北丘公共活动｜穿梭地理：双展开幕论坛与表演
秋季的九月，北丘当代美术馆迎来双展的同期开幕，“艺术与地理”年度系列展览第一期“有人弄乱了玫瑰花”（策展人：刘林、杨乃天）与隧道项目第二期，艺术家张一的个人项目“曝书谷”（策展人：姚斯青）。开幕日的下午，我们有幸邀请到策展人与艺术家们共同参与开幕的两场论坛讨论，并将以一幕实验表演为开幕活动收尾。从“气候”到“山谷”，让我们在“北丘”的地理地貌中穿梭！
In the autumn month of September, the Beiqiu Museum of Contemporary is hosting the simultaneous opening of two exhibitions. The inaugural exhibition of the annual series "Art and Geography" titled "Someone Has Been Disarranging these Roses" (Curated by Liu Lin and Yang Naitian) alongside the second phase of the "Tunnel Project", the solo exhibition "Inquisition Valley" by the artist Zhang Yi (Curated by Yao Siqing). On afternoon of the opening day, we are honored to have the curators and artists participate in two forum, concluding the opening activities with an experimental performance. From "climate" to "valleys," let us embark on an intellectual journey within the geographical landscapes of "Beiqiu."
9月8日
两场开幕论坛
一场表演
活动时间
9月8日 15:00~18:00
活动流程
15:00~16:00
BMCA“艺术与地理”年度系列展览项目发布
&“有人弄乱了玫瑰花”新展论坛
16:00~17:00
“隧道项目”第二期“曝书谷”新展发布
17:00~17:30
策展人导览
17:40
“曝书谷”开幕表演
01
“有人弄乱了玫瑰花”：地方、气候与行动
Locality, Climate and Action
在北丘当代美术馆“有人弄乱了玫瑰花”展览开幕活动中，我们特别邀请《ArtReview》中文版执行主编赖非主持，与艺术家贺子珂、策展人龙星如以及本次展览的策展人杨乃天、刘林一同讨论气候危机时代的艺术如何成为行动，并从各自的实践出发，分享天气与个体存在的关系。龙星如将介绍其近期关于气象史和天气美学的研究，并结合展览现场作品进行评述；贺子珂将围绕她参展作品《乱码城市》（2023），向大家分享天气与数据，或者自然之云和数据之云的关系；杨乃天和刘林则将分别从展厅作为一种“临时建筑”如何调动观者感性，以及地方性如何参与全球气候议题及实践的角度对本次展览的主题进行分享。
In the opening event of the "Someone Has Been Disarranging the Roses" at the Beiqiu Museum of Contemporary Art, we are delighted to invite Ms. Lai Fei, the Executive Editor-in-Chief of ArtReview China, to host the forum. Joining her will be the artist He Zike, the curator Long Xingru, and the curators of the exhibition, Yang Naitian and Liu Lin. The forum will explore how art can become a catalyst for action in the era of climate crisis, drawing from their respective practices and sharing insights into the relationship between weather and individual existence.
Long Xingru will present her recent research on meteorological history and weather aesthetics, providing critical analysis in conjunction with the artworks on display. He Zike will center her discussion around her exhibited work titled "Random Access" (2023), shedding light on the interplay between weather, data, and the relationship between the natural clouds and data clouds. Yang Naitian and Liu Lin, on the other hand, will share their perspectives on the exhibition's theme, discussing how the exhibition space, as a "temporary architecture," can engage viewers on an emotional level and how locality can be involved in global climate issues and practices.
特邀主持人
赖非 | Fei Lai
赖非，编辑、翻译、艺评人，自2014年起供职于LEAP《艺术界》杂志，现任主编，同时兼任《ArtReview》中文版执行主编。
Lai Fei is an editor, translator, and art critic. She has been editing the bilingual contemporary art magazine LEAP since 2014, now serving as Chief Editor, as well as the Editor of ArtReview China edition since 2022.
特邀嘉宾
龙星如 | Iris Long
龙星如，策展人，写作者，博古睿学者，研究方向为科技基础设施与技术的心理地理。2021年，她与贺子珂共同发起了“端口：云下贵州”项目，这是一个关于中国科技基础设施的长期调研和策展项目。个人网站：irislong.xyz
Iris Long (irislong.xyz) is a writer, independent curator and a Berggruen Fellow. Her recent work has been focused on the critical infrastructures in China, fundamental science and art. In 2021, she co-initialized “Port: Under the Cloud”, a long-term research and curatorial project on the infrastructures of science and technology in China.
贺子珂 | Zike He
贺子珂，艺术家，1990年生于贵阳。她的作品呈现了在技术环境、媒介与信息流动中个人感知与时间性的体验，特别是其中与“混乱”有关的议题。近期的项目围绕特定的记忆、数据、档案和素材库多线程地展开，并延伸于与深层时间有关的话题，故事或讲述常成为其中的核心。主要媒介包括影像、写作、装置、计算机程序等等。
2022年，她获得了第五届韩国VH Award亚洲新媒体影像奖的入围项目支持，并入选了瑞士文化基金会2023年的驻留项目。她同时也是走访和研究中国西南科技基础设施的跨学科项目“云下贵州”的联合发起人。
贺子珂2018年获中央美术学院未来媒体艺术专业硕士学位。2017年于德国卡尔斯鲁厄艺术与设计学院媒体艺术系学习。2012年毕业于中国传媒大学，获数字电影制作学士学位。
He Zike (b. 1990, Guiyang) is an artist whose works explore the interplay between personal perception, temporal experiences, and the ever-present flow of information in the media and technological environment, with a particular interest in the underlying disorder that exists beneath the surface. She invesitgates personal and collective memory by engaging with archives, databases, material repositories, and narratives. Her recent projects are revolve around daily life encompassed by deep time, infrastructure, maching learning, planet computing, and storage. Approach to narrative often takes a central position as she navigates the boundaries of various frameworks. Her works take the form of video, writing, installation, and computer programs.
She is supported by the 5th VH Award of Hyundai Motor Group as one of the five finalists, and the residency program of Pro Helvetia, the Swiss Arts Council in 2023. From 2021, She co-initiated the interdisciplinary project “Under the Cloud” which visits and studies the technological infrastructure in Southwest China.
She graduated with a master's degree from the Department of Future Media Art at China Central Academy of Fine Arts in 2018. In 2017, she studied media art at Karlsruhe University of Arts and Design in Germany. She received her bachelor's degree in Digital Film Making from Communication University of China in 2012.
策展人
刘林，写作者、策展人，目前生活和工作在上海。近期关注展览制作、技术理论，并试图通过与不同领域创作者合作的方式讨论“共同工作”的问题。2013年至2021年期间，他曾在四方当代美术馆从事策展工作，并发起实施“地形学”（2015-2019）项目。部分策划展览为：“山中美术馆”（2016）、“未完成”（2019）及“今晚一定要梦到这蓝色”（2020）等；他将写作视为行动方式，尝试在不同的写作领域进行实验，部分文章发表于ARTFORUM中文网、艺术新闻中文版、Art-Ba-Ba、Wallpaper卷宗以及澎湃新闻等媒体。
杨乃天，目前生活和工作于美国纽约市的建筑设计师。他着眼于建筑结构和材料提供的官能体验和其形式语言背后的权力关系，探索信仰系统在人造环境中所扮演的角色。他曾工作于巴黎的 AWP 建筑事务所和北京的简盟工作室。在纽约的 Guy Nordenson and Associates 结构工程公司他参与了多个公共文化建筑和艺术项目的设计与建造，包括惠特尼美术馆委 David Hammons 的雕塑作品 Day’s End、与藤本壮介建筑事务所合作的深圳改革开放馆、以及与Handel Architects 共同设计的Emnauel Nine Memorial。他的写作发表于 Karma International，Serving The People 等平台。
02
“曝书谷”：虚构的讽喻
Fictional Satire
“隧道项目”的第二期，艺术家张一沿用她书籍雕塑的脉络，创造性地呼应着展览空间中的潮湿逼仄以及地方属性的文化联系。对谈中，张一将回顾此脉络并分享创作中的思考。姚斯青也将阐述，在艺术家本次的个人项目中，策展人是如何实现近距离地关注与协助的。
In the second exhibition of the Tunnel Project, artist Zhang Yi continues to explore the concept of her book sculptures, creatively echoing the damp and confined exhibition space while establishing cultural connections to the local context. During the dialogue, Zhang Yi will reflect on this artistic concept and share her thoughts on the creative process. Yao Siqing, the curator, will also elaborate on how, in this particular personal project of the artist, the curator has been able to provide close attention and assistance.
03
“曝书谷”项目开幕表演
Opening Performance
“曝书谷”场景的完成，有赖于开幕的表演。这场表演使得隧道空间进一步剧场化，这里正是“曝书谷民”上演荒诞行径的合宜场所。“曝书谷”虽是虚构之地，但恰似祥林嫂与孔乙己的鲁镇，人的行动既是激活、显化空间性质的关节点，环境又反向影响着此中人的心灵质地。张一有意借剧场演出，来揭示它们始终互相型构的关系。
The completion of the ‘Inquisition Valley’ scene depends on the opening performance. This performance further theatricalize the tunnel space, where the ‘people of Inquisition Valley’ perform their absurd acts. ‘Inquisition Valley’, however, is a fictional place where human actions activate and manifest the characteristics of the space and surroundings and, in turn, influence the spiritual power of the people inside.
\ 主持人介绍 /
Guests’ Introduction
杨天歌 | YANG Tiange
杨天歌，策展人、写作者。现任北丘当代美术馆顾问策展人。他曾于69ARTCAMPUS、北丘当代美术馆、户尔空间、歌德学院、中间美术馆等地策划“多少次呵，我离开了我日常的生活”“晦暗里，身体循光深潜”“合作，为了污染，不为完善”“佛系青年：冷漠与共”“海面之下是火山”等展览。他长期关注二十世纪中国本土与国际当代艺术，并在近期的研究中聚焦于人文地理视角下的身体、身份认同与民族形式建构问题。
Tiange Yang is a curator and writer based in Beijing, now curator-at-large at the Beiqiu Museum of Contemporary Art in Nanjing. The exhibitions that Yang has curated include How Many Times, I Have Left My Everyday Life, Diving Deep for Light into Darkness, Collaboration, Not for Perfection, but for Contamination, Buddhist Youths: United Collective Indifference, and There are volcanoes under the sea at art museums and galleries including 69ARTCAMPUS, BMCA, IOAM, Goethe-Institut, and Hua International. Yang currently researches issues of the body and the construction of identity and the nationalist formations in twentieth-century China and the contemporary world.
\ 嘉宾介绍 /
Guests’ Introduction
张一，1984 年生于山东，中国。自幼学画，本科毕业于中央美术学院雕塑系，2012-18 年间留学美国，英国。2014获美国纽约绘画与雕塑工作室学院艺术硕士学位。2018年获英国伦敦大学斯莱德美术学院雕塑专业硕士学位。2019 年至今任教于中央美术学院雕塑系，讲师。
Zhang Yi（b.1984）was born in Shandong, China. She began her journey of painting since childhood. After the graduation from the Sculpture Department of the Central Academy of Fine Arts for her bachelor degree, Zhang furthered her postgraduate studies at New York Studio School and the Slade School of Fine Arts, University of London, UK during her years of studying abroad since 2012-2018, where she obtained her Master degrees of Arts and Sculpture in 2014 and 2018 respectively. Zhang Yi currently teaches Sculpture Courses at the Central Academy of Fine Arts as a lecturer since 2019.
张一有着极其敏锐的空间与质料感知力，同时强调实地调研与行动介入特定空间所能开启的人文批判，随手拈来日常物加以诗性地创化是张一的独到本领，最终呈现亦古亦今、不古不今的视觉表象以及动态生成式的艺术能量。进入张一的艺术现场，往往能体验到历史文化想象与当下感性经验的微妙糅合。
Fabrication through collage construction is at the center of Zhang Yi’s practice of sculpture. Her working process is highly intuitive and based on actions -- constructing something that results in a vibration of poetic mystery. Her original sensation, the one she gets from certain found materials, leads to a series of actions altering the original purpose of the materials and transforming them by slightly altering them and combining them into something new. In her recent projects, many of the works are wearable or portable, she attempts to develop a more bodily language to respond to specific political issues. Entering Yi's art scene, one often experiences the subtle fusion of historical and cultural imagination with current emotional experience.
姚斯青博士，先后毕业于中央美术学院艺术史专业及中山大学中文系现代文学专业。现为定居北京的独立学者与策展人。她近期聚焦于物质文化史与媒介研究，倾向于与不同知识背景的艺术家一起工作，并期待共同推动一种能够连接并创造性转化中国古典及早期现代文明资源的新感性经验在全球化语境中发生。
Dr.Yao Siqing studied at the Central Academy of Fine Arts(MA Art History) and Department of Chinese of Sun Yat-sen University(PhD Modern Literature ).She now lives in Beijing and work as an independent scholar and curator. She focus on History of Material Culture and Madia Studies , tends to work with artists from different intellectual backgrounds, and looks forward to fostering a new sensual experience that connects and creatively transforms classical and early modern Chinese cultural resources in a global context.
\ 展览介绍 /
About Exhibition
「有人弄乱了玫瑰花」
北丘隧道项目第二期展览 | 张一：曝书谷
\ 合作致谢 /
Cooperations
【UNIUNI】
北丘当代美术馆再次携手UNIUNI凯瑟琳店，推出「一杯天气」咖啡特饮。玫瑰花与水果的芳香甜蜜融化乌龙茶与咖啡的苦涩回甘，一杯饮尽万千气象☁️
💰 凭「有人弄乱了玫瑰花」展览门票，享受UNIUNI凯瑟琳店创意咖啡8折优惠。
【知夏冰饴】
「知夏冰饴」特别支持北丘当代美术馆新展开幕！
有人弄乱了玫瑰？不如吃掉！玫瑰酸奶味Gelato，带你梦回彩云之南🌈
💰 凭「有人弄乱了玫瑰花」展览门票，享受知夏冰饴广州路店全店产品85折。（优惠不叠加使用，每人限用一次）
【今日商铺家居】
致谢「今日商铺家居」支持北丘当代美术馆展览，为James Bridle 作品带来 HAY 户外椅，打造最佳观影体验，在一片绿意中感受作品《命运女神》带给人类的启示。
关于北丘
北丘当代美术馆坐落于江苏省南京市玄武区环亚凯瑟琳广场半山花园，背倚北极阁鸡笼山。作为全国首座镶嵌于城市中心山丘上的美术馆，北丘集当代艺术收藏、展陈、研发和教育为一体。
美术馆主体建筑保留了二十余年前的建筑原貌，在六年前历经修复与加固，1100平方米的空间与郁郁葱葱的山体巧妙衔接，清水混凝土浇灌的展馆内部呈现出工业与原始的碰撞。历史、自然和现实交织，先锋与传统反复试探，当代艺术的在地性、多模态化和不确定性都在这里得以响应。