12岁的阿格里奇最大的梦想是什么？
The following article is from 古典音乐日课书 Author 音乐文献编译组
Friedrich Gulda and Martha Argerich
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Around Martha Argerich’s 5th birthday, her mother placed her under the pianistic tutelage of Vicente Scaramuzza. Even though Mr. Scaramuzza was considered a sadistic fanatic, he gave her a superb technical grounding and laid the foundations for her unique cantabile style.
大约在玛莎·阿格里奇5岁生日前后，母亲将她交由斯卡拉穆扎的教导钢琴。尽管斯卡拉穆扎被认为是一个脾气暴躁的老师，但他为阿格里奇提供了极好的技术基础，为她独特如歌的音乐风格奠定了基础。
When Martha was asked at age 12 about her biggest dream, she unabashedly told President Peron that she wanted to study with Friedrich Gulda in Vienna. And Peron made it happen! Gulda had won the International Geneva Competition at age 16, and his lifelong passion would be to break down the barriers between the classical music and jazz idioms and successfully combine the two genres.
当12岁的阿格里奇被问及她最大的梦想时，她毫不掩饰地告诉阿根廷庇隆总统，她想和弗里德里希·古尔达一起在维也纳学习。庇隆总统做到了！古尔达16岁时就赢得了日内瓦国际大赛的冠军，他毕生致力于打破古典音乐和爵士乐之间的隔阂，从而成功地将这两种风格融合在一起。
Gulda, like Martha, was a free and eccentric spirit! Both were fiercely independent, allergic to the rules imposed by career, fame, agents and concert halls. Martha admired Gulda for “his spontaneity, curiosit and a love for musicfor all music, not only for classical. He was such an openminded person, so vital in this sense. He told me once ‘you have to learn everything before turning sixteen because later on gets a little stupid!’
古尔达和阿格里奇一样，都拥有一个自由而古怪的灵魂！两人都非常独立，对事业、名望、经济人和音乐厅强加的规则都不感冒。阿格里奇钦佩古尔达的自发性、好奇心以及对音乐的热爱，这里音乐是指所有音乐，而不仅仅是古典音乐。从这个角度来言，古尔达是一个胸襟开阔的人。有一次他对我说：“你必须在16岁之前学会所有的东西，因为以后会变笨！”
She was fascinated by his sound and by the paradox of his controlled expressiveness. Argerich acknowledges Gulda as her biggest pianist influence. He recorded their lessons, and made her critique her own performances. He also told her to learn Ravel’s Gaspard and Schumann’s Abegg Variations in five days. “I did not find it difficult at all,” she said, “because I did not know it was supposed to be.” Argerich was Gulda’s only student, and she studied with him for only 18 months.
阿格里奇被古尔达的琴声和他克制且自相矛盾表现力所吸引。阿格里奇承认古尔达对她影响最大。他录制下阿格里奇所有的课程，并让她点评自己的表演。他还告诉她需要在五天内学习拉威尔的《夜之幽灵》和舒曼的《阿贝格变奏曲》。“我一点也不觉得这有什么难的”，她说，“因为我不知道原本应如何。”阿格里奇是古尔达唯一的学生，她只和他一起学习了18个月。
Unimpressed by her subsequent fame and the personal chaos that surrounded her, he cried upon meeting her later, “What have you done with your life?” Essentially, we are talking about 2 extroverted recluses producing chaotic brilliance at the piano! However, it is “her naturalness of phrasing that allows her to embody the music rather than interpret it.” Her native language is music, and she warmly credits Gulda with “having taught me how to listen.”
后来她声名鹊起，周遭生活混乱，但这并不影响他与阿格里奇的关系。再次相见时他泪流满面，“你对你的人生都做了什么？”我们讨论两者关系，实则是在讨论两个性格外向的隐士——在钢琴领域创造出的辉煌！正是由于阿格里奇拥有浑然天成的乐句感，才使她能够展现音乐本身而非仅诠释它。阿格里奇的母语是音乐，她亲切的说道“是古尔达教会了我如何倾听”。
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