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宏藝新展|一叠半 Ichi-jō han

宏藝空間 GREAT ART SPACE宏藝空間
2024-08-30



一叠半
Ichi-jō han

叶文、张利华
Yip Man & Zhang Lihua
Duo Exhibition

Duration|2023/4/8 - 5/14
Venue|GREAT ART SPACE NO.3


宏藝空間很荣幸举办《一叠半》叶文、张利华双人展,展览将于4月8日在三号馆开幕,持续到5月14日。


从四叠半到一叠半,日本茶圣千利休将他对于美的概念统归到“减无可减”的境界,没有一丝腴赘。叶文的作品亦是如此,只是使用色块与简单的线条元素,将意识转化为简单物件呈现出不同的情绪。初识叶文,惊艳于其用极简但却亟需劳作的方式去呈现作品,重复的每日劳作既像是一种练习也像是一种朝圣。


另一种景观 06
50 x 60 cm
布面油画
2022


“先将水烧开,再加进茶叶,然后用适当的方式喝茶,那就是你所需要知道的一切”犹如千利休的茶道,就是一套简单的动作。创作予叶文也是,将繁琐的作画步骤删除,只留下纯粹的颜色,即使需要时间作陪,对于叶文来说也是“最适当的”。


新系列《另一种景观》所呈现的一如之前的记录特定时间段的情绪、状态、与心理活动的创作,从线条到基础的几何元素,探究了元素与空间的关系。作品空间关系的营造通过几何元素的明暗变化,虚与实交错来表现。在其中几幅作品的边上还有着模仿印刷校色的颜色参考,这样的严谨反差也是其富于色彩作品当中非常有趣的一点。对于空间,叶文认为它就像是一个没有边界的容器,容器内空无一物时是一种空冥的状态,有物则有了关联,是一种有属性的域的状态,而将物件放置在画布中就形成了“另一种景观”。


另一种景观 11
50 x 60 cm & 40 x 40 cm
布面油画
2022


千利休一直在践行如何将自然与人文在只有一叠半的空间里达到一个和谐的境界,尝试在如此小的空间里去呈现所有的美却不显得沉重。如同观看张利华画作时感受到的轻盈,述说的很多,但始终轻松愉悦。利华的画作多是关于她所生活的客家老村,即使俭朴也充满了惊喜,或是湖边垂钓,又或是遇见房东太太在树下乘凉,普通的日常在利华的笔下都覆盖上闲适的气息,如同那些重要的都是肉眼所看不见的,观看利华的画作,自然与人达到完美的平衡,似乎还能感受到房东太太扇起的凉风。


山涧
28 x 38 cm
纸本水彩
2022


在张利华的画作中,有许多记录人物的作品,但几乎所有的人物都是一个模糊的形体,偶尔会有较为清晰的长相,但也是极为缥缈。询问过利华有关去肖像化的意图,她认为在其作品中,“物,景,人物”都是统一体,是过程中自然而然地选择,真实感受感知融合所共同呈现的结果。模糊的形态是不想给予观者一种固化的定义。德国电影导演温德斯曾说“和思考不同,人类的观看并不包含他们对于事物的意见,观看是一种无意见的行为,在观看里,人们可以找到本身对于他人、物件和世界的那种无意见态度。”而通过艺术家的“观看”,观者都可以找到属于他们自己的心境。


现实的幻觉
120 x 120 cm
布面油画
2022


千利休用一生的经历去实践美的理想,最终将美学浓缩在这一叠半的空间里,如同艺术家在历经参悟后的化繁为简,返璞归真,留下的才是唯一值得留下的。




Ichi-jō han


From Yo-jō han to Ichi-jō han, the Japanese tea master Sen no Rikyu generalizes his concept of beauty as reaching the realm of "subtracting the inessential," without any excess. The works of Yip Man are similar, using blocks of color and simple line elements to transform consciousness into simple objects that display different emotions. Upon first encountering Yip Man's works, one is struck by the way he presents his art in an extremely minimalist yet labor-intensive way. The daily repetition of this labor is both a form of practice and a form of pilgrimage.

 

"Just boil the water, add the tea leaves, and drink the tea in the appropriate way. That's all you need to know," like Sen no Rikyu's tea ceremony, it is a simple set of actions. The same applies to Yip Man's creations, which delete the tedious steps of painting and leave only pure colors. Even if it takes time, it is "the most appropriate" for Yip Man.

 

The new series "Another Landscape" presents creations that reflect emotions, states, and psychological activities during specific time periods as the works before. From lines to basic geometric elements, it explores the relationship between elements and space. The creation of the work's spatial relationship is shown through the contrast of light and dark changes in geometric elements, and the interlacing of virtual and real. Some of the works also have color references that mimic printing color correction, which is a very interesting contrast to its colorful works. For space, Yip Man believes that it is like a container without boundaries. When the container is empty, it is a state of emptiness, and when there is something inside, there is a filed with attributes, like placing objects on the canvas creates "another landscape.”


Sen Rikyu has been practicing how to achieve a harmonious state of nature and humanities in only one and a half stacks of space, trying to present all the beauty in such a small space without appearing heavy. It's like watching Zhang Lihua's paintings, and I feel the same lightness. There are many things to say in her paintings, but they are always relaxed and happy. Lihua's paintings are mostly about the old Hakka village where she lives. Even the simplicity is full of surprises, or fishing by the lake, or meeting the landlady's wife enjoying the shade under the tree. Ordinary daily under Lihua's pen with the leisurely atmosphere is like those important things that are invisible to the naked eye. Looking at Lihua's paintings, nature and people have reached a perfect balance, and it seems that you can feel the cool breeze blown by the landlady.

 

In Zhang Lihua's paintings, many of them record figures, but almost all of them are indistinct shape, occasionally with clearer appearances, but they are also extremely ethereal. When asked about her intention to avoid portraiture, she believes that in her works, "objects, scenes, and people" are all a unified whole, a result of natural choices that merge real and perceived feelings. The blurry form is to avoid giving the viewer a solid definition. German film director Wenders once said, "unlike thinking, human watching does not include their opinions on things. Watching is a non-opinionated behavior. In watching, people can find that non-opinionated attitude towards others, objects, and the world." Through the artist's "watching," viewers can find their own state of mind.

  

Sen no Rikyu used his life experiences to practice his ideal of beauty, eventually condensing aesthetics in this Ichi-jō han space. Just like an artist who has undergone contemplation, simplification, and returned to the essence, leaving behind only what is truly worth keeping.



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GREAT ART SPACE 致力于发掘和扶持有潜质的艺术家,提供国际艺术交流平台,培养大众的艺术赏能力,让艺术走进我们的生活。通过展览、艺术活动和与其他艺术机构的合作,画廊以与艺术家的密切合作为我们的观众创造一种新的生活方式而自豪。GREAT ART SPACE 洛杉矶空间坐落于比佛利山庄的金三角,是比佛利山庄的第一家 NFT 画廊,致力于展览策划收藏来自于世界各地的当代艺术,并持续鼓励发展国际艺术交流的精神。


GREAT ART SPACE aims to discover and support emerging artists, provide a platform for international art exchange, to cultivate the ability of art appreciation of the audience, and create a new lifestyle with art experience. Through exhibitions, art activities and collaboration with other art institutes, the gallery prides itself on closely collaborating with its artists to create a new lifestyle to our audiences. Now nestled in the Golden Triangle of Beverly Hills, GREAT ART SPACE is the first NFT gallery in Beverly Hills, while staying true to the spirit of curating a collection of Contemporary Artists from all over the world and encouraging international art exchange.




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深圳市福田区深南大道1003号1楼
No.1003 Shennan Ave, Futian, Shenzhen138 2333 5003, 免费参观 Free entry
开放时间 Opening Time周二至周日 Tue-Sun 10:00-19:00


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