石佳韵
对窗
Shi Jiayun
Frames without Rims
展览时间：2019年11月2日至2019年12月21日
开幕时间：2019年11月2日，星期六，下午6至8时
Duration: November 2–December 21, 2019
Opening: Saturday, November 2, 6–8 PM
绿色 #7 ，2019
布面油画
60.9 x 76.2 公分 (24 x 30 英寸)
Green #7, 2019
Oil on canvas
60.9 x 76.2 cm (24 x 30 in)
关于展览
About the Exhibition
Gallery Vacancy将于2019年11月2日呈现石佳韵在上海的首次个展“对窗”，于画廊二、三楼空间展出，展览将持续至12月21日。本次展览由14件绘画作品组成，呈现艺术家以图像作为引言，进而探究其与绘画内部的结构关系以及观看方式。石佳韵擅长运用抽象的构图和细腻的笔触，转译并松绑图像在叙事指示功能的现实任务，进而在光晕的变化之间，标注现实事物倚赖图像再现中的分歧与多义性。
“对窗”意在描述相对位置的状态，并藉由主观意识完成眺望与想像。石佳韵的绘画途径正是对这种转译关系的一种隐喻，是艺术家捕捉客观世界的私有化过程，将具体图像的视觉与结构，以颜色、线条、光影将图与像在示意的功能与任务分别提取后并分配叠加于二维平面上再次呈现出来。绘画作为窗口，联系并置换了客观真实（reality）与所见真实（representation）之间的距离，透过图像（image）与意象（imagery）之间，所见非所得的辩证关系，将终归于纯粹绘画的语言，以极为私密的方式重新示现于静观不得言说的观看经验之中。
在石佳韵的绘画中，微妙的色差与光影的递进，将感性的观看经验投射至对望的画布平面上，同时强化了画面本身潜伏的一种基础的秩序感。作品《光带#3》（2018）中，底层横向的浅蓝色条纹与表层纵向的米色条纹垂直相交，简洁的形式逐渐向两端消失，却又同时提示了一个无垠却经反覆确认的无名空间，灵巧地建立起一种静谧的空间感。作品《绿色#7》（2019）由绿色的背景及黑色和米色的形状构成，构图简洁笃定，没有一丝多余的元素。绿色背景中细腻的笔触和纹理所产生的物理质感，传递出一种视觉的触感，画面的空间感由下方米色形状构成的透视加强，原先对空间感产生破坏的黑色形状，却意外地在整体的绘画结构和色彩中找到了平衡。
黑色 #1，2018
布面油画
76.2 x 60.9 公分 (30 x 24 英寸)
Black #1, 2018
Oil on canvas
76.2 x 60.9 cm (30 x 24 in)
Gallery Vacancy is pleased to present Frames without Rims, Shi Jiayun’s first solo exhibition in Shanghai. It will be held on the second and third floors of the gallery, from November 2nd to December 21th, 2019. The exhibition consists of 14 paintings, in which the artist uses image as a thread to explore its structural relationship within the paintings and viewing patterns. Shi is skilled in using abstract composition and exquisite brushstrokes to translate as well as loosen the realistic missions of the imagery’s narrative indications. Shifting through vignetting, she marks the differences and ambiguities embedded in the image reproduction of real-life objects.
Frames without Rims intends to describe the state of relative positions and to complete the association and imagination through subjective consciousness. Consequently, Shi’s methodology becomes a metaphor for the translation process, as well as the individualized approach of the artist capturing the objective world. Translating concrete visuals and structures, Shi utilizes colors, lines, lights, and shadows to extract the functional and task based instructions of image and imagery, and to overlay the 2-dimensional surface as a medium of re-representation. Painting is therefore elevated as the window to connect and to exchange the distance between objective reality and representation, which penetrates through the dialectical relationship of the grand delusion between image and imagery, and ultimately vested in the pure language of painting that reemerge in personal viewing experience.In Shi's artworks, the subtle chromatic aberration and the progression of light and shadow cast the perceptual viewing experience onto the canvas, while underlying the basic sense of order that lurks beneath. In Light Strips #3 (2018), the horizontal light blue stripes on the bottom layer intersect perpendicularly with the longitudinal beige stripes on the surface, gradually disappearing towards the two ends. The formality appears to be simple but deftly establishes a tranquil sense of space by revealing an unnamed but repetitively confirmed universe. Green #7 (2019) consists of a green background alongside black and beige shapes. The composition is laconic and assured, without any redundant elements. The physical texture composed by the delicate brushstrokes and grains from the green background conveys a visual touch. Generated by the beige shape below, the extensity of the image is emphasized through perception, unexpectedly balancing the overall schema and palette of the painting that was spatially broken by the black from previously.
绿色 #5 ，2019
布面油画，铅笔
30.48 x 25.4 公分 (12 x 10 英寸)
Green #5, 2019
Oil and pencil on canvas
30.48 x 25.4 cm (12 x 10 in)
关于艺术家
About the Artist
石佳韵 1992年出生于中国重庆。2014年获得四川美术学院油画系学士学位；2019年获得纽约视觉艺术学院硕士学位。现工作生活于纽约。石佳韵的作品建立在一种不确定性之上，她的主题可以是图像、物体、亦或是出于其自身的单纯想象，以一种冷静克制且内省的方式描绘超越其实际经验之上的感受。作品曾于上海Gallery Vacancy、上海没顶画廊、及纽约The BogArt Open Studio展出。Shi Jiayun was born in Chongqing, China in 1992. She received BFA from Sichuan Fine Arts Institute and MFA from School of Visual Arts, New York. She now lives and works in New York. Regardless of the uncertainty of her subject as an image, an object, or pure imagination, Shi Jiayun composes in a restraint and introverted way that is in relation of forms beyond her immediate experiences. Her works have been exhibited at Gallery Vacancy, Madeln Gallery, J: Gallery, G1 Gallery and The BogArt Open Studio in New York.
V A C A N C Y
周二–周六
Tuesday to Saturday | 10:00–18:00
200040上海市静安区乌鲁木齐中路19弄2号
No. 2, Ln. 19, M. Wulumuqi Rd., Shanghai 200040
+86-(0)21-62411239
info@galleryvacancy.com
www.galleryvacancy.com