5.《无题：lipchitzplinth2013》

菲利达·巴洛

《无题：lipchitzplinth2013》

2013年

胶合板、水泥、聚氨酯泡沫、铝电枢、石膏、稀松布、油漆、聚乙烯

184.8 × 58.4 × 20.3 厘米

Phyllida Barlow

untitled: lipchitzplinth2013

2013

Plywood, cement, polyurethane foam, aluminium armature, plaster, scrim, paint, PVA 

184.8 × 58.4 × 20.3 cm

菲利达·巴洛

1944年出生于英国纽卡斯尔，现生活和工作于伦敦

Phyllida Barlow, born in Newcastle, England, 1944, lives and works in London

《无题：lipchitzplinth2013》是菲利达·巴洛对法国立体派雕塑家雅克·利普希茨的致敬作品，它是一个木制基座托起一件小型雕塑，雕塑的扭结形状似乎呼应了利普希茨的抽象线条和体积的构建，而它的表面则是巴洛常用的绚烂色彩。

菲利达·巴洛创作的雕塑灵感来自城市环境，她常常将纸板、胶合板、石膏和水泥等非传统材料与色彩鲜艳的油漆和织物结合在一起，并把材料之间拼接的缝隙保留下来，向观众揭示作品的制作方式，由此呈现出具一定规模却有反纪念碑意义的雕塑。这样的作品体积也往往呈现出一种拉锯着的平衡形态，并在耸立、阻挡和打断空间的过程中突破作品本身质量、体积和高度的限制，让人们的体验跨越物体本身，延展到更广阔的领域中。

untitled: lipchitzplinth2013 is Phyllida Barlow's tribute to French cubist sculptor Jacques Lipschitz, in which a small sculpture is supported by a wooden base. The kink shape of the sculpture seems to echo Lipschitz's synthetic sculptures that construct figures through abstract lines and volumes, while its surface was painted in Barlow's typical vibrant hues.

Phyllida Barlow produces sculptures inspired by the urban environment, often combining non-traditional materials, such as cardboard, plywood, plaster, and cement, with vividly coloured paints and fabrics. Since gaps remain in the stitching between the materials, the production process is preserved, resulting in a large-scale but not monumental sculpture. These sizeable works challenge the viewer’s experience of physical space, frequently presenting a balanced form of tension and breaking through the limitations of volume and height in the act of towering, blocking, and interrupting space. In consequence, the viewer’s experience transcends the object and accommodates a wider field.

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