ARC ► Staab | Museums + Atrium
Staab Architekten
Germany
Staab Architekten是位于德国柏林的建筑师事务所，事务所作品旨在“化繁为简”，
每个作品都从“文脉，功能，经济，技术”四方面考虑从而发展出建筑体量。
工作室的工作哲学是：
“Concentrating on the essential is central to our work, an approach pursued by way of the cautious, conceptual deployment of form, material and colour in every last detail.”
创始人Volker Staab 1957年出生于Heidelberg，1983毕业于苏黎世高工，1991年成立Staab Architekten。Volker Staab和Alfred Nieuwenhuizen从1996年开始在各个项目进行合作，之后Nieuwenhuizen在2007年以合伙人的身份正式加入Staab Architekten。
本期介绍三个来自Staab的博物馆设计作品。
- 1 -
- Albertinum Dresden -
2004 - 2010
The new depot building is designed as a sort of enclosing roof, a Noah's Ark on stilts, with the added advantage that it will forever be beyond the reach of floods. It is inserted into the centre of the courtyard with two joints to let the light pass through – and mounted on a new lift shaft and two supports behind the existing courtyard façade, leaving the central room untouched and well illuminated.
Seen from beneath, this structure is like an illuminated ceiling, creating a fully lit inner courtyard which nevertheless has light spaces at the side of the depot which reflect the natural fluctuations of daylight and the alternation of cloud and sunlight. The volume of the roof, and thus the dimensions of the new structure, can only be seen on closer inspection.
- 2 -
- LWL/Museum of art and culture -
2005 - 2013
The Westphalian Regional Museum is being reorganised by partial demolition and the addition of new building structures. A sequence of four rooms, each with its own character, acts as an interior passage from north to south – the courtyard on Domplatz, the central foyer, the patio and the entrance courtyard from Rothenburg.
This makes the ground floor into a public thoroughfare, thus giving it the desired public exposure at the centre of the museum and offering visitors an insight into the different aspects of the museum.
- 3 -
- Museum of the Bavarian Kings -
2009 - 2011
This change is visible on the outside primarily through the construction of a new roof atop the one-storey connecting building, the former dining room of the historic hotel. The central new exhibition galleries have been conceived as a filigree steel structure housing a three-nave room layout. While the two outer barrel vaults have been cut away to afford a view of the surrounding landscape, the middle section is dominated by a large exhibition gallery.
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