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全球艺术史|巫鸿教授香港演讲系列-中国艺术史研究公开讲座


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也敬请参考【香港人文情报小侦探】和【扔书】的相关推文:


【讲座预告】巫鸿教授中国艺术史研究公开讲座


巫鸿中国艺术史研究公开讲座系列


【内容簡介】

Hailed as one of the most important historians of Chinese art today, Wu Hung of the University of Chicago is a multiple award-winner for his teaching and prolific publications. In his research over the last forty years, Wu Hung has been working on developing new methodologies in the interpretation and writing on Chinese art through reviewing, challenging and redefining concepts from the history of Western art. His innovative interdisciplinary approach explored the relationship between art discourse and practice, drawing materials from the cultural, sociopolitical and artistic contexts of specific time and place. Based on historical practice of both Chinese and Western traditions, Wu Hung integrated conventionally separate fields of both traditions into new kinds of art historical narratives and advocated a new global art history. The three lectures in the series will demonstrate his methodologies and narratives in a wide range of topics.
【講者簡介】
Hailed as one of the most important historians of Chinese art today, Wu Hung of the University of Chicago is a multiple award-winner for his teaching and prolific publications. In his research over the last forty years, Wu Hung has been working on developing new methodologies in the interpretation and writing on Chinese art through reviewing, challenging and redefining concepts from the history of Western art. His innovative interdisciplinary approach explored the relationship between art discourse and practice, drawing materials from the cultural, sociopolitical and artistic contexts of specific time and place. Based on historical practice of both Chinese and Western traditions, Wu Hung integrated conventionally separate fields of both traditions into new kinds of art historical narratives and advocated a new global art history. The three lectures in the series will demonstrate his methodologies and narratives in a wide range of topics.
Wu Hung’s research interests include both traditional and contemporary Chinese art, and he has published many books and curated many exhibitions in these two fields. His interdisciplinary interest has led him to experiment with different ways to tell stories about Chinese art, as exemplified by his Monumentality in Early Chinese Art and Architecture (1995), The Double Screen: Medium and Representation of Chinese Pictorial Art (1996), Remaking Beijing: Tiananmen Square: the Creation of a Political Space (2005), The Art of the Yellow Springs: Understanding Chinese Tombs (2010), A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture (2012), Zooming In: Histories of Photography in China (2016), and Space in Art History (2018). His three newest books from 2022 and 2023 include Chinese and Dynastic time (Princeton University Press), Spatial Dunhuang: Experiencing the Mogao Caves (Washington University Press), and The Full Length Mirror: A Global Visual History (Reaktion Books).
【講座信息】
Lecture 1: Spatial Dunhuang: Experiencing the Mogao Cave
Time:6 October 2023 6:00pm – 7:30pm
Location:KB419, Knowles Building, The University of Hong Kong


Lecture 2: One or Two? Emperor Qianlong’s Mirrors and Mirror Images
Time:8 October 2023 3:00pm – 4:30pm
Location:The Hong Kong Jockey Club Auditorium, Hong Kong Palace Museum

Lecture 3: The Inscribed Studio Photo as “I-Portrait”: Photographing a New Self in Early Twentieth-Century China
Time:10 October 2023 4:30pm – 6:00pm
Location:Citi Lecture Theater (LT-A), The Hong Kong University of Science and Technology 

Research Seminar

Time:9 October 2023 2:00pm – 3:00pm

Location:Room 3301, Division of Humanities, The Hong Kong University of Science and Technology


Organizers:

Division of Humanities, The Hong Kong University of Science and Technology

Global China Center, The Hong Kong University of Science and Technology

HKUST Jockey Club Institute for Advanced Study


Co-organizers:

Centre for Chinese Architecture and Urbanism, Faculty of Architecture, The University of Hong Kong

The University of Chicago Francis and Rose Yuen Campus

Hong Kong Palace Museum


Supporter:

The Public Lecture Series is generously supported by the U.S. Consulate General Hong Kong and Macau.


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