[新美术馆学]系列讲座之二||历史脉络、当代现场以及学院美术馆策展的思考——胡斌

历史脉络、当代现场

以及学院美术馆策展的思考

Thinking on the Historical Context,

 Contemporary Scene and 

Curating of University Art Museum

讲者：胡斌

Lecturer：Hu Bin

讲座时间：2020年4月12日 （星期日）15:00

Time：15:00,Sunday, April 12th，2020

讲座方式：腾讯课堂在线直播

Platform: Live Online in Tecent classroom

主办单位：

新美术馆学研究中心、广州美术学院美术馆

Organizers：

The Research Center of New Art Museum Studies,Art Museum of Guangzhou Academy of Fine Arts

讲座内容

Lecture outline

近些年来，不少中国策展人着力于从中国艺术的历史脉络和当代现场出发来寻找切入国际艺术场域的路径。在知识储备上，兼具历史视野和跨文化视域的整体观；在策展实践上，连接起当代与古代及近现代美术等原本不同的领域。而这种对自身路径的建构本身就处于国际化的网络之中，同时也反馈到更具广泛意义的艺术世界。

学院美术馆一方面要梳理自身的历史脉络并结合学科发展规划相关的研究、展览和传播活动，另一方面则要连接社会，与更为广泛的公众进行互动，向外界展示基于其学术定位的社会形象和主张。讲座将结合国内外的策展案例，思考新的时代语境下的学院美术馆如何在学校历史、地缘关系以及社会互动等多重关系中努力凸显自身的艺术主张。

In recent years, many Chinese curators focus on the historical context and contemporary scene of Chinese art to find the way to enter the international art field. In terms of knowledge reserve, they have both a historical perspective and a holistic view from cross-cultural perspective; In curatorial practice, they connect the different fields such as contemporary, ancient and modern art. The construction of their own path is already in the international network, and also feedback to the broader meaning of the art world.

On the one hand, the university art museum should sort out its own historical context and combine the development of disciplines to plan relevant researches, exhibitions and communication activities, on the other hand, it should connect the society, interact with a broader mass, and show the social image and proposition based on its academic orientation to the outside world. Combined with curating cases at home and abroad, the lecture will reflect on how the university art museum ons in multiple relationships such as school history, geographical relationship and social interaction.

“画屏：传统与未来”，苏州博物馆，2019

The Painted Screen: Past and Future, Suzhou Museum, 2019

第11届上海双年展青策计划“连结者峰会”，上海当代艺术博物馆，2016

Articulators Summit, Emerging Curator Project of The 11th Shanghai Biennale, Power Station of Art, 2016

第十届上海双年展：社会工厂，上海当代艺术博物馆，2014

The 10th Shanghai Biennale: Social Factory, Power Station of Art, 2014

“史前史：一个现代之迷，蓬皮杜艺术中心”，蓬比杜艺术中心，2019

Préhistoire, Une Énigme Moderne, Centre Pompidou, 2019

“历史的分途：叶世强个展暨叶伟立摄影与文献装置展”，广州美术学院美术馆，2017

The Parting of Histories: Solo Exhibition of Yeh Shih-Chiang and Photographic and Documentary Installation of Yeh Wei-Li, Art Museum of Guangzhou Academy of Fine Arts, 2017

“热烟流——2019珠三角艺术单位观察”，广州美术学院大学城美术馆，2019

Hot Flows: Pearl River Delta Arts Retrospective in Guangzhou, University City Art Museum of Guangzhou Academy of Fine Arts, 2019

“艺术家在田野：珠三角工厂大考察”，广州美术学院美术馆、21空间美术馆、打边炉，2017

Artists in the Field: Factory Tour in the Pearl River Delta, Art Museum of Guangzhou Academy of Fine Arts, 21 Space Art Museum, ARTDBL, 2017

讲者简介

About the lecturer

胡斌，本科、硕士毕业于广州美术学院美术史系，博士毕业于中国艺术研究院，曾在广东美术馆编辑部、三年展办公室、广州美术学院美术史系工作，现为广州美术学院美术馆常务副馆长、艺术管理学系教授。专注的研究方向有中国革命美术史、中国现当代艺术展览史，长期从事现当代艺术的批评与策展。著有《视觉的改造：20 世纪中国美术的切面解读》《何以代表“中国”：中国在世博会上的展示与国家形象的呈现》等。

Hu Bin obtained his bachelor and master degree from Department of Art History of Guangzhou Academy of Fine Arts, and then graduated from Chinese National Academy of Arts with a doctoral degree, he worked in the editorial off ice and Guangzhou Triennial office of Guangdong Museum of Art, and Department of Art History of Guangzhou Academy of Fine Arts, now he is the deputy director of the Art Museum of Guangzhou Academy of Fine Arts, and a professor of Department of Arts Management. The research directions he focuses on are the history of Chinese revolutionary arts and the exhibition history of Chinese modern and contemporary art, and he has been engaging in the criticism and curatorial work of modern and contemporary art. He is the author of Visual Reformation: the Sectional Interpretation of Chinese Fine Arts in 20th Century, What Best Represents China? The Display of China and Its National Image in World Expositions, etc.

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