作品介绍 About the works｜王智一：心智 The Mind
作品介绍
About the works
阿波罗
现场项目
激光切割镜面阴极316L钛钢，自然光，彩色贴膜，LED投光灯等
尺寸可变，2018
Apollo
Field project
Laser cutting mirror cathode 316L titanium steel ,
Natural light,Color sticker, LED projector, etc
Dimensions Variable, 2018
金日的光束是我的利矢，以此来射杀
谎言的魔鬼，它们偏爱暗夜而畏惧白天；
所有那一切触犯或幻思作恶之人——
飞速地逃掠我，我的荣光——我的射线——
直至良知和坦荡重赢新的力量，
直到黯暮君临，逐一湮熄不复存。*
*珀西·比希·雪莱（Percy·Bysshe·Shelley)（1792.8.4～1822.7.8）
阿波罗之歌Hymn of Apollo 第三节（雪莱于1820年所做的诗）
The sunbeams are my shafts, with which I kill
Deceit, that loves the night and fears the day;
All men who do or even imagine ill
Fly me, and from the glory of my ray
Good minds and open actions take new might,
Until diminished by the reign of Night. *
* Percy·Bysshe·Shelley（1792.8.4～1822.7.8）
Hymn of Apollo stanza 3 (poem by Shelley in 1820)
音色
混合媒材，尺寸可变，2022
Timbre
Mixed media, Dimensions Variable, 2022
音色指代声音表现在波形方面总是有与众不同的特性。
物体振动都有其独一无二的视觉特点，这点就如同光线的颜色一样。
Timbre refers to that sound always has distinctive characteristics in waveform. Vibration of objects has its unique visual characteristics, just like the color of light.
既定概率的圈套
混合媒材，尺寸可变，2022
A trap with a certain probability
Mixed media, Dimensions Variable, 2022
玩游戏不能寄希望于运气。
You can't rely on luck when playing games.
障眼法 I
混合媒材，尺寸可变，2016
Smoke screen #1
Mixed media, Dimensions Variable, 2016
就像魔术师漂亮的助理一般，这是分散观众注意力的好帮手。
Like a magician's beautiful assistant, it is a good helper to distract the audience.
光触
混合媒材，尺寸可变，2021
Light touch
Mixed media, Dimensions Variable, 2021
触摸得到的视觉可以反映出一种对应心流的感知。
The vision obtained by touch can reflect a perception of the flow.
复现：不完全开放立方体的变化
混合媒材，尺寸可变，2016
Re-Creation：Variations of incomplete open cubes
Mixed media, Dimensions Variable, 2016
如果将有规律可循的法则作为基础，这种指令就能成为我们开启心智的钥匙。
If we take the laws that have rules to follow as the basis, this instruction can become the key to our mind.
游戏进行中的幕后
现场项目
混合媒材，尺寸可变，2022
Behind the scenes in the game
Field project
Mixed media, Dimensions Variable, 2022
在系统中关于后台的设计总是让人忍不住去探看，这是一种天性，每个玩家都在寻找捷径。
The design of the backstage in the system of the game is always irresistible. This is a kind of nature. Every player is looking for a shortcut.
一切悬而未决的终将落定
可循环高保真影像，尺寸可变，2021
All the pending issues will be settled
Recyclable high fidelity image, Dimensions Variable, 2021
你有在仔细看吗？当事情在某一个节点，你会发现，当骰子投下的那一刻，一切都变得自然而言，齿轮一直就在那里，开始旋转，人真的是会拥有这种感觉。
Are you watching closely? When things are at a certain node, you will find that when the dice are thrown, everything becomes natural. Speaking of, the gear is always there and starts to rotate. People really have this feeling.
戈多
现场项目
激光切割镜面阴极316L钛钢管，LED发光二极管，尺寸可变，2016
Godot
Field project
Laser cut mirror cathode 316L titanium steel tube, LED light emitting diode
Dimensions Variable, 2016
他无所不在，最易分辨。①
她永不停歇，迟迟未来。②
He is everywhere, he is easy to distinguish.
She never stop, she never come.
① 人的视网膜含有杆状和三种锥状感光细胞，杆状细胞对黄色的光特别敏感，三种锥状细胞则分别对红光、绿光及蓝光最敏感。由于这种视觉结构和个体的心理反应，人眼最容易分辨红色与绿色。
② 《等待戈多》（En attendant Godot）表现的是一个“什么也没有发生，谁也没有来，谁也没有去”的悲剧。作品着重表现人的心态、心理活动过程以及人的心理活动障碍。在作品《戈多》（Godot）中，艺术家认为作为等待本身的“等待”，或许仍在途中。
① The human retina contains rod cells and three types of cone photoreceptors. The rod cells are susceptible to yellow light, while the three other cone cells are most sensitive to red, green, and blue light. Due to this visual structure and the individual's psychological response, the human eye can most easily distinguish between red and green.
② En attendant Godot is a tragedy in which "nothing happens, no one comes, no one goes." The work focuses on the human mind, the process of mental activity, and the obstacles to human mental activity. In Godot, the artist considers 'waiting' as the waiting itself perhaps is still on its way.
王智一
王智一（b.1991）是一名游牧性质的复合型艺术工作者。他曾就读于湖北美术学院设计系和壁画与综合材料绘画系，并同时兼顾研究艺术理论及展览实践。现阶段，他关注色彩与图形在感知层面的象征与暗示，并藉此梳理人的心理与寓体及寓意之间的联觉关系；另一方面，他关注的策划内容是艺术个体的真实际遇以及其创造力发生的根本动机。
王智一的主要个展包括：“一以贯之”（金桥碧云美术馆，中国上海，2021），“色气”（Harmony Art Gallery，中国上海，2021），“霓虹甜心”（BANANA ART SPACE，中国南京，2021），“必经之路”（寄存处，中国上海，2020），“意义”（胶囊上海，中国上海，2018），“兴绘”（西五艺术中心，中国北京，2016），“完形”（湖北美术学院，中国武汉，2014）等。
他曾参与的部分群展包括：“我认出了世界——生于八、九十年代”（银川当代美术馆，中国银川，2021），“绘画与存在”（当代唐人艺术中心，中国北京，2020），“墙势力IV”（时代美术馆，中国北京，2019），“界面效应”（今日美术馆，中国北京，2018），“再聚焦”（美术文献艺术中心，中国武汉，2017），“抽象Q&A”（星空间，中国北京，2016），“秩序的边界”（蜂巢当代艺术中心，中国北京，2015），“轻抽象的星丛”（UCCA当代艺术中心，中国北京，2014）等。
王智一曾取得院级优秀毕业作品及省级优秀学位论文最高嘉奖（2014），参与K11驻留项目（2016-2018），入围上海当代艺术博物馆“青策计划”（2017-2018），并荣获第四届墙报艺术家一等奖（2019），入围K11新锐艺术创作奖（2021）。此外，他的艺术评论被发表散见于诸多媒体，其作品被路易·威登艺术基金会、摩根大通集团、K11艺术基金会、罗浮紫艺术、巽美术馆等机构及私人藏家慧藏。
Wang Zhiyi (b.1991) is a nomadic and integrated art worker. He studied at the Department of Design and the Department of Mural and Mixed Media Painting at the Hubei Academy of Fine Arts, where he also studied art theory and exhibition practice. At present, he focuses on the symbolic and implication of color and graphics at the level of perception, and thus sorts out the association between the human psyche and allegorical bodies and connotations; on the other hand, he is interested in curating the actual encounters of artistic individuals and the underlying motives of their creativity.
Wang Zhiyi's major solo exhibitions include: "Consistence" (Being Art Museum, Shanghai, China, 2021), "Color gas" (Harmony Art Gallery, Shanghai, China, 2021), "Put You In My Suitcase" (BANANA, Nanjing, China, 2021), "Predestinate"(De Pot, Shanghai, China, 2020), "Meaning " (CAPSULE, Shanghai, China, 2018), "Painting is Pleasure" (C5 Art Center, Beijing, China 2016), and "The Gestalt" (Hubei Institute of Fine Arts(HIFA), Wuhan, China, 2014), etc.
Some of the group exhibitions he has participated in include: "I Recognized the World: Born in the 80s and 90s" (MOCA Yinchuan, China, 2021), "Painting and Existence" (Tang Contemporary Art, Beijing, China, 2020), "Wall Power IV" (Times Art Museum, Beijing, China, 2019), "Becoming" (Today Art Museum, Beijing, China, 2018), " Refocusing" (Fine Arts Literature Art Center, Wuhan, China, 2017), "Abstract Q & A" (Star Gallery, Beijing, China, 2016), "The Boundaries of Order" (Hive Center for Contemporary Art, Beijing, China 2015), "Soft Abstraction as Constellation" (UCCA, Beijing, China, 2014), etc.
Wang Zhiyi has received the highest award for outstanding graduation works and dissertations of the Hubei Province (2014). He participated in the K11 residency program (2016-2018), was shortlisted for the Power Station of Art Shanghai's "Emerging Curators Project" (2017-2018), won the first prize of Wall Power Artist (2019), and was shortlisted for the K11 Emerging Art Creation Award (2021). In addition, his art critiques have been published in various media, and his works have been collected by Louis Vuitton Art Foundation, JP Morgan Chase Group, K11 Art Foundation, Purple Roof Public Art, Duende Art Museum, and other institutions as well as private collectors.