上海博物馆东馆面向全球征集公共艺术作品
上海博物馆东馆预计于2023年年底前后建成开放。为提升上博东馆空间环境水准，打造上博东馆文化艺术品牌，上海博物馆决定以举办公共艺术征集大赛的形式在全球范围内征集公共艺术作品与创作方案。大赛将在“人民城市人民建，人民城市为人民”的思想指导下，聚焦上海博物馆东馆区域环境和上海博物馆历史文脉特征，以上海博物馆东馆外部与内部空间的若干选定区域为创作背景，开展公共艺术作品与创作方案的征集。
“2023上海博物馆东馆公共艺术全球征集大赛”组委会、学委会近日完成组建。组委会负责本次大赛的具体运作，工作涉及赛事筹备、组织、协调、评选等相关内容。学委会则由业界具有广泛国际视野和丰富实践经验的顶级专家、学者组成，旨在把握大赛学术质量和提升学术价值，建立健康良好的学术导向，学委会成员将负责坚守学术使命，独立、公平、公正地履行职责，在确保大赛组织与评审工作的学术水准与公平、公正、公开的原则下，优选出契合上海城市精神与时代风貌，能代表上海博物馆公共形象与文化品位的公共艺术作品。另外，公众将以网络投票的方式参与此次赛事活动，助力优秀方案的产生。
本次大赛由上海博物馆主办，上海市公共艺术协同创新中心承办，将通过海内外各渠道发布正式的竞赛信息，并在专门设立的网络平台发布详细竞赛说明与相关资料内容，通过举行全球海选上海博物馆东馆公共艺术征集线上说明会、征集点位现场说明会以及面向各大专业美术学院、艺术学院及相关专业院校的说明会公开更多相关专业资讯。有参赛意向的海内外个人与团体公共艺术创作者可发送电子邮件至以下邮箱进行咨询，竞赛细则将在近期正式对外公布。
邮箱1：SH2023MU@vip.163.com
邮箱2：sh2023mu@vip.163.com
01
#活动主旨
1、艺术定位
（1）围绕“东馆环境与空间特色”、“上博历史文脉”、“国际视野”、“人民城市”的整体定位
（2）创造一批独特、令人印象深刻的公共艺术作品，为上海博物馆东馆带来新的文化与艺术氛围
（3）通过公共艺术大赛的方式，吸引国内外优秀艺术家参与，提高上海博物馆东馆的知名度和影响力
（4）将公共艺术作品与上海博物馆的历史文脉和城市文化融合，打造更加文化多元、开放包容的城市形象
2、方案主旨
主题方向：与博物馆对话
通过“与博物馆对话”，我们希望竞赛的作品围绕这些问题展开讨论
（1）上海博物馆东馆新空间与上海市民社群之间的关系
（2）新的展示技术和氛围将如何改变人们在都市博物馆中的参与方式
（3）市民社群需要怎样的博物馆空间
（4）市民社群如何被吸引进博物馆空间——尤其是美育滋养与人们需求之间的关系
大赛项目征集将对“与博物馆对话”这一概念进行回应，为探索上海博物馆发展、东馆新貌、社群关系及都市艺术实践等愿景提供新的展示舞台和机会。公共艺术的设置和展示将以促进人与博物馆空间共生、都市美学、美育与科技发展共融为目标，从而促进上海城市文化新地标的建立，让新的互动能蓬勃发展。希望这种更具协同性和互联性的积极影响不仅从现在开始，也将在未来持续下去。
02
#组织架构
主办单位：上海博物馆
承办单位：上海市公共艺术协同创新中心
组织委员会
主 任：褚晓波、汤世芬
副主任：朱 诚、李 峰、陈 杰、金江波
委 员：施 远、袁启明、葛 亮、张承龙
秘书长：施 远
秘书处：张承龙、徐泽诚
学术委员会
主 席：
许 江 | 中国文学艺术界联合会副主席、中国美术家协会副主席、中国美术学院原院长、著名艺术家、文化学者、美术教育家 |
副主席：
汪大伟 | 国际公共艺术协会（IPA）副主席、上海大学国际公共艺术研究院院长、上海市领军人才 |
潘鲁生 | 中国文学艺术界联合会副主席、中国民间文艺家协会主席、山东工艺美术学院院长、美术教育家、泰山学者 |
刘易斯·比格斯（英） | 著名艺术策展人、国际公共艺术协会（IPA） 主席、原英国泰特美术馆馆长 |
委 员（按姓氏拼音排序）：
方晓风 | 清华大学美术学院副院长、《装饰》杂志主编、中国建筑学会环境艺术专业委员会副主任委员 |
费迪南德·乌尔里希（德） | 国际艺术独立策展人、德国明斯特艺术学院教授 |
杭 间 | 中国美术学院教授、设计史学者 |
何小青 | 上海大学上海电影学院院长、中国室内装饰协会设计委员会副主任、中国高等院校影视学会影视产业与管理专业委员会副主任 |
金江波 | 上海大学上海美术学院执行院长、上海市文联副主席、东方学者、知名艺术家 |
焦兴涛 | 四川美术学院副院长、中国雕塑学会副会长、知名艺术家 |
鲁晓波 | 中国美术家协会副主席、清华大学美术学院原院长、清华大学资深教授、长江学者 |
娄永琪 | 同济大学副校长、中国工业设计协会副主席、瑞典皇家工程科学院院士 |
吕品昌 | 景德镇陶瓷大学党委副书记、副校长，中国城市雕塑协会副主席、著名雕塑家 |
吕品晶 | 中央美术学院副院长、中国美术家协会建筑艺术委员会主任、中国建筑学会理事 |
李 磊 | 上海市美术家协会副主席、上海海派艺术馆馆长、中国博物馆协会美术馆专业委员会副主任、知名艺术家 |
凌利中 | 主办方专家代表、上海博物馆书画研究部主任 |
施 远 | 主办方专家代表、上海博物馆工艺研究部主任 |
苏 丹 | 中国工艺美术馆 中国非物质文化遗产馆副馆长、中国美术家协会环境艺术委员会主任、著名策展人 |
魏劭农 | 华东师范大学设计学院院长、上海市创意产业中心副总规划师、上海市设计中心副主任 |
徐明松 | 上海艺术摄影协会副会长、上海创意设计工作者协会常务理事、知名艺术评论家 |
俞 力 | 高级会展经济师和设计师、国际展览局世界巡展艺术总监、中央政府采购中心会展评审专家 |
03
#点位信息
1、项目区位
上海博物馆东馆的公共艺术竞赛项目区位在上海市浦东新区，东临上海科技馆、西临杨高南路、北临世纪大道，南面则毗邻商业地块。建筑设计师针对不同方向的场地特征，为博物馆的四个面设计了不同的公共空间和开放性，从而让博物馆尽可能地与环境达成呼应。整个区域内环境优美，建筑设计典雅，是体现上海城市精神的重要文化地标，也是一个具有独特场域特征的公共空间，更是富有无限创作可能的艺术展示平台。
上海博物馆东馆外立面（效果图）
2、设计范围
上海博物馆东馆公共艺术征集大赛的规划范围包括东馆外部空间与内部空间布局的主要区域，具体包括户外广场、序厅、通道、主题展厅及其他可行的方位。参赛者可在这些区域内进行公共艺术创作，以打造上海博物馆东馆文化艺术品牌，提升东馆空间环境水准，并彰显上海作为社会主义国际文化大都市的包容开放和创新活力，突出其具有的人文关怀、时代魅力和世界影响力。竞赛方案应展现当代视觉文化的魅力，展示其广阔的国际视野和公共文化属性。强调作品与社会公众的广泛交流互动，同时应具备鲜明的艺术表现力与独到的艺术创意。
3、基本要求
（1）主题性：作品须突出主题，并且与场馆的氛围相符。以“人民城市人民建，人民城市为人民”为指导，在馆内相关区域进行公共艺术方案创作，其成果要能诠释上海博物馆历史文脉、上海城市传统文化与现代文明。设计者应当以 “与博物馆对话” 为主旨，让作品与博物馆的展示特性和历史文化相融合，凸显独到的艺术创意思维和丰富的艺术表现力。
（2）趣味性：设计作品应足够吸引观众的注意力，并且能够与观众互动，增加观众的参与感和体验感。
（3）创新性：设计作品须具有较强的创新性和独特性。公共艺术作品征集的目的是吸引游览者的兴趣，并且对上海博物馆东馆留下深刻的印象。
（4）可持续性：作品应在环保和可持续发展方面做出贡献。公共艺术作品要能够把握在地性、环境协调、形式多样、功能优先、低碳环保、安全耐久、易维护等原则。
（5） 安全性：公共艺术作品必须保证观众的安全，并且不会对场馆造成损害。设计者应当充分考虑作品的应用场地与交互手段，降低安全风险。
4、点位设置
（1）北广场
建议类型：超大型公共艺术（雕塑、装置）
主题预设：具有象征意义的地标性公共艺术，展现上海海纳百川的城市气质，且富有艺术承载力，突出上海博物馆的历史脉络。
创作导向：
①作品与周边环境呼应，装置结构、含义需与水景相关联；
②高度超过建筑高度或与建筑高度相当，体量得当；
③具有“刚柔并济”的艺术内涵，需适应白天、夜间全时段呈现；
④需结构协调、形式感丰富、视觉鲜明。
上海博物馆东馆北立面夜景（效果图）
（2）南广场
建议类型：中型公共艺术（雕塑、装置）
主题预设：以上海博物馆LOGO为基本设计元素
创作导向：与南广场建筑外立面形成恰当构成关系的符号景观，交互形式亲民且视觉鲜明。
（3）一楼中央开幕式大厅中庭天窗下
建议类型：大型公共艺术（悬吊装置）
主题预设：彰显大气包容、极致浪漫的海派文化精神
创作导向：以动态可视或动力学装置展现“动态、延续”的理念，表现自然的轨迹，注重作品的形式感，视觉表现鲜明
上海博物馆东馆中央开幕式大厅（效果图）
（4）一楼 雕塑馆外墙
建议类型：浮雕壁画或壁饰
主题预设：契合雕塑馆主题，呼应中国传统雕塑艺术审美理念
创作导向：风格典雅、洗练，气质柔和，营造安静、亲和的馆内空间氛围
（5）一楼 东北角书香咖啡区上空
建议类型：中型公共艺术（轻型悬吊装置）
主题预设：体现轻松活泼、开放时尚的主题
创作导向：力求形式感丰富、视觉表现鲜明
（6）二楼 东侧弧形落地玻璃外草坪
建议类型：景观雕塑
主题预设：具有东方美学神韵的现代景观
创作导向：与周边的书法馆、绘画馆的整体基调和谐，形成清新、典雅、含蓄且富有亲和力的空间氛围
二楼东侧弧形落地玻璃幕墙（效果图）
（7）二楼 海派书画馆入口外部空间
建议类型：中型公共艺术（轻型悬吊装置）
主题预设：契合海派书画馆主题，呼应上海艺术发展的历史文脉
创作导向：以海派艺术为内容设计轻型吊挂装置，建议以《澱山送别图》为设计主题
元 李升 澱山送别图卷
上海博物馆藏
（8）三楼 数字馆入口两侧墙面
建议类型：中型公共艺术（雕塑、装置）
主题预设：契合数字馆主题
创作导向：以反映数字艺术对博物馆的影响，数字艺术与文物的互动为设计主题
（9）三楼 陶瓷专题馆外文创咖啡区空间
建议类型：彩色壁饰（壁画）、雕塑或轻型悬吊装置
主题预设：契合陶瓷馆主题，呼应中国陶瓷艺术审美理念
创作导向：营造清新、雅致的休闲空间氛围
三楼文创咖啡区（效果图）
请点击观看短视频
点击边框调出视频工具条https://v.qq.com/txp/iframe/player.html?width=500&height=375&auto=0&vid=p351593rwk904
#基本规则
1、时间计划
（1）竞赛作品征集：2023年6月6日-2023年9月30日
（2）现场踏勘及答疑：2023年6月中旬
（3）大赛征集作品初评：2023年10月上旬
（4）初评结果确定：2023年10月中旬
（5）专家评审：2023年10月中下旬
（6）小样制作完成：2023年11月中旬
（7）小样展览及最终方案确定：2023年11月底至12月初
（8）建设实施：2024年
2、公共艺术作品征集提交内容要求
（1）参赛对象：国际、国内个人、团体均可参加
（2）设计方案概述：不少于400字（此项材料必须为中英双语）
方案提交内容：根据不同公共艺术类别方案内容可以有所不同，原则上能够完整、准确、专业表达设计意图、方案特色为宜，可以包括但不限于：创作主题、创作理念、创作原则、方案演示视频、效果图、三视图及其它专业图纸。
（3）展陈小样：根据不同类型的公共艺术作品需求进行尺度适宜的比例缩小，应把握在1.5至3米之间。展陈小样的材料应尽量还原且结实耐用，真实表现设计作品的原本样貌。
（4）方案提交形式：提交展板文件，尺寸为1200mmX2000mm，分辨率最少300dpi，颜色格式为CMYK，提交图像文件，例如JPG、PNG、TIF，大小以不超过20M为宜。文件名格式：作者姓名/单位-作品名-作品类型
（5）方案演示视频：格式选用AVI或MOV或WMV，视频分辨率不小于1080p，个案时长不超过5分钟，团队方案时长不超过10分钟。
（6）方案演示文件：格式为PPT和PDF各一份。
点击下方链接 进入参赛网站
Shanghai Museum to Launch Global Public Art Competition
Shanghai Museum East – the new venue of the Shanghai Museum – is opening around the end of 2023. To invigorate its public spaces and further develop the Museum’s identity, we are launching the Shanghai Museum East Public Art Competition, a global call for public artworks. The Competition seeks original designs that engage with the external and internal spaces of Shanghai Museum East and relate to its surroundings. We welcome proposals that reflect the Museum’s history, vision and the city’s commitment to the public.
The Academic Committee consisting of eminent practitioners and academics of public art will select qualified proposals that deliver the Museum’s and the city’s values, during which the members are committed to ensuring fairness and transparency based on professional criteria. The public will also be involved in the selection process through online voting.
The Competition is hosted by the Shanghai Museum and organized by Shanghai Public Art Coordination Centre (PACC). The official call with detailed information will be announced soon via international channels and the event website. There will also be a series of online and on-site briefing sessions. Artists can contact us for more information.
E-mail1: SH2023MU@vip.163.com
E-mail2: sh2023mu@vip.163.com
01
About the Competition
The Shanghai Museum East Public Art Competition encourages talented artists around the globe to create unique, site-specific works of public art for our new building that impress, deliver, and inspire.
Under the theme “Dialogue with the Museum”, we are looking for proposals that investigate:
a) how the spaces of Shanghai Museum East interact with the communities;
b) how new technologies and atmosphere impact visitors’ engagement with museums;
c) what kind of museum spaces the urban communities need;
d) what motivates citizens to walk into museum spaces, and what it tells about visitors’ needs and aesthetic cultivation.
Responding to these topics, the Competition embodies a series of new visions of the Shanghai Museum on museum spaces, engagement with communities, and urban art practices. The display of public artworks aims to promote the symbiosis between people and museum spaces, fusing urban aesthetics and technology, to embellish Shanghai Museum East as a new cultural landmark in Shanghai. With more connections emerging, the synergy that public art brings to the Museum is expected to keep growing in the future.
02
Organizations
Host: Shanghai Museum
Organizer: Shanghai Public Art Coordination Centre (PACC)
1. Organizing Committee
Directors: Chu Xiaobo, Tang Shifen
Deputy Directors: Zhu Cheng, Li Feng, Chen Jie, Jin Jiangbo
Members: Shi Yuan, Yuan Qiming, Ge Liang, Zhang Chenglong
Secretary General: Shi Yuan
Secretariat: Zhang Chenglong, Xu Zecheng
2. Academic Committee
Chairman:
Xu Jiang, Vice Chairman of China Federation of Literary and Art Circles, Vice Chairman of China Artists Association, former President of China Academy of Art, artist, scholar, art educator.
Vice Chairs:
Wang Dawei, Vice Chairman of the Institution for Public Art (IPA), Director of the International Public Art Institute of Shanghai University, one of the Leading Talents of Shanghai.
Pan Lusheng, Vice Chairman of China Federation of Literary and Art Circles, Chairman of China Folk Literature and Art Association, President of Shandong Institute of Arts and Crafts, art educator.
Lewis Biggs (UK), curator, Chairman of the Institution for Public Art (IPA), former Director of Tate Britain.
Members: (in alphabetical order by surname)
Fang Xiaofeng, Deputy Director of the Academy of Fine Arts of Tsinghua University, Editor-in-Chief of Zhuangshi magazine, Deputy Director of the Professional Committee on Environmental Art of the Architectural Society of China.
Ferdinand Ullrich (Germany), independent curator, Professor of the Münster Academy of Arts, Germany.
Hang Jian, Professor of China Academy of Art, design historian.
He Xiaoqing, Director of Shanghai Film Academy of Shanghai University, Deputy Director of Design Committee of China Interior Decoration Association, Deputy Director of the Film and Television Industry and Management Professional Committee of Chinese Collegial Association for Visual Art.
Jin Jiangbo, Executive Director of Shanghai Academy of Fine Arts, Shanghai University, Vice Chairman of Shanghai Federation of Literary and Art Circles, artist.
Jiao Xingtao, Deputy Director of Sichuan Academy of Fine Arts, Vice Chairman of China Sculpture Institute, artist.
Lu Xiaobo, Vice Chairman of China Artists Association, former Director of the Academy of Fine Arts of Tsinghua University, Senior Professor of Tsinghua University.
Lou Yongqi, Vice President of Tongji University, Vice Chairman of China Industrial Design Association, Academician of Royal Swedish Academy of Engineering Sciences.
Lyu Pinchang, Vice President of Jingdezhen Ceramic University, Vice Chairman of China Urban Sculpture Association, sculptor.
Lyu Pinjing, Vice President of the Central Academy of Fine Arts, Director of the Architectural Committee of the China Artists Association, Director of the Architectural Society of China.
Li Lei, Vice Chairman of Shanghai Artists Association, Director of Shanghai Haipai Art Museum, Deputy Director of Art Museum Professional Committee of China Association of Museums, artist.
Ling Lizhong, expert representative of the Host, Head of the Painting and Calligraphy Department of Shanghai Museum.
Shi Yuan, expert representative of the Host, Head of the Department of Arts and Crafts of Shanghai Museum.
Su Dan, Deputy Director of China National Arts and Crafts Museum and China Intangible Cultural Heritage Museum, Director of Environmental Art Committee of the China Artists Association, curator.
Wei Shaonong, Director of School of Design of East China Normal University, Deputy Chief Planner of Shanghai Creative Industry Center, Deputy Director of Shanghai Design Center.
Xu Mingsong, Vice Chairman of Shanghai Art Photography Association, Executive Director of Shanghai Creative Design Workers Association, art critic.
Yu Li, Senior Exhibition Economist and Designer, Art Director of world tour exhibitions of Bureau International des Expositions, Exhibition Expert Evaluator of Central Government Procurement Center of China.
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Project Details
1. About Shanghai Museum East
Shanghai Museum East is located at the intersection of Century Avenue and South Yanggao Rd. in Pudong New District, neighbouring Shanghai Science and Technology Museum. The openings and areas around the building are thoughtfully designed to echo the surroundings in different directions. The entire site is not only a picturesque cultural landmark of Shanghai, but also a public space with distinctive features and a stage for infinite artistic possibilities.
Rendering of Shanghai Museum East
2. Scope of Work
The areas for public artworks at Shanghai Museum East include outdoor squares, the atrium, hallways, and gallery-related spaces. Artists are encouraged to unfold creativity and talents to uplift the commissioned spaces and the building as a whole, with site-specific works that celebrate inclusiveness, openness, diversity, and humanity.
3. Selection Criteria
We want the artworks to be:
a) Thematical – Aligned with the major theme of “Dialogue with the Museum”, which accentuates connection with the spaces and delivery of the people-centric values of the Museum and the city. We seek ideas that blend artistic expression with the Museum’s characteristics and encapsulate the old and the new of the urban culture of Shanghai.
b) Inviting – Able to catch visitors’ eyes and encourage spontaneous interaction as a part of the museum experience.
c) Innovative – Creative enough to impress. Originality is prioritized.
d) Sustainable – Environment-friendly, adaptable, and feasible in application and maintenance.
e) Safe – No security risk for visitors or the venue.
4. Artwork Locations
a) North square
Preferred type: Extra-large scaled (sculpture/installation)
Theme: An iconic landmark with symbolic significance, reflecting the inclusiveness and diversity of the city’s spirit and the core values of the Shanghai Museum.
Style:
· To be related to its surroundings, resonating with the water features next to it in structure and meaning.
· The height exceeds or is equivalent to the museum building with an appropriate volume.
· To give harmonious vibes and have excellent presentations both day and night.
· Impressive, balanced, and rich in expressions.
Rendering of the north square
b) South square
Preferred type: Medium-scaled (sculpture/installation)
Theme: A symbolic landscape based on the Shanghai Museum logo.
Style: To echo the south facade of the building and encourage visitors to interact.
c) Below the skylight of the atrium
Preferred type: Large-scaled (hanging installation)
Theme: Highlighting the essence of Shanghai-style culture that celebrates inclusiveness, diversity, and innovation.
Style: To express the concept of continuity and consistency by presenting flows of natural elements and attributes via dynamic installation.
Rendering of the atrium
d) Exterior wall of the Chinese Sculpture Gallery on 1F
Preferred type: Relief mural/wall art
Theme: In line with the gallery and the aesthetics of traditional Chinese sculpture.
Style: Elegant and refined, to create a tranquil and warm atmosphere in the space.
e) Museum café on 1F
Preferred type: Medium-scaled (light-weighted hanging installation)
Theme: Relaxing, delightful, and fancy vibes.
Style: Impressive and rich in expressions.
f) Lawn outside the curved window wall on 2F
Preferred type: Garden sculpture
Theme: A contemporary landscape with Chinese aesthetics.
Style: In line with the style of the surrounding galleries of Chinese paintings and calligraphy, to create a refreshing, elegant, calm, and warm atmosphere.
Rendering of the window wall on 2F
g) Entrance to the Shanghai Painting and Calligraphy Gallery on 2F
Preferred type: Medium-scaled (light-weighted hanging installation)
Theme: Consistent with the gallery, highlighting the essence of arts in Shanghai. Li Sheng’s Seeing Off a Friend by the Dian Lake can be an inspiration.
Style: Dainty, adaptable to the space.
Seeing Off a Friend by the Dian Lake, Li Sheng, Yuan dynasty, 1346, Shanghai Museum
h) Exterior walls of the Digital Gallery on 3F
Preferred type: Medium-scaled (sculpture/installation)
Theme: Consistent with the gallery.
Style: To reflect the impact of digital art on museums, highlighting the interaction between digital art and the Museum’s collection.
i) Museum café by the ceramics galleries on 3F
Preferred type: Coloured wall art/mural/sculpture/light-weighted hanging installation
Theme: Consistent with the galleries and the aesthetics of Chinese ceramics
Style: To create a refreshing and classy atmosphere.
Rendering of the café on 3F
Please click here to watch the video
点击边框调出视频工具条https://v.qq.com/txp/iframe/player.html?width=500&height=375&auto=0&vid=p351593rwk904
Submission & Selection
1. Timeline
Submission | 6 June – 30 September 2023 |
Info sessions | Mid-June 2023 |
Shortlisting | Early October 2023 |
Shortlist announced | Mid-October 2023 |
Final evaluation | Late October 2023 |
Maquettes due | Mid-November 2023 |
Maquettes display and proposal finalization | Late November – early December 2023 |
Installation | 2024 |
2. Entry Submission
a) Eligibility: Open to international individual artists and artist teams.
b) Proposal description: Bilingual, no less than 250 words in English and 400 characters in Chinese.
c) Documentation: The artist should present the proposal in a complete, accurate, and professional way. The content of submitted documents may vary by category, including but not limited to the theme, concept, approaches, plans, demo videos, renderings, and orthographic drawings.
d) Maquettes: The scale of maquettes is suggested to be within 1.5–3 meters. The material should be durable and the same as the proposed artwork to give a clear impression of how the final work would appear.
e) Proposal format:
Presentation board 1200 mm x 2000 mm
Resolution: 300 dpi minimum
Colour: CMYK
Image format: JPG/PNG/TIF (file size below 20 MB)
File name: Artist/institution name + artwork title + artwork category
f) Demo video:
Format: AVI/MOV/WMV
Resolution: 1080p minimum
Length: 5 minutes maximum for individual artists and 10 minutes maximum for teams
g) Proposal presentation:
Format: PPT + PDF files
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初审丨施远、石维尘
初审（英文）丨徐立艺
终审丨汤世芬
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