆藏名家作品展
2024年文化和旅游部
全国美术馆馆藏精品展出季项目
2024 National Exhibition Season of Outstanding Collections at Art Museums, Ministry of Culture and Tourism
存念留真
——深圳美术馆上款馆藏名家作品展
Mementos: Masterpieces with Inscriptions Dedicated to Shenzhen Art Museum
主办单位
Organizer
深圳美术馆
Shenzhen Art Museum
展览地点
Venue
深圳美术馆(新馆)四楼16、17号展厅
Exhibition Hall 16 & 17, 4F, Shenzhen Art Museum
展览时间
Exhibition Dates
第一期
Phase I
2024年6月18日-10月20日
2024.6.18-10.20
第二期
Phase II
2024年10月23日-2025年2月16日
2024.10.23-2025.2.16
艺术家
按姓氏首字母排序
曹汶 陈大羽 陈佩秋 陈衍宁 陈永康 陈永锵 陈雨田 陈政明 程莉影 程十发 邓长夫 关山月 郭竟仁 郭汝愚 韩天衡 华拓 黄安仁 黄格胜 黄堃源 黄显英 黄永玉 黄志坚 赖少其 黎雄才 李世南 李文信 李行简 李醒韬 梁照堂 廖连贵 林岑 林散之 林墉 刘仑 刘国辉 刘俊刚 刘宁一 刘斯奋 卢光照 卢巨川 陆俨少 吕林 莫一点 聂干因 柒万里 秦咢生 尚涛 邵洛羊 邵宇 沈文江 宋文治 苏华 苏葆桢 孙晓云 汤小铭 唐云 王兰若 王孟奇 王玉珏 王肇民 王子武 魏紫熙 吴静山 吴南生 吴青霞 吴作人 伍启中 武石 萧淑芳 谢稚柳 许钦松 亚明 燕鸣 应野平 于志学 郁炜 张广 张金锜 张绍城 张世简 章炳文 郑乃珖 周昌谷 朱屺瞻
Artists
in alphabetical order of last name
Cao Wen, Chen Dayu, Chen Peiqiu, Chen Yanning, Chen Yongkang, Chen Yongqiang, Chen Yutian, Chen Zhengming, Cheng Liying, Cheng Shifa, Deng Changfu, Guan Shanyue, Guo Jingren, Guo Ruyu, Han Tianheng, Hua Tuo, Huang Anren, Huang Gesheng, Huang Kunyuan, Huang Xianying, Huang Yongyu, Huang Zhijian, Lai Shaoqi, Li Xiongcai, Li Shinan, Li Wenxin, Li Xingjian, Li Xingtao, Liang Zhaotang, Liao Liangui, Lin Cen, Lin Sanzhi, Lin Yong, Liu Lun, Liu Guohui, Liu Jungang, Liu Ningyi, Liu Sifen, Lu Guangzhao, Lu Juchuan, Lu Yanshao, Lyu Lin, Mo Yidian, Nie Ganyin, Qi Wanli, Qin Esheng, Shang Tao, Shao Luoyang, Shao Yu, Shen Wenjiang, Song Wenzhi, Su Hua, Su Baozhen, Sun Xiaoyun, Tang Xiaoming, Tang Yun, Wang Lanruo, Wang Mengqi, Wang Yujue, Wang Zhaomin, Wang Ziwu, Wei Zixi, Wu Jingshan, Wu Nansheng, Wu Qingxia, Wu Zuoren, Wu Qizhong, Wu Shi, Xiao Shufang, Xie Zhiliu, Xu Qinsong, Ya Ming, Yan Ming, Ying Yeping, Yu Zhixue, Yu Wei, Zhang Guang, Zhang Jinqi, Zhang Shaocheng, Zhang Shijian, Zhang Bingwen, Zheng Naiguang, Zhou Changgu, Zhu Qizhan.
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前言
Preface
深圳是依托中国改革开放伟大战略发展起来的新兴城市。在改革开放之初,深圳展览馆(深圳美术馆前身)是文化传播的窗口。深圳展览馆沐浴着改革开放的春风,享有经济特区的政策支持,凭借毗邻港澳的地理优势,成为中国美术界链接海外的桥梁。有赖于当时全国各地书画名家的支持和参与,深圳展览馆在商业经营性质的文化产业方面进行了开拓性的实践和探索,在中国艺术市场的起步阶段做出了一系列成果,带动了区域内产业的发展。深圳展览馆也由此形成了展览、经营、收藏良性循环、相互促进的办馆体系。
Shenzhen, an emerging city, has flourished under China's reform and opening-up policy. In its early stages, the Shenzhen Exhibition Hall (predecessor to the Shenzhen Art Museum) was a cultural gateway. Embracing the era's reforms, it benefited from special economic zone policies and its proximity to Hong Kong and Macao, connecting the Chinese art community internationally. Relying on the support and participation of renowned calligraphy and painting masters nationwide during that period, the Shenzhen Exhibition Hall embarked on pioneering practices and explorations within the commercial realm of the cultural industry. It achieved a series of milestones during the nascent phase of the Chinese art market, catalyzing the growth of the regional industry. Consequently, the Shenzhen Exhibition Hall established a self-reinforcing system where exhibitions, operations, and collections mutually enhance each other, fostering a dynamic and sustainable museum ecosystem.
近半个世纪以来,深圳美术馆与全国艺术名家建立了深情厚谊。在大量的馆藏书画作品中,艺术家将深圳美术馆题写为上款:“深圳展览馆存念”“深圳美术馆惠存”“题赠深圳美术馆”……这些作品及其题款不仅是全国艺术名家支持深圳美术事业发展的见证,也反映了深圳美术馆作为改革开放文化窗口的社会影响力。放眼全国,鲜有美术馆、博物馆获赠数量如此之多的名家题写上款作品。本着藏品活化的宗旨,以弘扬时代精神、讲好深圳故事为目标,深圳美术馆基于自身馆藏特色以及这些作品的学术价值与社会价值,于2024年隆重推出“存念留真——深圳美术馆上款馆藏名家作品展”。
Over the past half-century, Shenzhen Art Museum has cultivated profound friendships with esteemed artists across the nation. In a large number of calligraphy and painting works in the collection, the artists wrote dedicatory inscriptions to SZAM, such as "In Memory of Shenzhen Exhibition Hall," "A Keepsake for Shenzhen Art Museum," and "Bestowed upon Shenzhen Art Museum." These pieces and their dedications stand as a testament to the nationwide support for Shenzhen's artistic endeavors and underscore the museum's significant social impact as a cultural gateway of reform and opening up. Across the nation, few art museums or institutions can claim to have received such an extensive collection of works bearing dedicatory inscriptions from celebrated artists. With a commitment to the dynamic use of its collection, and with the aim of championing the spirit of the era and narrating the tales of Shenzhen, SZAM, leveraging its unique collection and the academic and societal worth of these works, proudly presents in 2024 the grand exhibition “Mementos: Masterpieces with Inscriptions Dedicated to Shenzhen Art Museum.”
展览通过梳理精美的馆藏作品和照片、书信等丰富的文献资料,全面还原改革开放以来,深圳美术馆与全国画家密切联系、交往的盛况,回顾艺术家们支持特区文化建设的壮举,展现深圳自由、热情、充满创新力和吸引力的城市氛围。相信朋友们能在这个特别的展览中获益良多。
The exhibition meticulously curates the museum's exquisite collection of artworks, photographs, letters, and an array of archival materials, offering a comprehensive retrospective of the vibrant interactions and exchanges between SZAM and artists nationwide since the era of reform and opening up. It commemorates the pivotal role of these artists in bolstering the cultural fabric of the special economic zone, vividly portraying Shenzhen's spirit of freedom, its passionate embrace of innovation, and its magnetic allure. We are confident that visitors will find profound enrichment and inspiration through their engagement with this exceptional exhibition.
第一期展出作品
Exhibits in Phase I
黄山松云
Pines and Clounds in Mount Huangshan
亚明、宋文治、魏紫熙
Ya Ming, Song Wenzhi, Wei Zixi
65×45cm
纸本水墨设色
Ink and color on paper
1978
金鱼
Goldfish
吴作人、萧淑芳
Wu Zuoren, Xiao Shufang
65×45cm
纸本水墨设色
Ink and color on paper
1979
松石图
Pines and Stones
谢稚柳
Xie Zhiliu
67×137cm
纸本水墨设色
Ink and color on paper
1985
松石双清图
Pines and Rocks
黎雄才
Li Xiongcai
137×69cm
纸本水墨
Ink on paper
1981
美在于斯
Here Unfolds the Beauty
程十发
Cheng Shifa
114×39.5cm
纸本水墨
Ink on paper
1986
艺苑之光
The Light in Art Garden
宋文治
Song Wenzhi
90×52cm
纸本水墨
Ink on paper
1986
2024年文化和旅游部全国美术馆馆藏精品展出季项目
2024 National Exhibition Season of Outstanding Collections at Art Museums, Ministry of Culture and Tourism
存念留真——深圳美术馆上款馆藏名家作品展
Mementos: Masterpieces with Inscriptions Dedicated to Shenzhen Art Museum
主办单位:深圳美术馆
Organizer: Shenzhen Art Museum
学术主持:陈履生
Academic Advisor: Chen Lyusheng
展览总监:王新妮 王子蚺
Exhibition Supervisors: Wang Xinni, Wang Ziran
策展人:李原原 王志
Curators: Li Yuanyuan, Wang Zhi
展览执行:袁瑜斐 陈宏 张晓怡 陈浩南
Executive Curators: Yuan Yufei, Chen Hong, Zhang Xiaoyi, Chen Haonan
公共教育:游江 邓丽君 吴博榕 方艺婷 赖慧瑜
Public Education: You Jiang, Deng Lijun, Wu Borong, Fang Yiting, Lai Huiyu
推广宣传:黎晓阳 曹莺倩 张腾 侯康升 黄奕舜 任奕臻 陈钊锐
Publicity and Promotion: Li Xiaoyang, Cao Yingqian, Zhang Teng, Hou Kangsheng, Huang Yishun, Ren Yizhen, Chen Zhaorui
展览陈列:尹烨斌 曾标 刘佳依 邓正杰 曾耀乐 杨学良
Exhibition Installation: Yin Yebin, Zeng Biao, Liu Jiayi, Deng Zhengjie, Zeng Yaole, Yang Xueliang
藏品研究:覃京侠 张杨娟 罗先梅 陈佩琳
Research on Collections: Qin Jingxia, Zhang Yangjuan, Luo Xianmei, Chen Peilin
藏品管理:张晓怡 陈浩南 陈宏 袁瑜斐
Collection Management: Zhang Xiaoyi, Chen Haonan, Chen Hong, Yuan Yufei
文献管理:梁莉 魏俊燊 任安安 钟易
Archive Management: Liang Li, Wei Junshen, Ren An’an, Zhong Yi
展务统筹:杨世武 万黄婷 粟愿 张斐然 杨曼
Administrative Supports: Yang Shiwu, Wan Huangting, Su Yuan, Zhang Feiran, Yang Man
项目助理:李蓁 彭可悦 王蕊婷 赵娅鑫 杨咏霏 邓嘉雯
Assistants: Li Zhen, Peng Keyue, Wang Ruiting, Zhao Yaxin, Yang Yongfei, Deng Jiawen
安全管理:张哲健 黄应衡
Security Management: Zhang Zhejian, Huang Yingheng
视觉设计:一木设计
Exhibition Design: Yimu Design