来自noa*，源于自然的意式清新
关于 noa*
Noa *由Lukas Rungger和Stefan Rier于2011年创建，是一家屡获殊荣的建筑设计工作室，总部位于意大利博尔扎诺和德国柏林。Noa *的工作理念是年轻的建筑师、设计师和艺术家团队依靠跨学科的设计方法，根据每个项目的需求变化而变化。
01. GLORIETTE
地点: 意大利雷农 - Soprabolzano
建筑/室内设计: noa* (network of architecture)
完成日期: 2018年7月
面积: 2000平方米
摄影师: Alex Filz
Location: Oberbozen/Soprabolzano - Ritten/Renon (I)
Architecture/Interior Design: noa* (network of architecture)
Completion: July 2018
Surface area: 2000 m2
Photographer: Alex Filz
noa *基于Ritten的暑假传统，设计了新的连锁酒店Gloriette Guesthouse。这栋建筑坐落在博兹纳人最喜欢的山上，将城市和乡村融合在一起。
Gloriette Guesthouse by noa * builds on the tradition of summer holidays at Ritten and adds another link to the chain. On the Bozner’s favourite mountain, a house was created, in which city and country merge together.
坐落在城乡之间，由富商Bolzano在世纪之交修建的小旅馆Bergfink曾是村庄中的一个建筑标志，如今它被拆除了，Gloriette Guesthouse代替它成为了景观中一颗崭新的宝石。其设计灵感来自于永恒、优雅的新艺术建筑风格。在这样一个时代里，它简化了城市建筑，却并没有完全放弃奢华和舒适——大气、经典、简约，又不会过于暗淡。
The former small hotel business Bergfink, which was an anchor point in the village structure and nestled amidst the rural-urban structure with all its bourgeois domiciles, built by wealthy Bolzano merchants around the turn of the century, was demolished and a new jewel was created in its place. As the name suggests, it is a gem in the landscape, inspired by the architectural typology in timelessly, elegant Art Nouveau. With the feeling of an era in which, - not at all pompous - the architecture of the city in a simplified form and without giving up completely on luxury and comfort on the Ritten transposed - generous, classic, simple, but not sober.
▼酒店建筑 Architecture
©Alex Filz
以拱形为主题
noa*认为，将当地流行元素融入建筑至关重要，比如立面上的拱门和倾斜的屋顶，它们都可以追溯回Oberbozen村庄悠久的历史传统。同时，菱形也作为一种装饰元素，用于里特铁路沿线的许多建筑之中，连接不同的夏季度假目的地。其整体的设计思路显而易见:大量的细节共同形成贯穿整个项目的主线。
THE ARCH AS A LEITMOTIF
It was essential for noa* to incorporate locally prevalent elements, such as the arches in the façade, or the hipped roof, which looks back to a long tradition in the village of Oberbozen. At the same time, the rhombus is included; a decorative element that appears amongst the many railroad-houses along the Ritten railway, which connects the different summer holiday destinations. The holistic design approach is clearly visible: numerous details form a common thread running through the entire project.
底层的建筑立面的平面双拱，通过在尺寸上的巨大改变后，转变成了上方楼层的简洁的单轴拱形立面，这使得外部空间变得更加明显。尤其在拱廊后面的区域，内部空间和外部空间融合在一起——凉廊起到了连接元素的作用。最顶端的结构，显然是独立的，其倾斜的设置着健康疗养区的屋顶几乎就像一个独立的建筑。当这里的拱门元素，青铜色的外壳穿过屋顶结构，偏移放置时，为其生动的建筑语言奠定了其自信的基础。
What begins on the ground floor as a flat double arch at the façade, develops through a significant leap in dimensions, into a concise uniaxial arched façade in the floors above. This allows the quality of the outer spaces to become more visible . It is especially in this area behind the arcades, where inner and outer space merge – the loggias function as connecting elements. On the very top, clearly detached and with its hipped roof almost appearing as a building on its own, sits the wellness area. Here again, unmistakably, the element of the arch, which, as a bronze- coloured shell breaks through the roof structure and – positioned asymmetrically – sets a confident statement for a particularly lively architectural language.
当然，该项目最大的亮点是有着豪华悬臂游泳池的水疗区。悬臂游泳池是一个在建筑的南侧切入倾斜屋顶的巨大圆柱体，它在正面的另一侧突出了一个倒置的拱门，形成一个特殊的游泳池。
Certainly the biggest highlight, already visible from far off, is the spa area, with its extravagant cantilevered pool. A unique eye catcher, is the sweeping cylinder, which on the south side of the building drills its ways into the hipped roof and protrudes on the other side of the facade an upside down arch, serving as the exceptional pool.
▼泳池区 Pool
游泳池封闭的外壳上覆盖着和立体海湾窗户一样的古铜色铝板。它在深棕色的斜屋顶上形成了一种休闲的氛围，同时也产生了一种奇妙的倒影效果。
The shell, in which the pool is enclosed, is covered with the same bronze-coloured aluminium panels as the outside of the cubic bay windows. It forms a caesura to the dark brown hipped roof and allows for a fascinating play of reflections.
近六米深，曲率，透明度和柔和的反射创造了某种雕塑形式。当从泳池的后部进入时，你能看到覆盖着泳池的古铜色圆形结构逐渐溶解成圆形的网状结构，直到你游至开阔的天空下: 金属和水的相互作用创造了一个向无限自由的过渡。这是一个柔和的淡出过程，“溶化”了这个圆柱形的表面，在欣赏远处景色的同时触发了漂浮的感觉。
Nearly six meters deep, the curvature, the transparency and the gentle reflection create some sort of sculpture that reaches into the interior. When entering from the rear end, the pool is covered with a bronze-coloured rounded shell, which increasingly dissolves into a rounded net structure of poles, until one swims out under the open sky: an interplay between metal and water that creates a transition into boundless freedom. It is a process of soft fading out that dissolves this cylindrical shell and thus triggers the feeling of floating while enjoying the distant view.
©Alex Filz
▼健康疗养区 Wellness
Ritten新艺术建筑的永恒性以一种抽象的方式体现在建筑室内。比如，一种明显的、统一中又有变化的元素形成一个重复的细节，遍布整个建筑。拱形的主题元素也可以在室内找到延续。家具大多是独立式的，随意放置，优雅和质朴的室内装潢增强了其氛围。
The timelessness of the Art Nouveau buildings at Ritten entail, is captured in the interior and carried out in an abstract manner. At the same time a kind of clear, contrasting and consistent framing of elements forms a recurring detail, which can be traced throughout the entire building. Also the theme of the arch finds its continuation in the interior. The furniture is mostly freestanding and loosely positioned, elegant and plain upholstery enhance the ambience.
▼酒店客房 Rooms
在酒店的公共空间，我们选择了无缝树脂地板作为使得房间空间连续流动的元素。创造出木质地板上的“岛屿”，定义休息室和餐厅的不同空间区域。空间是用室内表面来定义的，墙壁、地板和天花板都用同样的材料来装饰。这种吸引人的气氛也是通过使用木材来实现的。木材从不会让人看起来觉得土气，反而显得房间高贵、质朴又温馨。
In the public area, a seamless resin floor was chosen as an element to allow the room to flow continuously. “Islands” with wooden flooring were created within the floor, that define the different areas of the lounge and restaurant. Spaces are defined with room-in-room shells, where wall, floor and ceiling are furnished with the same material. The appealing and inviting atmosphere is also achieved through the use of wood, which never appears rustic but noble, homogenously plain, without being cold.
▼酒店公共区 Public Space
▼基地平面 Site Plan
▼B-B 剖面图 Section B-B
▼北立面图 Elevation North
▼南立面图 Elevation South
▼西立面图 Elevation West
2. SEEHOF
地点: 意大利纳兹-西阿维
建筑/室内设计: noa* (network of architecture)
完成日期: 2017年4月
摄影师: Alex Filz
Location: Natz-Schabs/Naz-Sciaves (I)
Architecture/Interior Design: noa* (network of architecture)
Completion: April 2017
Photographer: Alex Filz
Seehof酒店坐落于意大利布雷萨诺内附近的纳兹-夏韦斯村庄的高原上，旁边是一个名为Flotscher Weiher的天然湖泊。
The Hotel Seehof is located on a high plateau near the village of Natz- Schabs/Naz-Sciaves near Brixen/Bressanone (IT) by the small natural lake “Flötscher Weiher”.
这座由家族经营的酒店在2017年经历了一次彻底的改造和扩建。新增的16个套房、泳池以及位于湖面上的健康疗养区，呼应了新的设计和管理理念: 关注自然和娱乐的价值。
In 2017 this family-run hotel underwent major renovation and extensions, with an entire restyling. 16 new suites, the new pool and wellness area, directly on the lake correspond with the new design and management concept: to place nature and the recreational value as the point of focus.
位于山脉中间的地理位置赋予了酒店一种特色的地中海高山风格。主建筑让人联想到宏伟的乡村住宅; 作为开放空间的凉廊，在视觉上放大了套房空间，从而加强了与自然之间的特殊联系。新的粗糙土色灰泥结合透明水平木制结构，则赋予了酒店高贵的品质外观。
The location in the middle of the mountains gives the hotel an alpine character with a Mediterranean flair. The main building is reminiscent of a stately residence in the countryside; Deep loggias, as open spaces, visually enlarge the suites and thus intensify the special connection with nature. The new rough, earth-colored plaster combined with the new clear, horizontal wooden structure gives the hotel a noble appearance.
“通过融入当地材料，木质立面及其粗糙的表面加强了建筑与环境之间的联系。酒店的名称及其特征则是建筑与湖泊之间联系的另一种体现” ，—— Stefan Rier
"The wooden façade and its rough surface are related to the environment, with a focus on incorporating regional materials. The communication with the lake - important characteristic and name of the hotel - is deliberately staged here." —— Stefan Rier
© Alex Filz
新水疗区的游泳池和桑拿区的结构与周围的景观紧密相连，面向湖边的大型全景窗户和不规则的藤架，令人印象深刻。而可从室内直接观赏周围庭院以及内部开放区域的露台，让我们有一种置身于大型公园的感觉。
The new spa area with pool and sauna area connect structurally with the surrounding landscape and impressively opens up with its irregular potholes and pergolas through large panorama windows towards the lake. Directed views from the interior into the surrounding grounds, as well as inside open areas, so- called patios, concisely convey the feeling of being in a large park.
▼酒店建筑 Architecture
户外区域的设计也是设计中非常重要的一个环节。我们通过路径将不同空间连接在一起，创造了一个自然的联合体，在这里，还有可以用于人们沉思的住宅小屋散布在湖边。
The design of the outdoor areas also play an important role. A natural unity was created here, in which the space can be walked through on different paths. Contemplative dwellings are spread around the lakeshore.
建筑与周围环境的结合在这里最令人印象深刻: 倾斜的绿色屋顶可以用于日光浴，而这个绿色区域无缝过渡到周围的森林和果园。建筑与风景相互交融。
The combination of the architecture with the surroundings is most impressive here: the oblique, green roofs of the spa can be used for sunbathing, while this green area seamlessly transitions into the surrounding forests and fruit orchards. Architecture becomes landscape and landscape architecture.
© Alex Filz
室外恒温池的位置影响着使用者以及浴池的延伸，其水位与湖面水位在同一水平面上，因此在视觉上形成了与湖相连的无边际水面……
The location of the heated outdoor pool affects the user as well as the extension of the bathing pond. The water level of the lake is on the same level, so that the infinity channel connects visually with the lake to an infinite water surface...
建筑和室内设计之间的相互影响，形成了一个完整的设计，在这种设计中，客人可以在娱乐休闲中尽情拥抱自然。
The interplay between architecture and interior design creates a holistic design in which guests and the recreation are celebrated within nature.
▼健康疗养区 Wellness
▼基地平面 Site Plan
▼ 剖面图 Section
▼北立面图 Elevation North
3. HUBERTUS
地点: 意大利瓦尔达拉
建筑/室内设计: noa* (network of architecture)
完成日期: 2016年5月
摄影师: Alex Filz
Location: Valdaora (I)
Architecture/Interior Design: noa* (network of architecture)
Completion: May 2016
Photographer: Alex Filz
Hubertus酒店位于瓦尔道拉，Puster山谷著名的滑雪和徒步旅行区Kronplatz的山脚下，海拔约1350米。
The Hotel Hubertus is located in Valdaora, at the foot of the famous ski and hiking area Kronplatz in the Puster Valley at an altitude of about 1350 m.
noa*通过运用本地落叶松树干材质创建了一个统一有节奏的交替的立面连接新旧建筑。外观均匀统一的建筑，遵循当地的自然地形，为新的悬挑泳池的设计创造了条件基础，悬挑泳池位于新旧建筑的两翼之间，仿佛漂浮在天地之间……
By creating an unified, rhythmically alternating façade with native larch tree trunks noa* connects "old and new" in a consistent manner. The homogeneous appearance, following the natural topography of the area, creates the theatrical base for the design of the new, cantilevering pool, which thrones between the old and new accommodation wings, floating between heaven and earth...
该项目的主要挑战是在现有建筑和新设计的建筑之间建立联系，以保持统一的外观。我们将去皮的落叶松树干，作为现有建筑和新建筑的多功能立面元素，成功地创造了新旧建筑之间的美学联系，保持了项目外观的统一性。
The key challange in the project was to create a link between the exisiting building and the new design, in order to keep a uniformal and consistent appearance. The debarked larch trunks, which were used as multifunctional façade elements for the existing and new building, succeed in creating this aesthetical connection. The multifunctional façade elements of debarked larch trunks create an optical link between existing and new, maintaining the homogeneous appearance of the project.
© Alex Filz
新建建筑部分的设计基于原始地形，坐落于现有建筑的弯曲翼上。此外，新设计的流体形状遵循了现有景观的地形中陡峭的坡度，从平面上看尤为明显。
The design of the newly constructed part of the buildung is orientated typologically on the already existing curved accommodation wing. Further the fluid shape of the new design, which becomes especially evident in plan view, follows the topography of the existing landscape with its slope and steep contour lines.
通过狭窄的树干双木柱，创造一种连续美学，统一该项目建筑的外观。
The tree trunks, as narrow double wooden pillars, strive to function as an unifying envelop for the project by creating a continuous aesthetics.
新的穿孔粉末涂层金属栏杆取代了旧的木质栏杆，并以弯曲的方式固定。其质朴的色调和穿孔，保留人们的观赏视线的同时，又增强了隐私感。这种配色方案应用于整个立面，创建了一个均匀统一的建筑围护结构。而这种源于周围景观的温暖的、灰色棕色的大地色调，将整个设计都变得统一。
Thew new perforated, powder-coated metal balustrades replace the old wooden ones and are fixed in a fluit curvy manner. With their earthy tones and perforation, they allow access to the view while at the same time enhancing the feeling of privacy. This colour scheme was used for the whole façade, creating a homogeneous building envelop. Through the use of a warm, gray brown earth tone, derived from the colour palette of the surrounding landscape, a uniformal design was achieved.
▼酒店建筑 Architecture
运用去皮树干的立面设计也在新的入口区域继续延用，其设计使得圆形大厅得到了最大限度的采光。基地的曲线地形对建筑外观和室内的设计过程都有非常明显的影响。它们消除了建筑的内外、冷暖、新旧的界限……
The façade design with debarked tree trunks also continues on the new entrance area, which with its design as a rotunda allows a maximum of natural light to flow into the building. Topographic curves can be seen as the key influence for the design process and are not only evident on the outside but also on the inside of the building. This allows the gap between inside and outside, cold and warm, before and after, to almost disappear...
© Alex Filz
新的游泳池，坐落在两个建筑的两翼之间，看起来像一块漂浮的岩石，人们可以在这里休息，俯瞰山谷。泳池的边缘隐藏在烟煤色的石头中，消除了泳池与景观之间的缝隙，给人一种水没有流出去，消失在泳池与景观之间的假象。
The new pool, which imposingly rests in-between the two accommodation wings, seems like a floating rock, come to rest at the site, overlooking the valley. The hidden edges of the pool, kept in anthracite-coloured stone, abolish the gap between pool and landscape, creating the impression of the water flowing into nothing, disappearing between pool and landscape.
这个泳池也隐喻了高山湖泊，正如酒店坐落于联合国教科文组织世界遗产多洛米蒂令人惊叹的山景中...
The pool metaphorically reminds of a mountain lake, nestled into the astonishing mountainscape of the UNESCO World Heritage site, the Dolomites...
▼漂浮泳池 Pool
该项目亮点是新的天空泳池，像天然岩石一样漂浮于新的建筑翼上。没有任何可见的边界，宽5米，长25米，深1.30米，这个超过17米高的悬臂水池完全可以看作一个独立的存在。泳池的最边缘离地面12米高，当游泳者游至边缘，会有一种漂浮于天地之间的失重感觉，尤其泳池前面和底部使用的玻璃材质更进一步加强了这种感觉。
The highlight of the project is the new sky pool, floating like a natural rock over the new accommodation wing. Without any visible boarders, a width of 5 m, a length of 25 m and a depth of 1,30 m the over 17 m cantilevering pool can be seen as completely unique. The position of the pool, which floats 12 m above the ground, at its extreme edge, gives the swimmer the feeling of floating – weightlessly between heaven and earth. This impression is further reinforces by the glass front and a glazed window on the bottom of the pool.
在地下室的现有花园中，新的环形休闲室干净利落地融入了现有的外部花园区域。在这部分，设计遵循了住宿区和入口区域的材料语言。放松室的屋顶是全玻璃的，并用木梁呈放射状覆盖。梁的松散分布以便人们通过玻璃屋顶观看外面的绝佳风景。
In the existing garden at basement level, the new scarped circular relaxation room, is fitting neatlessly into the existing exterior garden area. Also in this part of the project the design follows the language of the accommodation wing and entrance area. The roof of the relaxation room is fully glazed and covered radially with wooden beams. A loose distribution of the beams allows for excellent views through the glass roof.
▼水疗区和健身房 Spa & Fitness
附属建筑物中的新房间正面和向东的阳台中都有自然采光。房间里的现代火炉营造出家庭氛围，而木质房间隔断创造了与建筑外部和立面之间的联系。阳台的曲线也延续了项目的流畅主题，通过改造和新建，与周围的景观紧密相连，形成了一个完整的整体。
The new rooms in the annex with their glazed front and east facing-balcony allow for natural lighting. Contemporary interpreted stoves in the rooms create a living room atmosphere, while debarked wooden room dividers create a link to the exterior and its façade. Lastly also the curves of the balcony follow the main theme of the fluid gesture, and celebrate the project as one, which through the conversion and new construction stands in a strong connection to the surrounding landscape.
▼基地平面 Site Plan
▼剖面图 Section
▼东立面图 Elevation East
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拟自然与城市空间的融合，是源于树梢的诱惑，还是对森林的渴望?