[美] 蔡涵墨《宋朝历史的形成：公元960-1279年的源流与叙事》出版
作者：Charles Hartman
出版社：Cambridge University Press
原标题：The Making of Song Dynasty History：Sources and Narratives, 960-1279 CE
出版年：2020-10
页数：400
定价：$120.00
装帧：精装
ISBN：9781108834834
作者简介：
Charles Hartman is Professor of Chinese Studies in the Department of East Asian Studies at the University at Albany.Professor Charles Hartman received his PhD in Chinese literature from Indiana University in 1975 and published Han Yu and the Tang Search for Unity in 1986, which received the Levinson Prize from the Association for Asian Studies. Over the past twenty-five years, his articles on Song dynasty historiography in the Harvard Journal of Asiatic Studies, T’oung Pao, and the Journal of Song-Yuan Studies have prepared the way for his current research on how political decision-making influenced Song historical writing.内容简介：
In this ambitious work of political and intellectual history, Charles Hartman surveys the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960–1279). Analyzing the narratives that emerge from these sources as products of Song political discourse, Hartman offers a thorough introduction to the texts and the political circumstances surrounding their compilation. Distilling from these sources a 'grand allegory of Song history', he argues that the narratives embedded within reflect tension between a Confucian model of political institutionalism and the Song court's preference for a non-sectarian, technocratic model. Fundamentally rethinking the corpus of texts that have formed the basis of our understanding of the Song and of imperial China more broadly, this far-reaching account of historiographical process and knowledge production illuminates the relationship between official history writing and political struggle in China.
目次
Introduction：Towards a dynamic historiography of the Song dynasty
Part I. Sources:
2. The Song State Compendium
2.1 Introduction
2.2 The origins and distinctiveness of the Song dynasty huiyao
2.3 The first and second collections
2.4 A hundred year hiatus
2.5 Resumption under Emperor Xiaozong
2.6 New paradigms
2.7 The Reconstructed Draft
2.8 Understanding the Recovered Draft
2.9 Conclusion
3. Li Tao (1115–1184) and the Long Draft
3.1 Introduction
3.2 The historian from Sichuan
3.3 The origins of the Long Draft
3.4 The reign of Emperor Xiaozong and the politics of the Long Draft
3.5 Method and message in the Long Draft
3.6 The fate of a masterpiece
3.7 Conclusion
4. Li Xinchuan (1167–1244) and the Chronological Record
4.1 Introduction
4.2 The life of Li Xinchuan
4.3 Corrections of Errors in Old Accounts
4.4 The Chronological Record
4.4.1 Facts and sources
4.4.2 Constructing narratives
4.4.3 Creating a political discourse
4.5 The Diverse Notes
4.6 The Record of the Way and its Fate
4.7 Conclusion
5. The daoxue historians
5.1 Zhu Xi
5.2 Chen Jun
5.3 Lü Zhong's Lectures on Song History
5.4 Daoxue historiography
6. The Song History
6.1 Introduction: a flawed history?
6.2 The project and the committee
6.3 Structure and meaning
6.3.1 The imperial eulogies
6.3.2. The prefaces and evaluations
6.3.3 Cyclical structure and meaning in the Song History
6.4 Politics and message
Part II. Narratives:
7. Political precedents and the origins of historical narrative
7.1 The power of precedent
7.2 The policies of the ancestors
7.3 Precedents in Southern Song
8. Song history as grand allegory: an introduction
9. An empire of benevolence
9.1 Yuanyou origins
9.2 Luo Congyan's Record of Revering Yao
9.3 New history for a new regime
9.4 Hu Anguo's 'Plans for the Restoration' and the return of Qin Gui
9.5 Zhao Ding, Fan Chong, and the Yuanyou legacy
10. From soldier to sage: deifying the prime ancestor
10.1 Fighting over Chen Bridge
10.2 A banquet for the generals
10.2.1 The Song military problem
10.2.2 The restoration context
10.2.3 Sima Guang again
11. The lineage of evil: benevolence undermined
12. The rhythms of Song history
Bibliography
Index.