活动预告｜历史的物证与记忆

1991年开始，斯洛文尼亚各地建起了不下二百座的纪念碑，旨在为二战历史中的争议人物平反或重下结论。正如“记忆”一词的基本含义所提示的，记忆与历史有关，但记忆不是作为过去事实的历史，也不是作为知识的历史。记忆乃“立足于当下的对那些过去经历的重构”（杰弗里·丘比特）。

Since 1991, more than two hundred monuments have been erected throughout Slovenia with an aim of vindicating or reclassifying controversial figures in the history of the Second World War. As the basic meaning of the word "memory" suggests, memory is related to history, but it is not history as a fact of the past, nor is it history as knowledge. Memory is "a reconstruction of those experiences from a present standpoint (Geoffrey Cubitt)".

活动日程

Schedule

日期：2023年10月22日

Date: October 22, 2023

14:30-17:30

历史的物证与记忆

Material Evidence and Memory of History

主讲人：奥托·卢塔尔，李志毓

Speakers: Oto Luthar, Li Zhiyu

主持人：姜伊威

Moderator: Jiang Yiwei

  

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语言：英文，中文（现场将配有翻译）

Languages: English, Chinese

(Interpreter will be on site)

北京中间美术馆与北京斯洛文尼亚大使馆共同举办的第五期“北京对话”，将邀请奥托·卢塔尔（Oto Luthar）与李志毓两位历史学家共同讨论记忆的问题。

通过对斯洛文尼亚近三十年来修正史学的研究，奥托·卢塔尔充分展示了体制化的历史学如何根据政治需要来塑造历史记忆，以及这一过程如何对历史记忆的多元化造成伤害。卢塔尔还提示我们，对历史记忆的修正，常常是以“和解”为旗号而进行。

记忆理论的兴起迫使历史学家重思立场问题：历史学家既要思考自身的立场，也要正视族群间和代际间的不同立场。此外，公共记忆与私人记忆间的矛盾也必须得到正视，这是20世纪历史留给我们的最大难题之一。

20世纪留下了海量的物质资料，这在很大程度上是由技术决定的，尤其是通信技术、照相技术和传媒技术的发展。从国家到地方政府到家庭，都沉淀下了大量的历史“物证”。与司法过程中的证据链有所不同，历史学与展览系统可以通过摆布物证的陈列和展示，按自身的意愿塑造历史话语；另一方面，对家庭和个人而言，物质的意义不在于事实证据，而是重要的情感纽带。卢塔尔与李志毓将围绕历史记忆中公共与个人、档案与物质、修正与反修正等问题，进行讨论。

最后，我们也希望通过两位学者的对话，思考如何克服教条主义与西方中心主义的局限性，寻找一种能够直面自身经验的历史叙事范式。当然，这是一个非常艰难的任务。

The fifth Beijing Conversations, co-organized by Beijing Inside-Out Art Museum and the Embassy of Slovenia in Beijing, will invite two historians, Oto Luthar and Li Zhiyu to discuss the issue of memory.

Oto Luthar shows how institutionalized historiography has shaped historical memory according to political needs, and how this process has been detrimental to the plurality of historical memories through his study of revisionist historiography in Slovenia over the last thirty years. Luthar also reminds us that the revision of historical memory is often carried out under the banner of "reconciliation".

The rise of memory theory has forced historians to rethink their positions: historians have to think about their own positions as well as confront intergroup and intergenerational differences. In addition, the tension between public and private memory, one of the greatest dilemmas left to us by the history of the 20th century, needs to be confronted.

The 20th century has left behind a vast amount of material, which is largely determined by technology, especially the development of communication, photographic and media technologies. From states to local governments to familes, a great deal of historical "physical evidence" has been deposited. Unlike the chain of evidence in the judicial process, historiography and the exhibition system can shape the historical discourse according to their own will by arranging the display and exhibition of material evidence; on the other hand, for families and individuals, the significance of the material does not lie in the factual evidence, but rather in the important emotional ties. Luthar and Li Zhiyu will discuss the issues of public and individuals, archive and materials, revision and counter-revision in historical memory.‍

Through the dialog between two scholars, we aim to reflect on how to overcome the limitations of dogmatism and Western-centrism, and to find a paradigm of historical narrative that can face up to our own experience, which is certainly a tough task.

嘉宾介绍

Speakers

奥托·卢塔尔（Oto Luthar）生于 1959年，是一位历史学家和大学教授。他是斯洛文尼亚科学与艺术学院研究中心（ZRC SAZU）的主任、首席副研究员和教授。

卢塔尔博士的研究重点是历史和历史学、历史哲学、现代思想实践史、历史修正主义、现代思想史和大战文化史。2011 年， 卢塔尔博士被授予奥地利十字荣誉勋章，以表彰他为改善斯洛文尼亚科学与艺术学院研究中心与奥地利机构在历史、艺术史、人种学、斯拉夫学、音乐学和哲学领域的合作所做的努力。

卢塔尔博士是奥地利科学院文化研究和戏剧史研究所国际顾问委员会成员、伦敦大学金史密斯学院巴尔干研究中心外部顾问委员会成员、斯洛文尼亚共和国国际大屠杀纪念联盟（IHRA）常驻合作代表团成员及其学术工作组成员；以及斯洛文尼亚国家地理杂志编辑委员会成员。他最近出版的英文著作包括《斯洛文尼亚后社会主义纪念景观的公共卫生》《负罪的记忆重访：斯洛文尼亚后社会主义纪念景观在过渡中》《纪念碑，传媒化和记忆政治：斯洛文尼亚后社会主义纪念景观在变革中》《记忆的媒体》《记忆、修正、抵抗：恢复斯洛文尼亚与意大利边境的游击队纪念碑》《记忆的边疆：亚得里亚海与中欧视角》。

Oto Luthar (b. 1959) is a historian and university professor. He is the director, principal research associate and professor of Research Centre of the Slovenian Academy of Sciences and Arts.

In his research, Dr. Luthar focuses on issues of history and historiography, philosophy of history, history of modern intellectual practices, historical revisionism, modern history of ideas and cultural history of the Great War. In 2011, Dr. Luthar was awarded the Austrian Cross of Honour, a recognition of his endeavors for improvement of collaboration between ZRC and Austrian institutions in the fields of history, history of art, ethnology, Slavistics, musicology and philosophy.

Dr. Luthar is a member of the International Advisory Board of the Institute for Culture Studies and Theatre History of the Austrian Academy of Sciences, External Advisory Board of the Centre for the Study of the Balkans, Goldsmiths, University of London, and the permanent delegation of the Republic of Slovenia for cooperation in the International Holocaust Remembrance Alliance (IHRA), member of its academic work group; and member of the National Geographic Slovenia Editorial board. His recent publications in English language include LUTHAR, Oto. The Sanitation of Slovenian Post-socialist Memorial Landscape in: LUTHAR, Oto (ur.), UHL, Heidemarie (ed.). The Memory of Guilt Revisited: the Slovenian Post-Socialist Remembrance Landscape in Transition. Göttingen: V & R unipress from 2019, Monuments, Mediatisation and Memory Politics: the Slovenian Post-socialist Memorial Landscape in Transit in: PUŠNIK, Maruša (ed.), LUTHAR, Oto (ur.). The media of memory. Paderborn: F. Schöningh, an imprint of the Brill-Group, cop., pp. 25-42. Balkan studies library, vol. 29 from 2020, and Memory, Revision, Resistance: Reviving the Partisan Monuments along the Slovenian-Italian Border in: KLABJAN, Borut (ed.). Borderlands of memory: Adriatic and Central European perspectives. Oxford [etc.]: P. Lang, pp. 235-251, zvd. Cultural memories, vol. 11. from 2019.

李志毓，中国社会科学院近代史研究所副研究员，研究领域为民国政治史及与中国革命相关的思想、文化史。著有《惊弦：汪精卫的政治生涯》、《中国革命中的小资产阶级》等论著。

Li Zhiyu is Associate Researcher at the Institute of Modern History of Chinese Academy of Social Sciences. Her research interests include political history in the Republican Era (1912-1949), ideologies and cultural histories on Chinese revolutions. Her publications include Disturb of Strings: Political Career of Wang Jingwei, Petty Bourgeoisie in Chinese Revolutions etc.

主持人介绍

Moderator

姜伊威，历史学博士，艺术媒体人。他的博士论文以近代中国纺织业的工业化过程为轴，讨论了近代中国“企业家精神”在政治史、革命史、思想史、经济制度变迁中的兴衰。自2014年起从事当代艺术评论、报道、译介等工作，文章发表于《二十一世纪》《艺术新闻中文版》《信睿周报》《Artsy》等刊物或网络平台。

Dr. Jiang Yiwei is a doctor of history and an art media practitioner. His doctoral dissertation discusses the rise and fall of "entrepreneurship" in modern China in the process of industrialization of the textile industry in the context of political, revolutionary, ideological, and economic changes. He has been engaged in contemporary art criticism, reporting, and translation since 2014, and his articles have been published in Twenty-First Century, The Art Newspaper China, The Thinker Weekly, Artsy, and other publications or online platforms.

北京对话

Beijing Conversations

自2022年12月开始，北京中间美术馆与斯洛文尼亚驻中国大使馆合作，策划组织一系列中斯两国艺术家、理论家、哲学家、历史学家、建筑师、美术馆馆长的对话活动。迄今已经组织了三期对话，其中两期在线上，一期在线下。这一系列“学术会面”的总的标题是“北京对话”，每次从中国和斯洛文尼亚各自邀请一位嘉宾，主要是请每位嘉宾从具体的文化社会语境出发，展现各自在学术和艺术生涯中深耕的议题与发现，以此展开一对一的深度对话。

Beijing Inside-Out Art Museum is honored to be partnering with the Embassy of the Republic of Slovenia in Beijing in organizing the “Beijing Conversations” series. Starting on December 9, 2022, we will invite 20 distinguished theorists, philosophers, artists, architects, curators, museum directors and historians from Slovenia and China to share their recent academic or artistic practices and engage in one-on-one in-depth conversations. Each invited speaker will present the issues and discoveries they have made in their respective academic or artistic careers from specific cultural and social contexts and will connect and debate through ideas and art during these dialogues. 

文字：姜伊威 翻译：刘欣玥 / 翁裕奇 / 朱雅楠

设计：屈莹 排版：朱雅楠

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Beijing Inside-Out Art Museum

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Meaning

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