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项目场地位于莫干山仙人坑村落的主路尽头，东西向竹林景观围绕，其中西侧紧邻街道。因起伏地形限制，形成了不规整的南北向长条型场地。如何处理临街的条件，以及如何敏锐捕捉不同时段的光影角度和竹林景观等场地特有要素，成为项目思考的出发点。→
The site is located at the end of the main road of Xianrenkeng village, Mount Mogan, surrounded by a bamboo landscape in the east-west direction, with a street adjacent to the west side. Due to the undulating terrain constraints, irregular north-south strip site forms. How to deal with the conditions of the street, as well as how to capture the different period of light and shadow angle and bamboo landscape and other unique elements of the site, become the starting point for project thinking.
项目概念为“游园惊梦”。民宿采用纯黑外观，以谦逊姿态隐于山野，呈现一种内藏、内敛的建筑气质。游人进入建筑后，在“折”与“藏”中发现隐藏在各处的景致。区别于严谨建构秩序，空间组合形式更类似在山林间自然生长的状态，依势而建。→
The concept of the project is “Dream in the garden”. The accommodation adopts pure black appearance, conceals in the mountain by the humble manner, presents one kind of hidden, introverted architectural temperament. Visitors enter the building, and find hidden in the landscape. Different from the strict construction order, its spatial combination forms are more similar to the natural growth state in the mountains and forests, built according to the situation.
一层空间由3个方形体块与4处庭院构成，空间之间充满穿插、流动和交集，串联成一个变幻也和谐的整体。室内以景观为导向，设置每一处庭院的不同停留区域与观赏方式。这些停留区域范围被确定后，剩下的空间便是行走的路径。这些路径不被预先规划，而是设计逻辑推导的结果。
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The first floor is made up of 3 square volumes and 4 courtyards, which are interspersed, flowing and intersecting to form a changeable and harmonious whole. The interior is landscape-oriented, with different areas of each courtyard and ways of viewing. Once the range of these stopping areas is determined, the remaining space is the path to walk. These paths are not planned in advance, but are the result of design logic derivation.
在材质方面，我们运用自然材料，如烧杉木、英安岩、微水泥，亚麻这些材质朴实耐用且会随时间流逝而丰富其质感。空间以灰色和木色为基调，同色系的材质有粗糙细腻的微妙对比，避免过度的装饰。→
In terms of materials, we use natural materials, such as burnt fir, dacite, grey cement, linen which are simple and durable and will enrich its texture over time. Gray and wood color as the tone, with the color of the material that has a rough delicate contrast, can avoid excessive decoration. Let space return and start a dialogue among light and shadow and landscape.
二层和三层空间分别有三间客房。每间客房都最大化的保证了与周边自然环境的连通，房间将核心休憩空间以温润的木盒子嵌入到不同尺寸的雕刻体块中，强调空间的流通和功能的秩序感。→
There are three rooms separated on each floor with maximized views to nature. The core spaces are inserted into the carved solid mass as wooden objects to strengthen the hierarchy of spaces.
灵感来源于传统东方木构，在二层客房中分别插入了不同体量的网格系统，将宣纸和榻榻米嵌入，呈现出丰富的空间体验和光影效果。木构系统可以完全关闭来营造安静的睡眠空间，可以局部打开进入卫浴空间，也可以完全打开和室外竹林融为一体，通过可虚实变换的边界形成空间的暧昧流动。→
Drew the inspiration from traditional wooden structure, the architects inserted different volume wooden grid systems with washi paper and tatami embedded into the guestroom to differentiate the bathroom programs and the rooms. The movable screens within the grid system can be completely or partially closed or opened to define the spaces and to frame the views of the bamboo forest outside. The washi paper in the system will also bring the quality of the light and shadow to the space when the shadows of bamboo forest hit on it.
借由不同方式不同朝向的“框景”手法
将近处的内庭和远处的竹林都囊括其中
木构网格系统以重复叠加的方式呈现功能空间的秩序感和结构感
三层空间是斜屋顶结构，为了强调建筑本体空间的体块感和粗野感，在每个房间中，嵌入了带有生活功能的木质构件。房间内的材料以灰色微水泥和暖色原木为主，衬托出光与影的交互以及建筑空间和自然环境的关系。→
To the third floor, sloping roofs start to dominate spaces. Rooms become more volumetric with different punches to define programs and to frame the views. Wooden objects per programmatic requirements are inserted in. The main material used in rooms is grey cement which let spaces become backdrops of light and shadow movement and to strengthen the connection between architectural space and nature.
无意识地和周边竹林对话，进入一个纯净空灵的宁静世界。
开窗借景，客房窗户朝后山的竹林打开，将宽阔的自然景观引入室内空间，客人在房间内即可切身感受到自然风景的流通。设计师在此创造了一个内观的小世界,使人在房子里可以真正地卸掉城市生活中的包袱，向内观，照见自己的本心。→
Openning the window to the bamboo forest behind the mountain, will lead natural landscape into the indoor space, guests in the room can personally feel the flow of natural scenery. The designer has created a small world of introspection, so that people in the house can really unload the burden of urban life, inward-looking, to see their own heart.
借山而居，令人神清意远。在青骊，青山白云都像旧相识。→
Living on the mountain makes people feel clear and far away. In Qingli, mountains and clouds are like old acquaintances.项目名称 | 青骊民宿
Project name | Qingli Accomodation
项目地点 | 德清莫干山
Project location | Mount Mogan, Deqing County, Zhejiang
设计时间 | 2020年
Design time | 2020
建成时间 | 2022年
Completion time | 2022
项目规模 | 380m²
Project size | 380m²
室内设计 | TEG二拾八造
Interior Design | TEG
设计主创 | 陈俊宇、笪文博、宋美华
Chief designer | Chen Junyu, Da Wenbo, Song Meihua
建筑设计 | 彭贤飞
Architectural design | Peng Xianfei
植物配置 | 吕文江
Plant Configuration | Lu Wenjiang
施工单位 | 德清星成装饰有限公司
Construction | Deqing Xingcheng Decoration Co. , Ltd.
图片拍摄 | Alili
Photo | Alili
视频拍摄 | uhe Studio
Video | uhe studio
设计材料 | 烧杉木、英安岩、微水泥、实木、宣纸
Materials | burnt fir, dacite, grey cement, solid wood, washi paper
TEG二拾八造设计品牌由四位来自纽约曼哈顿28街的设计师创立，并在上海、成都和武汉 成立公司。作为一个跨学科的设计事务所，获得多项国际设计大奖，我们与日俱增的作品集囊括建筑、室内、景观以及产品设计。 “二分拾取过去，八分探寻未来”作为我们的设计理念，旨在探索隽永风格和创新设计之间的平衡，提供经典但不乏趣味的设计。我们尊重历史、乐于创造、关注自然，通过可持续发
展的方式研究和探讨空间的性质，以人类情感需求为导向，把空间和人类的活动视作一个有机的整体，建立出情感价值至上的空间。
TEG (Two Eight Group)was founded by 4
designers from 28th Street in Manhattan, New York, and has established
companies in Shanghai, Chengdu and Wuhan. As an interdisciplinary design
practice with numerous international design awards, our growing portfolio
covers architecture, interior, landscape and product design. “Learning from the
past and discovering the future” is our philosophy of design. With respect to
history, willingness to creation and attention to nature, we study and discuss
the nature of space through sustainable development. Guided by human emotional
needs, we regard space and human activities as an organic whole to build a
space where emotional value is paramount. We look forward to working with
clients to break the boundaries of thinking and explore more possibilities。
Mr.Lai Design Studio | Yoga Realm