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展览预告|韩修智 Han Xiuzhi:笛梦 Flute Dream

GENE弥金 Gene弥金
2024-08-30

海报设计:于笑



我唱道棕色眼睛的姑娘,少年过来唱歌,得到一片面包,不过现在他不要面包了,他想问她要一个吻,想凝视她的眼睛,他唱个不停,直到她笑着用双唇封住他的嘴。


他唱道,大河像个跌跌撞撞的破坏者一样从山中流下,阴森野蛮,生气自己被磨坊制约、被桥梁跨过,它恨自己不得不托举的每艘船,在波浪和长长的绿色水草之间。

—— 赫尔曼·黑塞



Gene弥金画廊即将推出韩修智的个展“笛梦”。展期自2022年12月17日至2023年1月15日。


艺术家韩修智个展主题引援自黑塞的短篇小说《笛梦》,书中黑塞以诗性的语言讲述了未谙世事的少年远游世界的历程,超现实的光怪陆离与浪漫抒情诗的缠绵交织,经由多人之口诉说着个体观景和人生际遇。


Gene Gallery is about to launch Han Xiuzhi's solo exhibition "Flute Dream". The exhibition runs from 17 December 2022 to 15 January 2023. 


The theme of artist Han Xiuzhi's solo exhibition is a reference to Hesse's short story "Flute Dream", in which Hesse uses poetic language to tell the journey of a teenager who is not familiar with the world and the surreal light and bizarre are intertwined with romantic lyric poetry, telling individual views and life encounters through the mouths of many people. 


变形的风景3号

Transformed landscape no.3

140 x 210cm

布面丙烯

Acrylic on Canvas

2022



犹如故事的主人公般,韩修智经历了艰辛且漫长的离乡之旅,从少年时期的学艺,到成年之后的北漂生活,以及疫情以来的隔离经历。在时间际遇间的种种流变中,艺术家以亲密、私密、求诸于个体的方式言说着。此次展览中作品的创作节点跨越了过去的五年,延续了艺术家对于社会环境的窥探和思索,以绘画承载着对于现实图景的比拟。


Like the story's hero, Han Xiuzhi has experienced a difficult and long journey away from home, from studying art in his youth to living in Beijing as an adult and experiencing isolation since the epidemic. In the various changes of time and encounters, the artist speaks in an intimate, private, and personal way. The creative nodes of the works in this exhibition span the past five years, continuing the artist's peeping and thinking on the social environment and using paint to carry the comparison of the real picture.


夜景 Night view

50 x 150cm

布面丙烯

Acrylic on Canvas

2022



奈何 The reluctant smile

150 x 200cm

布面丙烯

Acrylic on Canvas

2022



似乎每段故事中都会有一条横亘其中的河,《笛梦》中河流上的摆渡人发出了前途险阻的警示,而在韩修智最新系列作品中,围绕《西游记》中通天河这一典故,讨论了疫情期间一河之隔的地理边界成为进京之路上难以逾越的阻碍,以及他于潮白河岸边的日常畅游与流连。


It seems that there is a river in every story of Han, and the ferryman on the river in "Flute Dream" warns of a dangerous future, and in Han Xiuzhi's latest series, around the allusion to the Tongtian River in "Journey to the West", the geographical boundary between a river during the epidemic has become an insurmountable obstacle on the road to Beijing, and his daily lingering on the banks of the Chaobai River.


姐姐别跑 Sis don't go

150 x 100cm

布面丙烯

Acrylic on Canvas

2022



潮白河3号

Chaobai river no.3

70 x 120cm

布面丙烯

Acrylic on Canvas

2022



在个体与周遭的碰撞和挤压中,这些作品中充满个人意志的符号和笔触,肢体、水果、花朵和短暂且破碎的生活片段,在朦胧的梦境和冷峻现实的叠加处,流露出更多个体情愫,也如同河流般长久地绵延。


In the collision and squeeze of the individual and the surroundings, these works are full of symbols and brushstrokes of personal will, limbs, fruits, flowers and short and broken fragments of life in the superposition of hazy dreams and cold reality, revealing more individual feelings, and stretching like a river for a long time.


河景系列 River view series

120 x 360cm

布面丙烯

Acrylic on Canvas

2022




关于艺术家



韩修智 (b.1987) 出生于山东新泰,2014年毕业于中央美术学院,获学士学位,现工作生活于北京。韩修智近年的作品一直以生活环境为依据,反映个体生活与创作环境的变化而创作出不同状态的作品,他的作品带有自我记忆和感知的碰撞与重塑,将眼前所见与所引发的记忆片段和儿时乡愁集于一体,并在共鸣下产生图像表达。


个人展览包括:笛梦 (弥金画廊,上海,2022)、等待日落 (hiart space,深圳,2021)、旁观 (安簃艺术空间,上海,2020)、偏离的风景线 (白盒子之家,北京,2019)、具象绘画的精神意味 (易佑文化,北京,2019)、荒野人间 (hiart space,上海,2018)、景内景外 (韩国衣恋艺术空间,首尔,2017)。


群展于艺术北京、艺术深圳、雅昌艺术中心、济宁市美术馆、漳州市美术馆、香港智美艺术中心、上海民生现代美术馆、欧盟驻华大使馆、天津美术馆、正观美术馆等。2018年获得英国约翰·莫尔绘画大赛(中国)及入围作品展民生美术馆。



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