郭亚冠个人项目｜寻找大熊星座Searching for the Great Bear

M'room Art  project

▲海报 Poster

开幕：2018年5月27日  晚7:00

opning : 2018.5.27.   19:00

展期：5月27日－6月9日

duration：5.12－6.09

地址：北京市朝阳区崔各庄黑桥中心艺术幼儿园Mstudio

add : Mstudio,Hei Qiao central kindergarden,Chao Yang district,Beijing

邮箱：[e-mail]

mail : [e-mail]

微信：foxsoda（预约观展）

massage : foxsoda(to visit by appointment)

https://v.qq.com/txp/iframe/player.html?vid=g0665btmti1&width=500&height=375&auto=0▲预告视频 Preview video

古希腊神话里，为了阻止阿克塔斯杀他的变成大熊的母亲,宙斯把他变成了小熊，母子相认，之后又把他们变成了天空中的大熊星座和小熊星座。

把不同的物体通过表象的处理统一到一个属性里，它们自身会不会有一种新的交流方式。

如果世界只剩下一个颜色，我们如何继续前行？

我们生活的现实世界里五彩缤纷，颜色已经成为我们认识和判断事物的重要手段，如果世界只有一种颜色，我们没有了选择权利，之前所有固定的对物象认知思维将会被彻底打乱，尤其是通过颜色来判断事物微妙差别的经验全部归零，模糊的轮廓和明暗是重新认识事物方法。在所有表象变得微弱时内部的能量才会震颤，所以，在这样一个环境里我们可能看到了和谐，也可能是混乱。归根结底它是一场空无。

然而，我们并不满足于有限的感官感知到的世界。对于观者而言，这个作品我想表达什么也不重要，希望在一片混沌和模糊不清中建立一个新的秩序。它是空间里每一个元素被改变后。互相发生关系后诞生的，这种重新建立起的秩序可能会冲击到埋藏在深层土壤里的那颗沉睡的感官种子。

我们通常所谓“六感”的精神作用生活的，即眼，耳，鼻，舌，身，意六识。前五识，谓能了别外界对象的眼、耳、鼻、舌、身等识;第六识，谓有想象、思考等统觉作用的意识；唯识论又创立了第七识，谓作为潜在的自我意识的末那识，可以解释为，包含了自我，个人的自我意识的一切；第八识，谓作为前七识的根本及核心的阿赖耶识。阿赖耶识内藏着被命名为种子的能产生世界各种现象的精神因素,故又称为“藏识”或“种子识”。从阿赖耶识能维持种子及身心器官这一方面说,又被称为“执持识”。我们活在当下的环境里，归根结底就是这一终极之识在活动。

郭亚冠  2018-05

In Greek mythology, Zeus transforms Aktasinto a little bearin case he would hunt his mother who has become a bear by Zeus too, in this way they meet each other again and aremade constellations the Great and Little Bear.

Is there a new conversation system createdamong different things, if their surface are processedunder one property? What if only onekind of color is left in the world?

Color has become a significant method forpeople to recognizeand tell things in this colorful world.

If there is only one color, our routine way to sense the world would be completely upset. We can’t tell the nuance of things through color recognition anymore, but through the vague outline and the contrast oflight and shad. Only when the superficies fades away will its inner power bemoved. In such an environment, we might see harmony orchaos, but they finally turn into nothingness.

However, we aren’t satisfied with the worldwe know by our senses we usually know. What I intend toexpress in an artwork isn’t important to the spectators, instead I want a new order to be built in the chaos when everyelements in the space has been transformed and interrelated mutually. It’s ableto awake the unknown seed of sense buried deep in the ground.

The usual “six senses” is put into effectby eyes, ears, nose, tongue, body and consciousness. The foregoing five senseenable us feel things around; The sixth is about imagination and thinking；The Consciousness-onlycreate the seventh sense called “Mano-vijnana” which means potential self-consciousness,including self and all the individual’s consciousness; The eighth “Alaya” isthe root and core of the foregoing seven sense, which is also called “the seedsense”, the spirit factor that generates the object in the world. Meanwhile, Alayahas another name “Maintaining consciousness” because it maintains the seed,body and soul. It is the ultimate sense that runs us to live for the moment.

Guoyaguan  May,2018

▲《寻找大熊星座》黄色系列

<Searching for the Great Bear>Yellow series

这个作品的颜色完全是随机的，所以把权利交给了米诺，她喜欢黄色。我也试想过，我的身份是画画的，将我的日常的生活状态植入这个空间，可能画画，也可能其他。如果画画我会找一个模特，在这个#色的空间里用#色的颜料在#色的画布上画这个#色的人。

如果只有一种颜色，绘画这种平面性的表现形式还能否继续？现实是不同的，你永远都达不到所有物体都保持一样的颜色。

比较有意思的是，M房间所在建筑就是黄色的，座落在一片废墟中闪闪发光。与整个院子的耀眼的黄色相对抗的是M房间旁边的一道蓝色的工地隔离铁皮墙，它挡住了所有地平线以上视线，只露出远处高耸的一片杨树，面无表情的看着对面的一切。挖掘机工作时吱吱悠悠的声音穿透了坚固的铁皮把一切神秘铲平。整个黑桥冷冷清清，往日的喧嚣荡然无存，这种一墙之隔的喧闹似乎让人更没有安全感了。

The color of the art work is picked randomly by Mino.She loves yellow. I once assumed to put my daily life situation into this space as a painter. I might be painting or any other things. If Iwere painting there, with a model, I would draw a#color  person on a #color canvas with a # color in the a # color space.

If there is only one color, could the artpainting still exist with its planarity? What is different in the reality is thatwe can never keep all things in the same kind of color.

It is special that the building of room Mis yellow itself, which sites in ruins, glowing. The blue iron wall in the construction site is the only thing that fight with the brilliant yellow. It blinds all above the horizon, without the tall poplars at far away which gaze there in differently. When the excavator works, the grating metallic sound seems canpenetrate the iron wall and wipe out all the mystery here. The place Heiqiaobecome lonely and desolate, the noisy days has gone. The noisy in old daysseems veiled and insecure.

Guoyaguan  May,2018

郭亚冠，1990年生，2015年毕业于中央美术学院造型学院油画系第四工作室，获学士学位；2016年考入中央美术学院造型学院油画系，攻读硕士学位。

Guo Yaguan

1990  Born in Jining city, Shandong Province

2015  Graduated with a Bachelor’s Degree from 4thStudio, Oil Painting Department, Fine Art School, Central Academy of Fine Art (CAFA)

2016 Matriculated as Master Candidate of the CAFA Oil painting Department

Now Based in Beijing

主要展览经历：   

2015  “千里之行” 全国优秀作品展，罗中立美术馆，重庆；   

2016  “青岛青鸟”个人作品展，山东青岛；

2016  “三天”时间主题展览，清华大学美术学院美术馆，北京；

2016  “花家地双年展”，花家地单元房，北京；

2017  “艺术北京”，北京；    

2017  “漳洲国际当代艺术展”，福建漳州；

2017  入围 “学院本色2017——中央美术学院校内作品展”，中央美术学院，北京；

2017  入围“学院本色2017——美术学院学生作品展”，清华大学美术学院，北京；

2017  “素描现相”，莞城美术馆，广东东莞；

2017  “中国当代数字艺术展”，中华世纪坛，北京；

2017  “隐而未现”，多伦美术馆，上海；

2018 “我的春天藏在衣袖里” 郭亚冠石子媛双个展，中央美术学院 北京

Exhibitions:

2014 Creative Sketches Show of The Misty Drizzle in Maiji, CAFA Main BuildingExhibition Hall, Beijing；

2015 “Run as You Can, Boys and Girls” Young Artist Group Show, Dayuntang Art Museum,Beijing；

2015 “New Youth Art Movement” Group Exhibition, 798 Enjoy Art Museum, Beijing；  

2015 “A Journeyof Thousands of Miles” Outstanding Graduates Exhibition, CAFAMuseum, Beijing；

2015  “A Journey ofThousands of Miles” National Excellent Art Works Exhibition, Luo Zhongli Art Museum,Sichuan Province；  

2016 “Qingdao, Qingdao City” Individual Show, Qingdao City, Shandong Province；

2016 “Aspects ofthe World” Group Exhibition, Qingdao City, Shandong Province;

2016 “Three Days” About Time, Academy of Arts & Design , TsinghuaUniversity, Beijing;

2016 “Huajiadi Biennale”, A Flat in Huajiadi，Beijing;

2017 “Seven Deadly Sins”, Personal Project in a Flat in Huajiadi, Beijing;

2017 “Orpiment”, Dezi Art Center, Beijing；

2017 “Art Beijing”, Beijing；   

2017 “Zhangzhou International Contemporary Art Exhibition”, Zhangzhou City, FujianProvince;

2017 “Originality by The Academics Creative Art”, Academy of Arts & Design, Tsinghua University, Beijing;

2017 “Narration”, Oil Paintings of Chinese Key Art Academy Exhibition, Luxun Academyof Fine Arts, Beijing;

2017 “Contemporary Sketch”, Guancheng Art Museum, Dongguan City；

2017 “On Balance” CAFA Graduating Students' Exhibition, Central Academy of FineArt, Beijing；

2017 “China Contemporary Digital Art”, China Millennium Monument, Beijing;

2017 “2017 INTER-YOUTH Art·Letter Home Exhibition”, CAA Art Museum；

2017 “Under Cover” The Sixth Shanghai Duolun Youth Art Exhibition, Duolun Museumof Modern Art, Shanghai；

2017 “Excellent Adolescence”, Front Gate Quanye Chang, Beijing.

支持艺术项目“M的房间”

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