【展讯】2022无界艺术展｜厦门
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2022无界艺术展
开幕周活动
16:00
· 嘉宾分享 ·
王拓、张艺川
3月12日-13日全天 · 春日柒淘市集 ·· 无界影像放映 ·
· 无界书展 ·· 作品售卖 ·
前言
2022“三影堂无界艺术展”，28组艺术家作品从近200位艺术家的投稿中脱颖而出，共同呈现本次三影堂厦门摄影艺术中心的重要群展项目。秉持开放多元和鼓励新锐的理念，在遴选中，我们从作品的艺术性、思考力和完成度层面综合考量，在坚持学术标准的前提下，力图呈现一个不设边界，并不断激发对话和创造力的展览现场。
面对庞杂的现实世界，本次艺术家利用摄影、视频、装置和绘画等各自擅长的媒介，对诸多当代艺术的母题进行探索。其中，立足于人类与自然的复杂关系，刘曜植、于宇的作品共同关注干涸的水体如何揭露了人类的短视，探讨人类与自然之间征服与依附的矛盾关系。在李雪蒙的作品中，自然成为一个投射自我的场域，探求寻找自我的意义。而孔论华的作品则描绘了更为纯粹的自然风物，让手中的闪光灯与落日余晖交相辉映。黄家豪借用显微镜审视自然之物，用摄影技术延伸视觉感官。 向羿旻使用版画这一媒介，再现面对自然时的冥想。
着眼于客观现实与心理境况，于皓丞关注在潜意识层面的自然，用沉浸的视听空间呈现想象世界中的自然符号。唐春红、荆浩南则看向了人类语言的无意识层面，用碎片化的抽象影像构筑现实世界。尹航的作品通过对情景或事件的提纯，来探讨并重塑图像过剩状态下图像世界景观的可能性。
在个人境况的体察层面，胡天源、蔻迪、陈清扬的作品使用摄影为媒介，从私人化的视角出发探讨了女性主义、心理状态与现实境况的关系。穆天语、李若晨通过一系列的行为艺术和装置，思考自身的存在，个体与群体矛盾。而李宛怡、杨晋闽则用绘画和拼贴的形式向自身深处探寻，关照自我的内心世界。
面对资本全球化的浪潮，朱思璇、陈珍福关注全球物流体系和依附其上的资本流动，反思资本的实质与人的异化，探讨资本霸权与个人的反抗。谢京成和游伯嘉的互动装置作品，聚焦人与机器的关系，思考人与机器的情感连接。邱怡然、孙浩源、刘默霏的作品讨论了大众媒体与舆论环境，并抛出这些思考：在后真相的时代背景下，不自由是以何种方式被体验为自由？现实与欲望，个人与公共的边界究竟在哪里？图像如何构成扭曲现实的透镜？
故乡与家庭也是众多创作者的主题，严佳林、唐则宇、庄喆的作品关注来自家庭的记忆，亲密与疏离、遗忘与铭记于照片中凝结。张心榆、马乐义，看向了逐渐陌生的故乡，用照片将故乡放在了精神连结与时代变迁的交汇点上。在这里，摄影回归其最本质的功能：留住时光。
作为三影堂厦门自2018年启动的展览征集项目，“无界”与70余位艺术家进行了深入的展览合作。“无界”项目力图发掘优秀的视觉艺术创作者，为其提供专业的展示平台，鼓励他们更丰富的艺术创作实践与交流。借此，本次展览也特别设置了艺术书展和放映的环节，通过更多媒介展示历年来参与“无界”项目的艺术家作品。
入围艺术家揭晓
入围艺术家（按姓氏拼音首字母排名）陈清扬、陈珍福、胡天源 、黄家豪 、荆浩南、孔论华、蔻迪、李若晨 、李宛怡、李雪蒙、刘默霏 、刘曜植、马乐义、穆天语、邱怡然、孙浩源 、唐春红 、唐则宇、向羿旻、谢京成&游伯嘉 、严佳林 、杨晋闽、尹航 、于皓丞 、于宇、张心榆、朱思璇、庄喆
陈清扬 Chen Qingyang
陈珍福 Chen Zhenfu
胡天源 Hu Tianyuan
选自《无效基因》系列
Amorph series
黄家豪 Huang Jiahao
选自《感知物》系列
Perception series
孔论华 Lunhua.Kong
选自《蜂蜜，丁香，以及这曲肖邦》系列
Honey, Lilac, this Chopin series
李若晨 Li Ruochen
《摇摇》
On the Ropes
《消化印象》
Digestive Impression
The Wall: Journal of Times
选自“ There it is, take it! ”系列
There it is, take it! series
选自《潍水北上》系列
Weishui River northward series
《隔离》截图
Isolation screenshot
选自《耳边的轰鸣》系列
The roar in my ears series
选自《風》系列
Kaze series
选自《家庭相册》系列
Family Album series
选自《无题》系列
Untitled series
“ I.F.L.Y ”
I.F.L.Y
选自《暗涌》系列
Undercurrent series
选自《和解》系列
Reconciliation series
《无限梦境》截图
Inf-Dream World screenshot
选自《荒川集》系列
Gila River series
2022 UNBOUNDED GROUP EXHIBITION
Organizer｜Three Shadows Xiamen Photography Art Centre
Duration｜Mar 12, 2022 – Apr 10, 2022Opening Week｜Mar 12 - 13, 2022
Venue｜No. 301, Building 2, Xinglinwan Business Center, Jimei District, Xiamen
Preface
For 2022 Three Shadows Unbounded Group Exhibition, 28 groups of artists' works were selected from nearly 200 artists' submissions to present this important annual group exhibition project of Three Shadows Xiamen Photography Art Centre. With the concept of openness, diversity and encouragement of new talent, the selection process is based on a combination of completion, reflection, and aesthetics, and on the premise of adhering to academic standards, in an attempt to present an exhibition site that does not set boundaries, and constantly stimulates dialogue and creativity.
In the face of the complex reality of the world, the artists in this exhibition use their respective media of photography, video, installation and painting to explore many key themes of contemporary art. Among them, based on the intricate relationship between human and nature, Liu Yaozhi's and Yu Yu's works focus on how dried up water source expose the short-sightedness of humans and explore the contradictory relationship between human and nature in terms of conquest and dependence. In Li Xuemeng's work, nature becomes a field for projecting the self and exploring the meaning for it. Lunhua.Kong's work, on the other hand, depicts a more purely natural landscape, allowing the flash in her hands to interplay with the sunset. Huang Jiahao uses a microscope to observe natural objects, using photographic techniques to extend the visual senses. Xiang Yimin uses the medium of print to recreate his meditation when facing nature.
With a view to human consciousness and reality, Hatcher Yu focuses on nature at a subconscious level, using immersive audio-visual space to present the symbols of nature in the imaginary world. Tang Chunhong and Jing Haonan look at the unconscious dimension of human language, using fragmented abstract images to construct the real world. Through the purification of situations or events, Yin Hang's works use images as material to explore and reshape the possibilities of the image world landscape in a state of image overload.
On the level of personal situation, Hu Tianyuan, Codie Yan and Chen Qingyang use the medium of photography to explore the relationship between feminism, psychological states and social situations from a personal perspective. Through a series of installations and performances, Mu Tianyu and Li Ruochen contemplate their own existence and the contradictions between the individual and the collective. Li Wanyi and Yang Jinmin, on the other hand, use painting and collage to explore the depths of their own selves and look into their inner world.
In the face of the globalisation of capital, Zhu Sixuan and Chen Zhenfu focus on the global logistics system and the flow of capital attached to it, reflecting on the core essence of capital and the alienation of human beings, and exploring the hegemony of capital and the resistance of individuals. Xie Jingcheng and You Bojia's interactive installation reflects on the relationship between human and machine, and considers the emotional connection between them. The discussion of mass media and the public opinion environment unfolds in the works of Qiu Yiran, Sun Haoyuan and Mona Leau: In what way is unfreedom experienced as freedom in a post-truth context? Where is the boundary between reality and desire, between the personal and the public? How do images form the lens through which reality is distorted? Their works attempt to raise these questions.
Hometowns and families are also the subject of many of the artists' works. Yan Jialin, Tang Zeyu and Zhuang Zhe focus on memories from families. Intimacy and estrangement, forgetting and remembering, are condensed in photographs. Zhang Xinyu and Ma Leyi look at their hometowns, which are gradually becoming unfamiliar to them, and use their photographs to place their hometown at the intersection of spiritual connection and the changes of the era. Here, photography returns to its most essential function: to preserve time.
The Unbounded Exhibition Project is launched by Three Shadows Xiamen in 2018. It has so far collaborated with more than 70 artists for in-depth exhibitions. The Unbounded Project seeks to discover outstanding visual art creators, provide them with a professional platform to showcase their work, and encourage them to enrich their artistic practice. The 2022 Three Shadows Unbounded Group Exhibition also features an art book exhibition and screenings, showcasing the work of artists who have participated in the Unbounded Exhibition Project over the years through a wider range of media.
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