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雨果·德维切尔最新创作及近期美术馆展览 | ARTIST NEWS - HUGO DEVERCHÈRE

杜梦堂 杜梦堂DUMONTEIL
2024-08-31
 


雨果·德维切尔 Hugo Deverchère | la Isla de las Siete CiudadesMagnetite #02 展览现场 Intsallation View | Viva Villa - Les vies Minuscules, Collection Lambert, Avignon, France, 2020 | Image ©Hugo Deverchère

杜梦堂很高兴与您分享艺术家雨果·德维切尔近期参与的美术馆展览项目,包括:


· Viva Villa! - Les Vies Minuscules, Lambert Collection,阿维尼翁,法国

· 梦想宇宙(Rêver l’univers),邮政博物馆(Musée de la Poste),巴黎,法国

· 摇晃基质(Bercer la Matrice),La Traverse当代美术馆,阿尔福威尔,法国


Lambert Collection以及La Traverse当代美术馆的群展中,艺术家展出了在Casa de Velazquez学院(法兰西学院位于西班牙马德里的高等学院)艺术家驻留项目中完成的最新系列 la Isla de las Siete Ciudades (七城之岛) 。


Galerie Dumonteil would like to share with you Hugo Deverchère's most recent participation in the following institutional group exhibitions, including:


· Viva Villa! - Les Vies Minuscules, Collection Lambert, Avignon, France; 

· Rêver l’univers, Musée de la Poste, Paris, France;

· Bercer la Matrice, CAC La Traverse, Alfortville, France.


It is noteworthy that the artist's most recent creations regarding la Isla de las Siete Ciudades (The Island of Seven Cities), featured in the group shows at Collection Lambert and CAC La Traverse, are conceived during his residency at Casa de Velazquez - Académie de la France in Madrid, Spain. 




01



Viva Villa! - Les Vies Minuscules
群展 Group show策展人 Curated by Cécile DebrayCollection Lambert, Avignon, France2020.10.24 - 2021.01.10展期已延长 | Duration Extended


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la Isla de las Siete Ciudades - Magnetite #02

七城之岛 - 磁石 02


2020

187 cyanotype prints mounted on Dibond

蓝晒印相法,裱于Dibond®铝板,共187张

340 x 520 cm


©Hugo Deverchère

陌生的世界实则源于我们自己的世界,它既不真实也不虚假,Deverchere作品中的景观就在向我们讲述着他们的故事。

Strange worlds are drawn from our own, they are neither real nor fake, and Deverchere's landscapes tell us these stories. 

七城之岛(La Isla de las Siete Ciudades)探索了伊比利亚生物群落,这些生物群落可能是神话中七城之岛故事的起源,而这七座岛屿组成的幽灵群岛的确切位置则一直具有争议——15和16世纪的航海家在地图上标注幽灵群岛的位置天差地别。 在作品中,一块磁铁矿的样品被剧烈炸开,展现出其内部铁泡的同时,在蓝晒的作用下显示出马赛克式的纹理,将光具象成了宝石般的蓝。在地球上罕见的物质状态——等离子体的辐射下,它从磁铁矿转化成了一块陨石:我们自己的世界也因此被“虚化”了,借此契机我们得以重新了解它的全部。

La Isla de las Siete Ciudades explores the lberian biotopes that might have been at the origin of the story of the mythical Seven Cities of Gold, ghost islands whose precise location varies considerably across 15th and 16th century maps. Here, enormously blown up in a way that reveals its internal iron bubbles, a sample of magnetite spreads out as a mosaic of cyanotypes, with its royal blue materializing light.  Radiating with plasma, a rare state of matter on Earth, it is transmuted into a meteorite: our own world, "derealized" to let us behold it anew, in its entirety.



︎ Aurélie Cavanna,摘自2020年Artpress双年展目录,MAMC+ Saint-Étienne,法国
︎ Aurélie Cavanna, extract from the Catalog of the 2020 Artpress Biennale, MAMC+ Saint-Étienne, France



02




Rêver l’univers
(梦想宇宙 Dreaming the Universe)

群展 Group Show
策展人 Curated by Céline Neveux

 Musée de la Poste, Paris, France

2020.09.01 - 2021.02.08




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Video ©Musée de la Poste and the artists, edited by Olivia Xie
《万象》艺术家导览 | Cosmorama Introduction by the Artist



Cosmorama 万象

2017
4K Video, 5.1 sound
21 min
Produced by Le Fresnoy - Studio national des arts contemporains, 
with the supportof Neuflize OBC
© Hugo Deverchère

《万象》通过揭示我们无从感知的光谱范畴,将探索我们周遭的环境构想成遥远而未知的太空之旅。该影像就人们对认知与存在的普遍理解提出质疑,并尝试将未知、不确定性和奇特等概念重新引入我们与世界的关系中。


这部影像的拍摄地点是一个位于熔岩沙漠中的天文台附近,美国国家航天局曾在此测试过火星漫游者。同时,影像还记录了一座原始森林的景观,让我们得以对5000万年前的地球状况有一个大概的印象。影像的摄制借助了近红外成像技术,而这种技术通常被天文学家们用于观测宇宙的深处。作品还将无线电望远镜的数据转换成了音频,使得我们能够“听见”遥远恒星和浩瀚银河所发出的光脉动。《万象》颠覆了人们普遍认同的时空的尺度,在观众感到迷失的同时,一种集体的,敏感的体验成为了可能。


Cosmorama observes the world as it does not appear. Conceived like a journey from our close environment to the distant and unknown horizons of the cosmos, it reveals an imperceptible stratum of the light spectrum. The film questions our common perceptions and representations, it reintroduces notions such as the unknown, the uncertainty, and oddity in our relationship with the world.


Shot in the surroundings of an observatory (in a lava desert where the NASA tested Martian rovers) and in a primitive forest which gives us an overview of the state of the world 50M years ago, the film uses a near-infrared imagery process with which astronomers usually observe the deep reaches of the universe. It also makes audible the light pulsations emitted by distant stars and galaxies by transposing radio-telescope data into sound. By disrupting our usual spatiotemporal markers, Cosmorama allows the emergence of a sensitive and collective experience of pure perception. 




03




Bercer la Matrice(摇晃基质 Rock the Matrix)

群展 Group Show 策展人 Curated by Bettie NinCAC La Traverse, Alfortville, France即将展出 | Upcoming


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FEATURED ARTWORKS



 “七城之岛”系列作品 - 细节图 

La Isla de las Siete Ciudades series - Details

(制作中的作品 | In Production)

Image ©laurentlafolieatelier


滑动查看更多图片 | SWIPE LEFT FOR MORE



展览将土壤视为多面的生态系统;地质研究的对象;易碎的、纤维性的或粘性的肥沃物质;时间流逝的见证或最多样化物质的贮所......。


雨果·德维切尔此次参展的作品灵感来自于具有独特地质风貌的地区,在他的装置作品 "La Isla de las Siete Ciudades"中,我们发现了矿物学实验室般的氛围和无限的细节。他的图像由最先进的设备捕捉,将"肉眼不可见 "的世界带到了我们的视觉和意识范围内,并提醒我们,即使我们的肉眼看不见,它们对我们来说仍然是存在的,脆弱的。


The exhibition views these soils as multi-faceted ecosystems; objects of geological research; friable, fibrous, or sticky fertile matter; witnesses of passage of time, or storage areas for the most diverse substances...


Hugo Deverchère borrows from scientific research its particular aesthetics. Inspired by territories with fascinating geologies, we find in his installation "La Isla de las Siete Ciudades" the atmosphere of the mineralogy laboratories with infinite details. His images, captured by ultra-innovative devices, bring the so-called "invisible" worlds within reach of the eye and the consciousness and remind us that even if they are not visible to our naked eyes, they are still present and vulnerable.




关于艺术家

ABOUT THE ARTIST


© Diane Arques / ADAGP, Paris, 2018


雨果·德维切尔 (Hugo Deverchère) 1988年出生于法国里昂,从国立高等装饰艺术学院毕业后,他于2016年-2018年进入位于图尔宽的法国国立当代艺术中心(Le Fresnoy - National Studio for Contemporary Arts)进修,以“研究院杰出贡献”称号荣誉毕业。德维切尔的作品曾在巴黎东京宫,法国当代艺术基金会(敦刻尔克),上海明珠美术馆,鹿特丹国际电影节,哥本哈根国际纪录片节(CPH:DOX),奥地利林茨电子艺术中心(Ars Electronica)以及蒙特利尔的新电影艺术节等机构展出。

 

在近乎科学逻辑的引导下,雨果·德维切尔的作品试图通过提供一系列形同踪迹的经历来质疑和重新评估我们与世界的联系。从故事到收集的数据,再到图像拍摄、搜集或创造,他的研究涉及多种方法,如建模、转置或转换等。

 

这些形状作为现实与其表现之间的棱镜而被制作出来。他们目睹了我们对世界的看法和我们所掌握的知识之间的差距。通过质疑想象力和集体记忆对我们感知现实的作用,艺术家想要强调现象和事件拥有不确定的、令人质疑的无形属性。


Born in 1988 in Lyon, France, Hugo Deverchère graduated from ENSAD Paris (École Nationale Supérieure des Arts Décoratifs) and from Le Fresnoy - National Studio for Contemporary Arts. His work has recently been exhibited and screened in Palais de Tokyo (Paris FR), FRAC Grand Large (Dunkirk), Pearl Art Museum (Shanghai), the International Film Festival Rotterdam, CPH:DOX (Copenhagen), Ars Electronica (Linz)  and the Festival du nouveau cinéma (Montreal).


Driven by an almost scientific approach, Hugo Deverchere’s work attempts to set up a body of experiences that are just as many ways to question and evaluate our relationship with the world. Whether based on stories, collected data, captured or simply found images, his research often involves processes such as modelization, conversion, and transposition.


The resulting forms act as a prism between reality and its representations, revealing the interval which separates our perception of the world and the knowledge and awareness we have of it. By questioning the role of imagination and collective memory in our approach to reality, the artist wishes to highlight phenomena and events which by their very nature are intangible and therefore remain subject to doubt and uncertainty. 


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READ MORE


「聚焦」:雨果·德维切尔 | 我所看到的只是这个世界微不足道的一部分


杜梦堂艺术家雨果·德维切尔近期美术馆展览 | News About HUGO DEVERCHÈRE


艺术家访谈 INTERVIEW | 雨果·德维切尔 Hugo Deverchère - 万象 Cosmorama



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