[新美术馆学]系列讲座之二十二 | 国际交流展及双三年展的困境
国际交流展及双三年展的困境
Difficulties of International Exchange Exhibitions, Biennials and Triennials
主讲人 ：卢迎华
艺术史学者、策展人，现任北京中间美术馆馆长。
Lecturer: Carol Yinghua Lu
an art historian and curator, is currently the director of Inside-Out Art Museum, Beijing
讲座平台 ：腾讯会议Platform: Tencent Meeting
会议ID ：270-996-184Meeting ID：270-996-184
主办单位 ：广州美术学院研究生学院、新美术馆学研究中心、广州美术学院美术馆Organizers：Graduate School of Guangzhou Academy of Fine Arts, The Research Center of New Art Museum Science, Art Museum of Guangzhou Academy of Fine Arts
讲座提纲
在1990年代加速全球化进程中，国际间的交流展与双三年展构成了全球当代艺术网络中重要的组成部分。它是创意产业日益全球化并发展为全球性概念的产物之一。通过这些国际交流展中生长出的策展模式在主要的国际双三年展中传播开来。采取文化研究的方法已经成为当代艺术的策展人，尤其是国际双年展策展人的一种普遍的模式。文化研究的目的是了解所有复杂形式的文化，并分析文化表现出来的社会和政治背景，这吸引了当代艺术家和策展人。这种方法也显著地拓展了艺术关注和实践的视野，提供了进入一个陌生语境的路径。但与此同时，文化研究也是研究/分析和政治批评的场所，这有赖于对于某一个区域、文化和历史的深度和长期介入。全球展览的快速生产导致了人们普遍运用文化研究的理论和分析工具，却往往缺乏对问题进行更深层次的挖掘。在后现代主义语境之中，人们对于序列和传统的拒绝更加加剧了文化研究方法运用时的平面化。具体地域的艺术史和对特定背景和历史的掌握让位于对全球普遍流行主题的吸收和触及。这种讨论建立了一种浅层的关联，似乎能够达成某种程度的同频共振。这给今天的双三年展带来了一种无法摆脱自身肤浅和速食文化的特性、以及猎奇式的收罗异域艺术实践的困境。如何建立更有深度和意义的联结是摆在新的历史阶段的当代艺术实践者面前的不可回避的问题。
In the process of accelerating globalization in the 1990s, international exchange exhibitions, biennials and triennials have formed an important part of the global contemporary art network. It is one of the products of the increasing globalization of creative industry that has developed into a global concept. And it is spread through the major international biennials and triennials through the curatorial models that grew out of these international exchange exhibitions. Taking a cultural studies approach has become a common pattern for the curators of contemporary art, especially for the curators of international biennials. The aim of cultural studies is to understand culture in all its complex forms and to analyse the social and political background in which culture manifests itself, which attracts contemporary artists and curators. This approach also significantly expands the vision of artistic attention and practice, and provides a path into an unfamiliar context. But at the same time, cultural studies is also a place for research/analysis and political criticism, which depends on deep and long-term involvement in a region, culture and history. The rapid production of global exhibitions has led to widespread use of the theoretical and analytical tools of cultural studies, but often a lack of deeper exploration of the issue. In the context of post-modernism, people's rejection of sequence and tradition further aggravates the planarization in the application of cultural studies approach. Region-specific art history and the mastery of specific backgrounds and histories gave way to the absorption and touch of universally popular themes. This discussion establishes a shallow correlation that seems capable of achieving some degree of co-resonance. This brings today's biennials and triennials the difficulties that cannot get rid of their own superficiality and the characteristics of instant culture, as well as the collection of exotic art practice. How to establish a more profound and meaningful connection is an unavoidable problem facing contemporary art practitioners in the new historical stage.
讲者简介
卢迎华
Carol Yinghua Lu
艺术史学者、策展人，现任北京中间美术馆馆长。她于2020年获墨尔本大学艺术史博士学位。她曾于2012至2015年间出任深圳OCAT艺术总监及首席策展人。2012年担任第九届光州双年展联合策展人、第七届深圳雕塑双年展联合策展人，2013年获得泰特美术馆研究中心亚太计划的首个特邀研究学者奖金，是2017年美国艺术史研究机构协会（ARIAH）首届“东亚学者奖”的四位获奖者之一。2013年至今，她与艺术家刘鼎进行题为“社会主义现实主义的回响”的研究，对叙述中国当代艺术的视角和方法论进行重新评估。
卢迎华曾担任全球艺术界多个重要奖项的评委：包括2012年威尼斯双年展金狮奖、2012年基辅平丘克艺术中心的未来世代艺术奖，2018年威尼斯建筑双年展菲律宾国家馆评委，2019年Hugo Boss亚洲新锐艺术家大奖与Rolex劳力士创艺推荐资助计划、2020年集美·阿尔勒国际摄影艺术季发现奖与2021年Hyundai Blue Prize青年策展奖等等。2019年至2022年，她担任东京当代艺术奖评委。
Carol Yinghua Lu, an art historian and curator, is currently the director of Inside-Out Art Museum, Beijing. She received her PhD in Art History from the University of Melbourne in 2020. She was Artistic Director and Chief Curator of OCAT Shenzhen from 2012 to 2015. In 2012, she was Co-Artistic Director of the 9th Gwangju Art Biennial and the 7th Shenzhen Sculpture Biennale. In 2013, she was the first visiting fellow in Asia-Pacific Fellowship Program at Tate Research Centre. She was one of the four recipients of ARIAH East Asia Fellowship in 2017. Since 2013, she has conducted a research titled "The Echoes of Socialist Realism" with artist Liu Ding, reassessing the perspective and methodology of narrating Chinese contemporary art.
Carol Yinghua Lu has acted as a jury member for many art prizes, such as Golden Lion Award at Venice Biennale (2012), Future Generation Art Prize at Pinchuk Art Centre, Kiev(2012), the Philippines Pavilion at Venice Architecture Biennale (2018), Hugo Boss Asia and Rolex Mentor and Protégé Arts Initiative (2019), Discovery Award at JIMEI × ARLES International Photo Festival (2020), Chinese Young Curator Art Award at Hyundai Blue Prize (2021) and so on. From 2019 to 2022, she served as a judge for the Tokyo Contemporary Art Award.
海报设计：陈华辉编辑：余爽审核：冀然 王秀媛 刘子瑗审定：陈晓阳 洪荣满 沈森