HOW 新展预告 | 丹尼尔·阿尔轩个展“现在在现”
丹尼尔·阿尔轩：现在在现
展期：2019年6月29日- 2019年10月24日
主办：昊美术馆
地址：昊美术馆（上海）一楼1/2/3/4展厅（上海市浦东新区祖冲之路2277弄1号）
Please scroll down for English version.
昊美术馆（上海）很荣幸地宣布将于2019年6月29日举办美国知名艺术家丹尼尔·阿尔轩在中国的首次个展“现在在现”。
“欢迎来到未来”，展览现场图
迈阿密罗卡斯特项目空间(美国)，2014
致谢艺术家与贝浩登画廊
"WELCOME TO THE FUTURE", Exhibition View
Locust Projects Miami (USA), 2014
Courtesy the artist and Perrotin
现居纽约的艺术家丹尼尔·阿尔轩的美学围绕其关于“虚构考古”的概念而展开。通过在雕塑、建筑、电影等领域的工作，他创造并诠释了空间和情境中的暧昧区域，并进一步提出作为未来遗物的当下这一概念。在其标志性的作品中，他将二十世纪及千禧年的物品进行石化处理，指涉今天随着技术发展而空前加速的去物质化的数码世界。现在、未来和过去在他介于浪漫主义与波谱艺术的的视野中，充满困惑但极具趣味性地发生诗意的碰撞。与此同时，阿尔轩也在其作品中实践跨越文化、超越时间的符号与形态。
《未来发掘现场》，作品细节图2019
致谢艺术家与贝浩登画廊
Future Excavation Site, details, 2019
Courtesy the artist and Perrotin
《未来已写就》，作品细节图2015
致谢艺术家与贝浩登画廊
The Future Was Written, details, 2015
Courtesy the artist and Perrotin
展览 “现在在现” 是丹尼尔·阿尔轩为昊美术馆上海空间而特别构思。展览将呈现艺术家的代表作及最近作品，延续其对建筑和人体关系的探索，同时讨论历史与时间的非线性叙事可能。昊美术馆的空间将被转换为一个模糊了当下与未来、现实与想象边界的此在，邀请观众进入这个永恒不变却不断进行着观念与形式转换的情境之中。
《开凿之墙》，2016
墙体、石膏、颜料
致谢艺术家与贝浩登画廊
Excavated Walls, 2016
Drywall, plaster, paint
Courtesy the artist and Perrotin
关于艺术家
丹尼尔·阿尔轩成长于迈阿密，曾就读于纽约库伯联盟学院，并于2003年获得格尔曼奖学金。结构实验、历史质询与反讽，都与阿尔轩正在进行的对现实和想象的质疑相结合。从职业生涯早期开始，他就对合作充满的兴趣。在2004年，传奇编舞家摩斯·肯宁汉邀请阿尔轩为他的作品“眼空间”做舞台设计，并与与罗伯特·威尔逊及与前肯宁汉舞蹈家乔纳·博卡尔持续合作。为进一步扩大空间操控和协作的可能性，阿尔轩于2007年与亚历克斯·慕斯多宁一起创立了建筑工作室Snarkitecture。阿尔轩的近期合作包括与著名音乐家、制作人法瑞尔·威廉姆斯合作，参与其首个火山灰键盘的创作。
阿尔轩的作品曾在纽约PS1、迈阿密当代艺术博物馆、希腊雅典双年展、纽约新美术馆、加利福尼亚奥克兰米尔斯学院美术馆，和法国尼姆艺术中心展出。第一本关于他的出版物由法国国家艺术中心出版，第二本则由贝浩登画廊于2012年出版。
化解方法
Daniel Arsham: Perpetual Present
Duration：2019/06/29 - 2019/10/24
Organizer: HOW Art Museum
Venue：Gallery 1/ 2/ 3/ 4, 1F, HOW Art Museum, No 1, Lane 2277, Zuchongzhi Road, Shanghai
HOW Art Museum (Shanghai) is very pleased to present the first solo exhibition in China by the renowned American artist Daniel Arsham. Perpetual Present will be on view from June 29th, 2019.
New York based artist Daniel Arsham’s aesthetic revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialization of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Arsham also experiments with the timelessness of certain symbols and gestures across cultures.
The exhibition Perpetual Present was specifically conceived for the space of HOW Art Museum Shanghai，presenting the most recent and representative works of Daniel Arsham. The artist will continue his exploration on the relationship of architecture and body; seeking to discuss the nonlinearity of time and history by blurring the boundaries between present and future, reality and fiction, inviting the viewers to permeate the state of the never-changing present embodied by the transformation of ideas and forms.
About The Artist
Raised in Miami, Daniel Arsham attended the Cooper Union in New York City where he received the Gelman Trust Fellowship Award in 2003. Structural experiment, historical inquiry, and satirical with all combine in Arsham’s ongoing interrogation of the real and the imagined. His interest in collaboration began early. In 2004 legendary choreographer Merce Cunningham asked Arsham to create the stage design for his work eyeSpace. Despite never being trained in stage design he has continued his practice, collaborating with Robert Wilson, as well as a sustained collaboration with Jonah Bokaer. To further expand the possibilities of spatial manipulation and collaboration, Arsham founded Snarkitecture in 2007 with partner Alex Mustonen to serve new and imaginative purposes. Arsham’s most recent collaboration with world renowned musician and producer Pharrell Williams involved the recreation in Volcanic Ash of Pharrell’s first keyboard.
Arsham’s work has been shown at PS1 in New York, The Museum of Contemporary Art in Miami, The Athens Bienniale in Athens, Greece, The New Museum In New York, Mills College Art Museum in Oakland, California and Carréd’Art de Nîmes, France among others. A first monograph of Arsham’s work was published by the French Centre National des arts plastiques and a second one was published by Galerie Perrotin in 2012.
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