2018Studio08开营预告 | 建筑城设方向-Les Fleurs du Mal(恶之花)
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2018 Studio设计室重磅来袭! | 建筑 城设 室内篇
今天我们将带来今年夏天建筑城设方向的首发studio——Studio08的开营预告,其中包含studio的详细课程安排和具体报名信息,请同学们耐心观看,千万不要错过自己心仪的“它”哦!
2018 RAC 一对多专业课(即Studio)简介:
Studio教学模式源于国外,是一种通过一到两名专业老师与十名左右学生的思维碰撞,在一段时间内完成一个课题研究的具有学术性、实操性的专业课程。RAC的线下Studio课程正是结合这种师生零距离交流、讨论、批判的教学方式,帮助学生提高设计方案的水准并提前适应国外的教学风格。
Studio 08 | Les Fleurs du Mal(恶之花)
Culture,Site,Violence and Architectural Narrative
(文化,场地,暴力与建筑叙事性)
授课方式:上海线下
课程类别:建筑/城市设计
授课时间:2018年7月1日——8月3日之间
(具体日期根据学生实际情况可做适当调整)
授课方式:英文教学(中文助教)
课程导师
Alexandre Sadeghi
导师介绍
瑞士联邦理工大学(EPFL-ETH)硕士,曾任职于北京MAD、纽约CetraRuddy等多个不同国家的设计事务所,现任 StudioLITE(SLT)设计总监、合伙人。
导师作品
anamnesis_Beijing
Shandong_CBD
LadyM_Xintiandi
课程助教
俞洲
助教介绍
本科毕业于伊利诺伊大学香槟分校(UIUC),建筑&人类学双学位
18Fall申请,录取耶鲁March项目、全额奖学金录取普林斯顿March项目。
助教经验谈回顾请戳链接:
课程背景(Studio Background)
Architectural narrative is often derided in modern and contemporary architectural theory as anecdotal and anti-intellectual: a frivolity of postmodern thinking. Still, the effect of a good story is becoming more and more prevalent as new technologies and design methods see the light. In fact, narrative has become crucial to both commercial and experimental architecture, regulating its relationship to users, local culture, and site conditions. Whether in the works of current critical regionalism, like Zumthor’s or Wang Shu’s, or in the expert online marketing of younger international firms like BIG, narrative is an undeniable strength, and should be seen as an integral part of the architectural process.
建筑叙事性在现代和当代建筑理论中常常被嘲笑为奇闻轶事与反智主义:后现代思想的轻率。 不过,随着新技术和新设计方法的出现,一个好故事的效果变得越来越普遍。 事实上,叙事性对于商业和实验性建筑至关重要,对其与用户的关系,当地文化和场地条件进行约束。无论是在卒姆托或者王澍的当前重要的地域主义作品中,还是在像BIG这样的年轻国际公司的专业网络营销中,叙事性都是不可否认的力量,应该被视为建筑过程中不可或缺的一部分。
By intervening in a culturally-significant World Heritage site in Switzerland, this studio questions the stagnation of endangered cultural artifacts by proposing rich and radical new architectural interventions under the thematic of the Flowers of Evil by Charles Baudelaire. How to intervene and challenge fast-changing values and evolving society in such a rich, culturally and historically protected context and create a convincing overarching narrative for something beautiful through what many would consider an act of architectural violence?
通过介入瑞士具有重要文化意义的世界遗产,该工作室在查尔斯·波德莱尔的“罪恶之花”主题下提出丰富而激进的新建筑干预措施,从而对濒临灭绝的文化艺术品的停滞提出质疑。 如何在如此丰富、受文化和历史保护的环境中干预和挑战瞬息万变的价值观和不断变革的社会,并通过许多人认为的建筑暴行创造一个令人信服的总体叙事来描述美丽的事物?
课程目的(Studio Objective)
The studio will focus on developing theoretical background, technical skills, presentation skills, as well as the overall architectural concepts by confronting a unique site and culture. A particular focus will be put on coherence of ideas, innovative responses and representation, as well as presentation excellence in the service of radical ideas.
该工作室将重点发展理论背景,技术技能,演示技巧以及面对独特场地和文化的整体建筑概念。 我们将特别关注思想的一致性,创新的回应和代表性,以及为激进思想服务的精彩陈述。
参考文献
Les Fleurs du Mal (恶之花) – Baudelaire (not necessary to read entirely, just be familiar)
Ambiguity in Architecture – Christoph Baumberger
A Provisional Theory of Non-Sites – Robert Smithson
( http://www.robertsmithson.com/essays )
The Poetics of Space by Gaston Bachelard - Joan Ockman for Harvard Design Magazine
项目基地信息(Site Info)
Site Info:
Switzerland is a land known for its beautiful landscape, but seldom for its density. Aside from the treacherous, mountain areas, the plateau of Switzerland is heavily built, creating a belt of human occupation that crosses the entire country.
Corniche1
Corniche2
Rural land remains a huge part of the Swiss environment, and one of the most well‐known and iconic agricultural locations in Switzerland is Lavaux, a geographically‐complex wine‐producing area so beautiful it has been classified as a World Heritage Site, and is protected and preserved by laws and regulations.
Google_satellite
3D_Model_view
Changes in both climate and lifestyle have been affecting Lavaux like all rural land throughout the world, seeing a reduction of farmers willing to endure the physically tough lifestyle as people increasingly move into cities. As such, though almost blasphemous, it may become necessary to question this new situation where an agricultural, protected landscape may be required to integrate new programs, new buildings, and new ideas.
Official Site Plan
Studio推荐阅读
Suggested Reading
Les Fleurs du Mal (恶之花) – Baudelaire (not necessary to read entirely, just be familiar)
Ambiguity in Architecture – Christoph Baumberger
A Provisional Theory of Non-Sites – Robert Smithson
( http://www.robertsmithson.com/essays )
The Poetics of Space by Gaston Bachelard - Joan Ockman for Harvard Design Magazine
Suggested Watching
Palimpsestuous Ithaca, a Relative Manifesto for Sub-urbanism – GSD Lecture - Sebastien Marot
425 Park Avenue – Presentations by Zaha Hadid, Rem Koolhaas, and Norman Foster
Narrativity Equals Creativity – AA lecture - Nigel Coates
Other Reference Books (not necessary to read, but interesting and will be mentioned during lectures)
The Poetics of Space - Gaston Bachelard
America Day by Day – Simone de Beauvoir (in relation to Delirious New York)
Albert Speer, Architect – Leon Krier
The Urban Code of China - Dieter Hassenpflug
Narrative Architecture – Nigel Coates, Architecture Design Primer
Studio课程安排
Les Fleurs du Mal - Studio Schedule | ||
Day | Time | Content |
day1 | Morning | Studio Introduction (Site, Culture, Ideas) |
Afternoon | Grouping + Poem Choice, Analysis | |
day2 | Morning | Poem Choice, Program Ideas, Program Ideas |
End of Day | Mini-Crit With first ideas | |
day3 | Morning | Lecture 1 - Symbols and Ideology vs. Narrative |
Afternoon | Program Determination and Precedent Study | |
day4 | Morning | Mini-Crit to determine program, design direction, and theme |
Afternoon | Begin Narrative Development Around Site, Program, and Theme | |
day5 | Morning | Design and Narrative Development |
Afternoon | Desk Crits | |
day6 | All Day | Design and Narrative Development |
day7 | All Day | Design and Narrative Development |
day8 | Morning | Lecture 2- On Ambiguity |
Afternoon | Desk Crits | |
day9 | All Day | Design and Narrative Development |
day10 | All Day | Design and Narrative Development |
day11 | Morning | Lecture 3- The Practicality of Micro-Narrative |
Afternoon | Desk Crits | |
day12 | All Day | Design and Narrative Development - Production for Midreview |
day13 | All Day | Design and Narrative Development - Production for Midreview |
day14 | MIDPOINT REVIEW | |
day15 | All Day | • Production |
day16 | All Day | • Production |
day17 | Morning | Lecture 4 : Informal Lecture - Narrative in Personal Practice |
Afternoon | • Desk Crits | |
day18 | All Day | • Production |
day19 | All Day | • Production |
day20 | Morning | • Desk Crits |
Afternoon | • Production | |
day21 | All Day | • Production |
day22 | All Day | • Production |
Afternoon | • Final "official" Desk Crits about drawings. Shift focus to model (or Tableau depending on group) | |
day23 | All Day | • Production (Focus on Model or Tableau) |
day24 | All Day | • Production (Focus on Model or Tableau) |
day25 | All Day | • Production (Focus on Model or Tableau) |
day26 | FINAL REVIEW |
授课地点及报名方式
上海虹口区中山北一路1200号3号楼7楼
报名条件:
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2018 建筑 / 城设 Studio一览
Studio名称 | 课题方向 | 课程导师 | 导师背景 |
Les Fleurs du Mal(恶之花)(英文教学) | 建筑/城设 | Alexandre Sadeghi | 瑞士联邦理工学院建筑硕士 |
URBAN LEGEND(都市傳說) | 建筑/城设 | Pey Lung(龙霈) | 哥伦比亚大学建筑硕士 |
Mound | 建筑/城设 | 罗乐 | 普林斯顿大学建筑硕士 |
Contemporary Art Deco(英文教学) | 建筑/城设 | Manus Leung(梁文礼)+王希娴 | 哈佛大学设计学院建筑硕士/斯图加特大学建筑硕士 |
印心精舍 | 建筑/室内 | 米姝颖 | 哥伦比亚大学建筑硕士 |
Installation as Space | 建筑/室内 | murmur lab事务所创始人 | 建筑、室内、空间、装置研究 |
西岸滨江公园直升飞机停机坪 | 建筑/城设 | 陈昊 +胡琛琛 | 哈佛大学设计学院城市与建筑硕士 |
Memories, emotions, cultures and architecture. | 建筑/城设 | 徐罗嘉Luca Xu | 米兰理工大学建筑硕士 |
VOID(ed/ing) | 建筑/室内,转专业的景观、城设同学可选报 | 林立峰(多多) | 宾夕法尼亚大学建筑景观双学位硕士 |
(n)FOLD(ed) | 建筑/室内,转专业的景观、城设同学可选报 | 林立峰(多多) | 宾夕法尼亚大学建筑景观双学位硕士 |
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2018 Studio设计室重磅来袭! | 建筑 城设 室内篇
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2018经验谈 | 宾大亦或TUD,不过只是人生现阶段的小目标:陈闻怡
2018经验谈 | 普林全奖的他却认为建筑学到了最危险的时候:俞洲
2018经验谈 | 从ASLA到哈佛双offer的荣耀王者:余普
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