ARC ► Tham & Videgård | Materiality
Tham & Videgård
Sweden
Tham & Videgård是一个来自瑞典斯德哥尔摩的建筑事务所。Tham & Videgård相信“建筑是关于未来的，形式上延续历史从而影射未来的建筑形态。”从这个工作理念出发，Tham & Videgård的作品对于长远环境影响，建筑完整性和建筑功能及其社会影响性都有多重考虑。
业界中Tham & Videgård比较擅长的领域是小体量建筑（多为私人住宅）。但是本期的侧重点是Tham & Videgård对于材料的使用。
本期介绍三个来自Tham & Videgård的三个作品 - 两个黑房子和一个红房子。
- 1 -
- House K -
2004
The shallow block provides spaces that can introduce light from several directions. This is enhanced by the two double-heights that also guide views diagonally through the interior. The plan is simple: entrance and stairs fits into one box on ground level, a central passage on the upper floor gives access to bedrooms. The interior is one continuous space in two levels. As a result, movement through the house is characterised by visual shortcuts, spaces and activities overlap.
Facades are stained black 18 mm plywood panels (6/9/1200x900mm), mounted in layers on a slowly grown pine framework (50x150mm).
- 2 -
- Kalmar Museum of Art -
2008
The new museum is a black four-level cube clad with large scale wooden panels and punctuated by large glazed openings. It will house both the Kalmar collection of Modern Art as well as provide spaces for temporary exhibitions of contemporary art, videos, performances and concerts.
Construction is in situ cast concrete, the big spans are made with ‘after tension’ slabs. Interior finishes are exposed concrete, black stained plywood doors and panels, white painted walls and ceilings, natural ash.
- 3 -
- Moderna Museet Malmö -
2009
Seen from the exterior a new extension marks the arrival of the new museum. The extension provides a new entrance and reception space, as well as a cafeteria and a new upper gallery. Its perforated orange façade both connects to the existing brick architecture and introduces a contemporary element to the neighbourhood. The perforated surface gives the façade a visual depth, and is animated through the dynamic shadow patterns which it creates. The ground floor is fully glazed so that sunlight is screened through the perforated façade.
In relation to its context, the new addition plays with scale. From a distance it is only intelligible in comparison to the adjacent houses, only on close proximity the building and details can be read in its own right. The elimination of the standard ‘middle-scale’ strengthens the museum's presence in the immediate urban setting, at the same time as letting the building appear as a signal establishing a relationship with Malmö as a whole.
2号档案管理员叁碗小姐说：
Tham & Videgård的这几个作品在材料使用上还是很能体现出他们对于建筑本体持久度和环保程度的努力。最初吸引我的是他们Kalmar Museum of Art中的深黑色外立面，误以为是烧焦的木板，后来查了才知道只是染黑色的木板而已。但是同样的外立面处理方式在04年的House K中使用过，只是在排板的时候增加了疏密处理来适应大面积的立面。
另一个值得注意的点是他们对于空间采光角度和外立面开窗的控制度。之后还会向大家介绍来自Tham & Videgård的小房子系列，也是非常可爱。
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