开幕揭晓 |我们来玩游戏吧—— 21个区块是如何呈现了41个艺术家的作品
我们来玩游戏吧
2141已经开始，游戏继续进行，各位玩家带好装备，准备Penta kill。
艺术家在策划艺术项目中，是以一种创作的心态当成一个艺术实验项目来操作展览，它是艺术实验中的某一阶段性的形态过程。美术馆是一个工作室，空间是共有的，意识是不能共有。艺术家需按自己的意志，“自由”行动。
作为概念有局限的设定，它像一个网络游戏，场域是既定的基础设施，准备登陆。艺术家是玩家，观众是NPC，选择什么样的形式就是皮肤，而主题就是你的名字。在即有的设定（展览概念）程序系统中，它有一个完整的闭合路径，它是有效运行的基础。你可以在设定的路径中打怪升级，最终成为BOSS。也可以无视设定概念，就是无聊。在标准化中行动与对抗标准化，在一个展览中是艺术家最低线自由。当然艺术家积极还是消极都是一种态度。在当下的现实与游戏之间存在着多少差别？这个议题可以继续讨论。
美术馆被划分为21个区域，有41个艺术家。一个有概念设定的展览中，“自由”是有限的。随机的独立板块把艺术家划分在不同区域，在区域内艺术家要共治与自治。在独立与共有中，艺术家主动“治理”与被动“维持”，主动“消极”与被动“无力”是这次展览呈现的现状，也是展览最初的动机，这里面本身就是不对等的设定。这种设定也是展览本身意图存在的前提。艺术家都有了自己的选票，可以投向理想之地。我想这个时候，选择之初会有一种潜在的意识，如何建造它。当这个区域出现其他玩家，是共同建设，相互抵抗，保持消极。都是一种权利在行使。在21个区域，除少数几个无人区外都出现了各种状况。在展览期间，区域的共建，抵抗，生长都在自我进化。
在一个由艺术家策划的艺术项目中，这不是一个作品概念。它是基于某些问题与可能性的实验探索的平台。在项目中，策划人与艺术家之间，艺术家与艺术家之间都有可能互为组合，互为材料，互为敌人……。在过程中，艺术家需按自己的意志，“自由”行动。
—— 宋兮
2019.12.17
榕异美术馆荣幸的与FAS项目合作举办2019FAS年度展——《2141》
2141对应21个由美术馆平面图泥稿龟裂纹为依据划分出的21个区域与参与选择的41个艺术家。
展厅被划分为大小不等的若干区域，参展艺术家将挑选其中一个区域作为自己的展览现场。艺术家们挑选展览区域时被要求不得相互交流所选信息，最终，展览现场的若干选区将因信息隔离而呈现出未知的随机分布。有的选区艺术家多、有的选区艺术家少，这些不平衡的状态在艺术家们提交自己的选区编号后就成为了空间现实。
同一个选区内的艺术家们，他们在共同的区域内将如何营造属于他们“领地”？
不同的选区也将呈现形态各异的展览现场，这些形态各异的选区之间将构建出一个怎样的艺术生态和面貌呢？
2019.12.13日我们开幕了！
在有限的构想创作自由中，21个区块是如何呈现出了41个艺术家的作品方案
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最强沟通合作区
15区
本区的五位艺术家经过集体商议，确定了此区域的展览主题为《左右》。
每位艺术家再根据自己的作品关注点各自提出了一个关键词或事物，通过抓阄盲选，最后此区域每位艺术家获得了另一位艺术家提出的关键词或事物。艺术家们必须运用主题和所获得的关键词物在本区进行创作和展览。
木芫获得了志豪提出的物品：上一个作品后枯死的植株；
志豪获得了NANA提出的关键词：钟摆；
NANA获得了黄奎提出的关键词：时间机器；
黄奎获得了陈陈陈提出的关键词：电竞；
陈陈陈获得了木芫提出的关键词：水。
木芫《无从知晓》
立于丛林深处，衔一段枯枝，等一只你说不可能会来的鸟。直到，她想离开。
Mu Yan Waiting For The Bird
She stood in the depths of the forest with a dead branch in her mouth, waiting for a bird that you thought it would never come until she wanted to leave.
志豪《向左看，向右看》
立场混淆方向，方向混淆派别。
被动取代主动，主动压制被动。
左手帮助右手，右手阻止左手。
左面成为右面，右面假装左面。
Zhi Hao Left left, Right right
The position confuses the direction, the direction confuses the faction.
Passive replace active, active passive repression.
The left hand helps the right hand, the right hand blocks the left hand.
Left becomes the right, the right to pretend left.
NANA《我永远也不会成为一个好艺术家》
将物理模型“混沌摆”的造型作为个人投射。与混沌摆所做运动不同的是， 作品通过观众和装置的距离远近决定摆杆单摆速度，以此呈现对于个人创作焦虑的审视。
技术支持：Ostrichrider
NANA I Could Never Be A Good Artist
The installation used an appearance of a classic physic model called "chaotic pendulum” as a personal projection. Yet different from the motion of the model itself, this piece determines the speed of pendulum rod through the distance between audience and installation, to present a self-examination of creative anxiety.
Tech support: Ostrichrider
黄奎《一个艰难的决定》
我有一个艰难的决定，继续戒酒还是不戒酒了，左边的骰子摇一摇，截屏！右边的骰子摇一摇，截屏！展览结束后，如果左边的点数多为戒，右边的点数多则不戒。请左右我的决定！
Huang Kui A Tough Decision
I have a difficult decision, to continue drinking or not drinking, shake the left dice, screenshot! Shake the right dice, screenshot! After the exhibition, if the number of points on the left is higher than I will quit drinking, if the number of points on the right is higher than I will continue drinking. Please made the decision for me!
陈陈陈《摩西开海》
开了海也开心不起来呢……
Chenchenchen Moses Parted The Sea
Moses parted the sea, but he is dead inside.
机缘巧合 合作区
8区
宋兮独立选择，杨欣嘉抓阄。
两位曾有过合作作品与共同创办非营利机构的艺术家
机缘巧合的选到了一起
宋兮&杨欣嘉《错误的身体》
当身体的自我意识觉醒，作为客观存在的主体，它消除知识经验的限制，不受社会规则的约束，让人性的本能自然存在。错误来源于价值判断的平衡，身体成为被动的驱使。
——宋兮
把主体抽离，将身体作为”物“对待，塑造空间11种形态。
——杨欣嘉
Song Xi & Yang Xinjia The Wrong Body
When the body's self-consciousness is awakened, as the subject of objective existence, it eliminates the limitation of knowledge and experience and not constrained by the social rules, and making the human instinct naturally exists. The error comes from the balance of value judgment, and the body becomes a passive actuation.
——Song Xi
Take the subject away, treat the body as a "thing", and shape 11 forms of space.
——Yang Xinj
宋兮&杨欣嘉《圆梦公寓》
“圆梦公寓”项目是由艺术家宋兮、杨欣嘉策划发起的一个短期的驻留计划。于2014年11月9日启动。“圆梦公寓”是在群租房内把临时租赁来的一个房间作为驻留空间，邀请多位艺术家轮流入驻其中，围绕公寓所处的社区环境及社会语境展开7天的生活、创作、展示、交流，这7天将作为一个多维的混合现场予以呈现，项目持续时间约为三个月。
Song Xi & Yang Xinjia Apartment Dreams Come True
The "Apartment Dreams Come True" project is a short-term residence plan initiated by the artists Song Xi and Yang Xinjia. Launched on November 9, 2014. " Apartment Dreams Come True " is a temporary rented room in a group rented house as a resident space. Many artists are invited to reside in it, and the 7-day life, creation, display, and communication around the community environment and social context where the apartment is located. These 7 days will be presented as a multi-dimensional mixed site, the project duration is about three months.
把孤特独立 坚持到底
策展人最终介入的协调区
7区、12区
夏乔伊《Beat 001》
《Beat 001》是艺术家的第一首原创的hip hop歌曲。这源自艺术家的童年时期有着黝黑的皮肤和略厚的嘴唇。他的外貌特征让他开始幻想自己与黑人的血缘关系。并试图从NBA, hip-hop音乐中找到身份认同。歌词大意描述了艺术家个人成长不同阶段对个体身份认知的挣扎和反省。
Joey Xia Beat 001
<Beat 001 >is the artist's first original hip hop song. This comes from the artist's appearance in childhood: with dark skin and slightly thick lips. His physical features led him to fantasize about his blood relationship with black people. And try to find his identity from NBA games and hip-hop music. The main idea of the lyrics describes the artist's struggle and reflection on his identity at different stages in his growth.
何佶佴 《十面埋伏》
将十块小镜子镜面朝内放置在展线周围形成一个包围圈，将整个展区从视觉上扩大的同时也将展区内的作品在镜像世界中再次呈现，同时提出两个问题：展线内原有的作品在十面埋伏下是否还能各自保有原来的意义？展区的边界在被视觉上扩大后是否意味着边界乃至展览规则的消解？
J2 He Ten Ambushes
Put ten small mirrors facing inward to form a circle around the exhibition line. The whole exhibition area is expanded visually and the works in the exhibition area are presented in the mirror world again. At the same time, two questions are raised: can the original works in the exhibition line retain their original meanings under the ten ambushes? Does the expansion of the boundary of exhibition area mean the dissolution of boundary and even exhibition rules?
张明硕《一立方米的海》
《一立方米的海》是我个人觉得不是很有意思的一件装置。它无非就是给一个红外感应编码了一立方米的感应区域, 只要有人触发了这个区域,音箱就会播放海浪的声音。没什么内涵。做这个玩意儿花了我5800人民币,还是有点贵的。
Ash Zing One Cubic Meter Of Sea
Personally, I think < One Cubic Meter of Sea> is not an interesting piece. It is simply an area equipped with infrared induction coding. As long as someone step into this area, the speakers will play the sound of the waves. End of the story. It cost me 5800 rmb which is kind of expensive.
吴野《百分百建筑》
艺术家用一根钢筋将选区与空间顶部连接，使之成为空间构筑的一部分。钢筋作为构筑的基本元素，艺术家将它用在这里也象征着百分百建筑的某种结构性隐喻、或者黑色幽默。既是个人的，也是社会的。
Wu Ye 100% Construction
The artist used a steel bar to connect the selected area to the top of the space, making it a part of the space construction. Steel bar as the basic elements of the construction, are used by the artist here to symbolizes some structural metaphor of the 100% construction, or black humor. This is both personal and social.
孙文浩《天河》
前一段时间来了一个有钱的商人在村里租赁了十六栋房子
重新装修后翻倍出租
房东也被找去商谈要租下整栋
我的房东没同意
没过几天给我们每个租客长了一百
本来是要两百的
一半的收入都交给房东付他们为儿子买的新房 在市区 天河
Sun Wenhao Tianhe
Recently a rich businessman came and rented sixteen houses in the village
He doubled rental after renovation
The landlord was also called in to discuss renting the entire building
My landlord didn't agree
A few days later, it added a hundred RMB to each of our tenants
It was supposed to be two hundred
Half of the income goes to the landlord to pay for the new house they bought for their son in downtown Tian He.
12区
（图右）方翔《博物馆开放日》
博物馆把展品陈列在展柜里,昭示着我们与过去的联系。但再好的收藏都很难重现过去。观众阅读展览标签，隔着橱窗畅想和它之间的联系。这时展品只是知识或者信息的佐证，如同一件文化标本。这件作品把博物馆展品从服务语言的功能中解放出来，让观众关注物质的本身，呈现原始的观感。
（right）Conan Fang Xiang Museum Free Entry Day
Collections in a museum seem to indicate us with the past. But in fact, even the best exhibitions and collections are difficult to restore the past. Outside the window, we corresponded this exhibit to some information terms, and imagined. At this time, the exhibits have become evidence of knowledge or information and become a cultural specimen. In this work, museum exhibits are liberated from the function of the service language, let the audience pay attention to the real feeling of the material, presenting the original impression.
刘亚《航海寓言》
以早期航海术催生出的“海洋神话”为基底，混合冒险放逐等古老故事模型以及殖民等议题，展开一场“图像写作”的虚构尝试：朗姆罗盘与洋流，愚人船去追诺亚舟，利维坦伸展出枪炮的手...
Liu Ya Fable of Navigation
Based on the "sea myth" spawned by early navigation, it mixes adventure, exile and other ancient stories with colonial issues, and launches a fictional attempt of "image writing": the rum compass and ocean currents, the fool ship chasing Noah, leviathan stretching out the gun…
张寻《职业的人》
职业已成为当代定义智人的首要身份。《职业的人》将场景设置在如厕的私人时刻，而以办公环境提示“工作-生活整合”职场哲学的日益流行。电脑播放的歌剧卡拉OK与印在厕纸上的标准职业形象一同参与主流职业叙事的塑造与检视，现场观众也被邀请进入这场叙事。
Zhang Xun Homo Professional
Profession has become the primary identity to define contemporary homo sapiens. "Homo Professional" sets the scene in a private moment, while the environment reminds us of the growing popularity of "work-life integration" philosophy. The computer-played opera karaoke and the standard professional image printed on toilet paper together shape and examine the dominant professional narrative. Audiences are also invited into the narration.
黄喆《隐力》
以身体数据设定的几何形体（长度=双脚+双手+头部长度，宽度=躯体的厚度、高度=身高），阶段性的发生着变化，似乎有一股向上力的牵引。如同生命中形态与精神的变迁。通过作品表述着在万有引力定律下，人并不是一个孤立的质点。
Huang Zhe The Hidden Force
Setting geometric shape with the given data of the body (length = feet + hands + head length, width = thickness of the body, height = height), the changes are carried out, there seems to be an upward force traction. Like the changes of form and spirit in life. According to the law of universal gravitation, man is not an isolated particle.
下面依序列号介绍各区作品详情
古师承《南兴百货》
艺术家从一家奢侈品店中请来两名销售，身着工作服，在广州的一个城中村的百货店对其中的商品像导购奢侈品一样进行一次导购。
Gu Shicheng Nanxing department
The artist invited two sellers from a luxury store, dressed up in their uniform and conduct a guided tour of the goods at a grocery store in an urban village in Guangzhou.
王基宇《青海省短兵运动协会》
注册的一个省级体育协会，把文化分歧引起的网络直播约战扩展为体制内传统民族体育项目新表现形式。为了强化直播解决分歧效果约而建立的运动员训练体系。
Wang Jiyu Sword Sports Association Of Qinghai
The Provincial sports association is formally registered to extend live streaming fighting program caused by cultural differences to a new form of traditional national sports within the system. This sports training system is established to enhance its ability to solve the live streaming problem.
钱丽丽《鸡蛋》
纸质鸡蛋容器、黑色盒子、理发店的转灯、鸡蛋这些道具与人物共同构筑了剧场化的空间，人和装置成为一体。转灯是理发店的标志，作品把此标志挪移到剧场，产生出另外一种语境碰撞，鸡蛋串联了整体的影像空间和行为，表演是非故事性的，是心理动作的拟像。
Qian Lili EGG
Paper egg container, black box, barber’s pole, eggs and the figures together built theatre-like space. Human and the installation become one. Baber’s pole is the sign of a barbershop. The artist moves it to a theatre to produce a new context. Eggs connect the whole bunch of moving image and action; the performance is non-narrative but still an image of psychological action.
顾佳途《 复仇 — 生成三足乌》
作品《复仇 — 生成三足乌》灵感来源于两个部分，D.H. 劳伦斯的诗《枇杷与山梨》和 三足金乌的陨落（后羿射日）。作品是对这两个文本的重新解读，运用一系列的符号与意象，将视线重新导向大地。对普世性的，形成主体性的叙事提出质疑，需要意识到的是它的另一面是对差异的排斥，对其他生命形式的否定。在资本人类世的当下，重拾权力意志，并像腐坏一样开始感染、分解、转换，从而产生差异与新。
Gu Jiatu Revenge — Becoming three legged crow
The work titled “Revenge — Becoming three-legged crow”, draws the inspiration from the Chinese mythology of Hou Yi and a poetry from D.H. Laurence “Medlars and Sorb-Apples ”. The work is a reinterpretation of the two texts, adopting a set of its signs and metaphors, trying to redirect our eyesight back to the earth land, and questing a narrative of subjectivity. What should be realized is that on its other side it is the exclusion of differences and the negation of other forms-of-life. In the reality of capitalistic Anthropocene, pick up again the spirit of Dionysus and will to power, starting to be contaminating, decomposing and transforming like the rottenness, differences and the new will emerge.
司屠《不管是多么大型的动物，途经一片树林时都是小动物》不管是多么大型的动物，途经一片树林时都是小动物。和两位艺术家合作产生了这个作品，包括《才艺表演》和《选择》两部分。《才艺表演》由刘懿的画和刘懿参演的视频组成，《选择》邀请了李燎参演。
Si Tu No matter how large the animal is, it is a small one when goes through a forest
No matter how large the animal is, it is a small one when goes through a forest.
This work is conducted by two artist and consist of two parts, “Talent show” and “Choice”. “Talent show” is made up of a painting of Liu Yi and a video he participated in. “Choice” invited Li Liao to participate.
唐誉祯《人们有时会令我紧张》
作品关心逐渐隐匿的用户接口——会话接口逐渐被标榜成系统的系统，让不同类型的用户和多种不同类型的计算设备和应用之间进行通信 。在其影像装置中目前仍稍显蹩脚的人机对话机制，已在大肆呼吁人们参与进来，从内容生产、信息查阅，任务执行等方面构建新的逐利系统。
Tang Yuzhen People Get On My Nerves Sometimes
It is a video installation, in which the artist concerns about gradually intangible user interface—conversational interface which is branded and developed into a system of various systems, in order to enable communication between different types of users and multiple different computing devices and applications. In the video, the human-machine dialogue mechanism, which is still a little crappy, has called for people to participate in the construction of new profit-seeking systems from content production, information review, task execution and so on.
胡宸宇《武夷之春》
我从印刷品中寻到原图画碎片素材，通过扫描，整理，数字处理合成了完整原作图像。
请站于一定距离观看。
Hu Chenyu Spring of WUYI
I found the fragmented images of the painting - Spring of WUYI from different kinds of presswork through scanning, sorting and digital processing, the original image had been restored.
Please watch at a certain distance.
陈霄《失控》
通过文字、材料与随意的构建，面对艺术职业化的无可奈何与烦躁。让看似有序、受控的状态全部导向主动选择失控的表达方式。
Chen Xiao Lost Control
Through the text, materials and random construction, facing helplessness and restlessness of art professionalism. Let the seemingly orderly and controlled state all lead to the active choice of expression out of control.
张姝《里间》
这是一个建造和解构的过程，是一种生活方式的遗迹。日常生活中的剩余材料变成了用来研究生活中叙事性的存在。在不预设最终效果的前提下，某种材料或颜色决定了我的方向。这些雕塑结合了材料的脆弱性与坚固性，通过放大被遗忘事物的特质来消除生活中可预知与不可预知的变化中的差距。
Zhang Shu Inside Room
It is a process of construction and deconstruction, a relic of a certain way of life. The remaining materials in daily life become the research of the narrative of life. A random material or color determines my direction without presupposing the final form of presentation. These sculptures combine the fragility and solidity of the materials to bridge the gap between the predictable and unpredictable changes in life by amplifying the qualities of the forgotten.
王博《墙上的纳喀索斯》
一天，纳喀索斯发现了自己的影子……
Bo Wang Narcissus on the Wall
One day, Narcissus discovered himself through a reflection……
PINKEYE艺术小组《一个被更改的方案 》
微信步数，在暴露人隐私的同时，也让这些暴露隐私的人热衷于被关注，希望得到他人的点赞。在人的欲望需求下，诞生的产物——摇步器，成为欲望与权利的孵化器。
PINKEYE STUDIO A Changed Program
The application of WeChat steps not only exposes customers' privacy, but also makes these customers who expose their privacy keen to be concerned, wishing to get others' praise. Under the demand of human's desire, the new-born application--Step shaking device,becomes the incubator of desire and power.
蔡悦宁《人民大道》
艺术家自西向东走过上海人民大道同时对环境音采样，之后对采样进行变形处理并可视化为时频谱。从声音到图像的形式化转译，令城市空间中抽象的时间序列与等级结构得以表达并形成新的景观。
Cai Yuening People’s Avenue
The artist walked through Shanghai People's Avenue from west to east and sampled the ambient sound. Then the recorded sound is deformed and visualized as spectrogram. The translation from sound to image enables the expression of time and hierarchical structures in urban space, while forming a new landscape.
李论《 海上泛舟的恐龙也如小鸭子般惹人怜爱》
这幅画在讲一个或几个故事，一只小恐龙在海里划着一只幽灵，相关这片海这滴水这根木头的图像在它身边漂浮着，而小恐龙却习以为常。
Li Lun The dinosaur rowing in the sea was as adorable as a little duck
These paintings are telling one or several stories. A little dinosaur is rowing a ghost in the sea. Images of the sea, the drop of water and the log are floating around him while he quite got used to them.
恶漩宝贝《恶漩宝贝：除错模式》
欢迎参与“恶漩宝贝：除错模式”！诱惑型仿生机器人“恶漩宝贝”，使用清洁核裂变能源，编号是零零零零零零零零零零零零零零零零零零零零零零零零。系统桌面的天空总是那样晴朗，今天的恶漩宝贝也是异常乖巧，快去看看她的写真卡片，是否也会让你的心智宕机！
(扫机器二维码购买恶漩宝贝写真纪念卡）
BadVortex BadVortex：Debug Mode
Welcome to join BadVortex: debug mode. Seductive bionic robot " BadVortex "(No.0000 0000 0000 0000 0000 0000) uses clean nuclear fission energy. The system desktop is always so clear, today's BadVortex is, like always, very adorable, go to see her photo cards and see if she can blow your mind!
（Scan the QR code to buy a souvenir card）
邵怡晓《身体意识》
身体作为媒介阐述着其与⼼灵间⽆限交融缠绕并在⼈与他⼈的连接中不断变化的过程。通过非日常动作唤回对⾃⼰⾝体的感知并从中找到与他⼈之间的联结。作品为三个长时间与某⼈维持特定动作的⾝体⾏为视频。观众通过长时间的观看体会⾝体作为⼈类知觉的外在表现。
Shao Yixiao Body Consciousness
Using body as the medium to feel the constant changing of infinitecommunion and entanglement between body and mind in the connection between people. The artist through certain actions feel own existence and find connection with others.This video work consists of three physical behaviours that maintain a specific movement with the partner of artist for a long time. The audience can experience the body as the external expression of human perception during watching.
童垚《自画像 AKA完美男神身高 AKA感谢赵邦的老家，让我成为男神》
我买了一把尺子，这把尺子能量出我一米七九到一米八的身高，这是网络上最受女性欢迎的身高。
Tong Yao Self-portrait AKA The Height Of Perfect Man AKA Thanks Zhao Bang’s hometown For Making Me A God
I bought a ruler, which can measure my height from 1.79 to 1.80m, which is the most popular height among women on the Internet.
庄泽曦《我无的放矢地爱着______》
这是一顶无檐六片式时尚帽，它没有方位，不分前后左右，因此人人都能随意佩戴，无关其国籍、信仰和文化。这可以是一顶货车帽、也可以是瓜皮帽、小白帽或主教帽。正如微观粒子的自旋属于其内禀的属性，这顶帽子的能指也来自佩戴它的人。你可以在展览现场购买它们，并获得一个新的作品......
Fresco Zhuang I love _____, pointlessly
This is a visorless fashion hat in six panels which are directionless and regardless of the front and rear, left and right, so anyone can wear it at will, irrelevant to their nationality, beliefs and culture. It could be a trucker hat, a guapi mao, a taqiyah or a zucchetto. Just as the spin of microscopic particles belongs to its intrinsic properties, the signifier of this kind of hat also comes from the anyone who wears it. You can buy it on the exhibition, and then you will receive a new artwork…
赵邦《苹果树》
窗前的一只手机使用照相机功能，在一棵苹果树身上搜索，不断的缩小、放大，仿佛在寻找一个最完美的角度进行拍摄。很快，它找到了那颗心仪的苹果，随着快门声，苹果被镜头一口一口的咀嚼吃掉。
Zhao Bang Apple Tree
Apple Tree：A phone in front of the window opens its camera and focus on an apple tree, constantly zooming in and out, as if looking for the perfect angle to take a picture. Soon, it found the favorite apple, with the sound of the shutter, the apple was eaten bite by bite by constant shooting.
陈欣《未来的网络考古学家——消失的话题 NO.2》
每天都有新的话题（#）产生。同时在数据的时间轴中，一些话题也在消失。
你是否曾关注过那些消失的话题？
资本的中心化里，我们都是用户无产者。
Chen Xin
Future Network Archeologist——#Disappear# NO.2
Every day, new flash tags (#) are created, while in the time axis, some topics disappears. Have you ever followed or cared about those missing topics? In Capital centralization, we are nothing more than proletariat users.
丁悉《101》
2017年6月24日晚，丁悉在上海沪闵路桂林路地下通道参与“口现场”，完成这件作品的现场部分。随后将得到的这件物品，放置在地下通道出口边的小树林中，期间不日前往放置物品处，对残余物发生的变化进行记录。一月后将其取回。
Ding Xi 101
In the evening of June 24, 2017, Ding Xi participated in the "口" in the underground passage at Guilin road and Huming road in Shanghai and completed the scene part of this artwork. The object is then placed in the small tree forest near the exit of the underground passage. During this period, the object is visited by the artist frequently and the changing process of the residual is recorded. The object is taken back one month later.
简策，程昱峥《赛车》
这件作品通过网上找到的超车素材，滑稽地模仿了艺术世界中的竞争。脱颖而出的汽车“胜利者”分别对应了Art Review 评选的2018年度Power 100中的艺术家姓名。这一张通过数据统计得到的名声与影响力的排行榜，直接体现了当下艺术世界的价值观。
Ce Jian、Cheng Yuzheng Car Race
The work mimics competition in the art world through overtaking material found online. The "winners" were selected by Art Review for the Power 100 artists of 2018. This list of fame and influence obtained from statistics directly reflects the current values of the art world.
张业鸿《世界上的所有尽头》
从维基百科和各种网络资料中可以得知，世界上至少有二十多个地方被称为世界尽头。从这个意义上，这是一份为“世界尽头协会“（The World’s End Association）定做的专属目录和行走地图，谨致力将所有搜索到的“世界尽头”收入囊中，供爱好者们消遣凝视，而无任何功能。
Zhang Yehong All end of the world
From Wikipedia and various online resources, at least 20 places in the world are called the end of the world. In this sense, this is a dedicated catalog and walking map customized for The World’s End Association. We are committed to bringing all the searched "end of the world" into the pocket for hobbyists to enjoy watching them instead of any practical functions.
（图右）姚海《HK》
《HK》是将“圆形”视作为一种驱动力，或者是一种基础语言，借用他们来打开金属片材料的雕塑实践。艺术家试图在创作中来不断考证多种语言处于生产过程中的引擎意义。
Yao Hai HK
In “HK”, Yao Hai employs circle as a driving force or a basic visual language to begin his sculpture practice with metal materials. He continues to examine the significance of different languages as driving forces in the creation process.
杨义飞《无穷》
日常生活看似周而复始，其实充满新的发现与起始。移来别处的风景，在视觉上形成可延伸的假象。让真象与假象共同叠加出“无穷”的概念，让这一普世概念在日常中履新，成为圭臬。
Yang Yifei Infiniti
Everyday life seems to repeat itself, but yet full of new discoveries and beginnings. A landscape that has been moved elsewhere creates a visually extendable illusion. Let the idea of infinity be superimposed by truth and illusion, and let the universal concept be renewed in daily life.
13区 李论 + 14区无人选择区 + 15区 黄奎、陈陈陈、志豪、木芫、NANA
11区 + 12区
文末彩蛋
2141展览策划组：金锋 h…kui 宋兮
公布选择结果那一刻
关于 榕异美术馆
榕异美术馆是于2018年成立于上海的非营利艺术机构。为实验性的、独立性的展览项目提供展示场所，支持年轻艺术家成长与发声的美术馆。
往期展览
展览回顾——《连接 connection》 系列计划 NO.1 “Hi：朋友圈”
榕异美术馆
RONGYI ART MUSEUM
上海高境路371号4F
4F,No.371 Gaojing Road ,Shanghai
开放时间：周二至周日 10：30——16：30
Opening time: Tues. to Sun. 10：30——16：30
媒体联络：rongyiartmuseum@foxmail.com