赖声川携手谢娜、文章诠释爱！Ménage a 13 Brings Stan Lai’s Genius to Shanghai!
十三角
关系
Ménage
à 13
“跟其他赖氏经典一样，该剧综合了喜剧、正剧、闹剧、悲喜剧的风格，并天衣无缝揉为一体。它让你放声大笑人性的丑陋，同时哀叹纯真的丧失；它呈现一个失败的家庭及混乱的社会，却没有把希望之路统统堵死。”
——周黎明,著名戏剧评论家
"Like other Lai classics, the play combines the styles of comedy, drama, farce and tragedy, and seamlessly blends them into one. It makes you laugh at the ugliness of human nature while lamenting the loss of innocence; it presents a failed family and a chaotic society without blocking the path of hope."
—— Zhou Liming
《十三角关系》排练照
两个实力派演员同台，
一定会让原本就荒诞的剧本
更加具有喜剧感和期待感。
在紧张、爆笑、诙谐、荒诞的转场和变装中，
我们跟着两个主角，
从旁观一个八卦的搞笑，
逐渐走向一个真实的
代表我们自我的反观的隐隐作痛。.
Two powerhouse actors on the same stage
are sure to add a sense of comedy and
anticipation to the already absurd script.
In the midst of tense, hilarious,
witty and absurd transitions and disguises,
we follow the two protagonists from
the sidelines of a gossipy hilarity,
gradually moving towards
a realistic representation of
our own self-reflexive vagueness
“《十三角关系》的疯狂在关系中，疯狂在情感中，喜剧让人家笑不难，尤其他们两个高手让人家笑太容易，要让人家笑得有意义，这就难，这是我们追求的，我让你笑完了，你觉得这笑还留下一些思考，这个是我们所要求的。”
——赖声川
"Ménage a 13 demonstrates the sheer craziness of relationships and emotions… Comedy only to make people laugh isn’t difficult, especially if you seek to make them laugh too easily. To make meaningful comedy and laughter is far more difficult, this is what we seek. If you think deeply after your moment of hilarity, this is what we require."
——Stan Lai
Story
Outline
故事梗概
#1
王牌情感类节目“花花世界”的当家女主持花姐（谢娜 饰），在电台直播节目连线时，原本为他人答疑解惑的她，却意外接到一通关于自己丈夫蔡六木（文章 饰）“有问题”的电话。
身为“民意代表”的蔡六木刚刚结束一场关于呼吁给青少年更好的教育的演讲。满身疲惫的蔡六木结束工作后不是回家，而是来到可以让他两耳不闻窗外事的叶小姐家。花姐作为成功的公众人物，忽然败下阵来，准备与叶小姐请教如何挽回男人的心。
而在一阵混乱的上课中，花姐和蔡六木在毫不知情的情况下，分别扮成了叶小姐家的打扫阿姨和水电工，花姐为了偷看叶小姐到底跟自己的老公在做什么，而心生嫉妒的蔡六木也为了偷看叶小姐在教花姐什么骗人伎俩。二人以“打扫阿姨”和“水电工”的身份在叶小姐家相见，新的情愫竟在这样的“脱胎换骨”的角色扮演中重新展开。
Hua (Xie Na), the hostess of the ace emotion show "Flower World", is on a live radio show when she receives a phone call about her husband Cai Liumu's (Wen Zhang) "problems".
As a "public opinion representative", Cai Liumu has just finished a speech calling for better education for the youth. Instead of going home after his work, the tired Cai Liumu comes to Miss Ye's house where he can turn a deaf ear to what is going on outside the window. Hua, a successful public figure, is suddenly defeated and ready to ask for advice on how to win back a man's heart with Miss Ye.
In a surprising and daring twist in the script, Ms Hua and Cai Liumu disguise themselves as Miss Ye’s house cleaner and more plumber respectively. They approach in order to peek at what Miss Ye is doing with her husband, and the jealous Cai Liumu also seeks to understand the deceptive tricks that they play on each other. These two unusual characters meet at Miss Ye’s house and a new love affair is created in this ‘transformed’ role play.
回归到自己身份的花姐和蔡六木，在女儿安琪面前大打出手。安琪在优渥的物质环境中长大，却没有来自父母的爱。
她每天都在电话亭里打电话，诉说自己的故事，而电话的另一头，我们不知道是谁，但是至少我们可以从安琪那里得知她一直坚持的：关于自由，关于爱，是这个世界上最美丽的事情……
The two of them, Hua and Cai Liumu, fight in front of their daughter Anqi. Anqi grew up in a privileged materialistic environment, but without the love of her parents.
She calls in the phone booth every day to tell her story, and on the other end of the line, we don't know who it is, but at least we can learn from An Qi what she has always insisted on: about freedom, about love, the most beautiful thing in this world ......
Diverse
Interpretations
多样解读
#2
#
谢娜
Xie Na
中间还有很多爆笑的情节，
可是在这一步一步的爆笑中
就会让大家感觉到悲哀，
那她最后到底有没有寻找到爱？
大家就来剧场看吧！
In the middle
there are a lot of laughing episodes,
but in this step by step laughing
will make everyone feel sad,
that she finally did not look for love?
Everyone will come to the theater
to see it!
#
文章
Wen Zhang
这是一个讲爱与被爱的故事，
我们从中能寻求到很多
我们自己对于情感的一些认知的支点。
This is a story about
loving and being loved,
from which we can seek
a lot of pivot points for
our own perception of emotions.
#
黄薇
Huang Wei
在寻找自己的过程里面，
我想人最快的就是转换自己的外表，
希望透过外表的转变来寻找一个内在，
但有的时候你是会迷失的。
In the process of finding oneself,
I think the fastest thing one can do is
to transform one's appearance,
hoping to find an interior through
the transformation of appearance,
but sometimes you can get lost.
《十三角关系》的创作缘起于1985年伍迪·艾伦那时的新片《开罗紫玫瑰》，当时跟好朋友杨德昌一起在台北的家中看这部电影。
赖声川说：“当电影中的男主角从荧幕中走出来，再走进电影院会面女主角时，我看傻了，我见证了超越规则、超越框架的玩法，心中大喊过瘾。”
这就像一个种子一样种在赖声川的心中，后来在多次制作达利欧·弗的剧本过程中，其奔放而自由的剧本人物让赖声川打开了喜剧人物的写法。伍迪·艾伦、达利欧·弗，甚至莫里哀，这些喜剧大师的作品让赖声川产生创意的连结。
The creation of "Ménage à 13" began in 1985 with Woody Allen's then new film "The Purple Rose of Cairo", which Stan Lai watched at his home in Taipei with his good friend Te-Chang Yang.
Stan Lai said, "When the male protagonist in the movie came out of the screen and then walked into the cinema to meet the female protagonist, I looked dumbfounded, I witnessed the play beyond the rules, beyond the frame, and shouted in my heart that I was overjoyed."
This was planted in Lai's heart like a seed, and later in the process of producing Dario Fo's scripts many times, his spirited and free script characters opened Lai's mind to writing comedic characters. Woody Allen, Dalio Fo, and even Moliere, the works of these comedy masters gave Lai a creative connection
赖声川在1999年完成《十三角关系》的剧本，同年在台北完成了首演。而如同很多赖声川的戏一样，演完之后就没有继续演出了。
2022年是特殊的一年，上剧场重新出发制作这部作品，我们相信戏剧有疗愈的功能，而这部戏刚好带着我们在笑声中重新思考生命与爱。
《十三角关系》1999剧照
In 1999, Lai completed the script of "Ménage à 13" and premiered it in Taipei in the same year.
As with many of Lai's plays, the show did not continue after it was finished, and 2022 is a special year for the Theatre Above to revive this production, as we believe that theatre has a healing function, and this play just takes us to rethink life and love in the midst of laughter.
2022年的制作克服了之前演出时的重重困难，将原剧本精彩呈现，回归原汁原味。
素有“时尚教母”之称的服装造型设计黄薇，建组之日即加入，在刚刚结束的《梦华录》的宋代古装造型工作中，即刻转入到一个现代服装搭配的舞台呈现上。黄薇是第一次与赖声川合作舞台服装造型，在舞台上的各种人物变化中，施展服装造型的魔法。
The 2022 production overcame the difficulties of previous productions to present the original script in its original form.
Huang Wei, known as the "Godmother of Fashion", joined the team as soon as it was established, and immediately moved on to a modern costume presentation of the Song Dynasty costumes in the recently concluded "A Dream of Splendor". Huang Wei is the first time to work with Lai Shengchuan on stage costume styling, working the magic of costume styling in the various character changes on stage.
演
出
Performance
演出时间
2022.9.16-9.25
演出地点
上剧场
编剧、导演
赖声川
演出
谢娜、文章、凤莉、马靖雯、刘宜林
舞台设计
赖声川
服装造型设计
黄薇
灯光设计
曾天笑
监制
丁乃竺
——————————————————
Time
2022.9.16-9.25
Venue
Theatre Above
Written, directed by Stan Lai
Performed by Xie Na, Wen Zhang, Feng Li, Ma Jingwen, Liu Yilin
Staged by Stan Lai
Costume design by Huang Wei
Lighting designed by Zeng Tianxiao
Produced by Ding Nai Zhu
关于自由
关于爱
关于一切生活的具体
一起到《十三角关系》看看吧
About freedom
About love
About the specificity of all life
Come together to "Ménage à 13"
游历江户，做一场《浮世の梦》—Magical Reality Breaks Artistic Boundaries
在金秋与艺术撞个满怀，魔都九月展讯合集如期而至！Golden Autumn Brings A Rich Harvest!
乌菲齐大师自画像：走进大师级艺术家的精神殿堂—The Evolution of the Self-Portrait
For more fun news & events
pls scan QR code
to FOLLOW SHANGHAI SPOTLIGHT!
更多精彩资讯，请关注聚焦上海
商务合作请添加下方微信
spotlightSH
如果你喜欢这篇文章，聚焦上海希望你能点赞给予我们更多鼓励，以让我们持续产出优质文章，来吸引更多像你一样的艺术爱好者。如果你对我们的任何内容感兴趣，请在评论区给我们留言，我们十分乐意聆听你的声音!
If you enjoyed this article, the Shanghai Spotlight team would really appreciate it if you could press Like and Wow to help us attract more art lovers like yourself. If you’re interested in any of our offerings please leave us a comment below, we’d love to hear from you!
Click “Wow” if you like this article