五一特惠！专业编剧系列课程，赠送正版Final Draft 软件

五一假期报名特惠！

（详情请见下文）

附英文版课程介绍（于中文版之后）

We also have Course Introduction in English Version (after the Chinese version ) for foreign students.

近

年来，由于中国电影工业的飞速发展，整个行业对于专业编剧需求不断增加。但是如何掌握用电影镜头讲述故事的艺术呢？

好消息是：我们当前推出的这个为期8周、内容密集、以实操为主的编剧工作坊，涵盖了你的编剧道路开始时所需要知道的一切。你不需要出国，或者报考专业的院校，就可以学会如何编剧并写出一份及格的作品。

本工作坊由编剧兼制片人皮特•沃特斯（Peter Walters）先生执教。内容包括涉及剧本编写的方方面面：从酝酿概念到完成写作，签约和销售剧本，并且免费赠送国际通用的写作软件Final Draft并教会您使用。

无论你是新手编剧还是在项目间歇期的熟手编剧、涉及编剧工作的导演或是正在寻找剧本和创意的影视机构的策划人员，这个系列课程都能让各位对于传统的和创新的编剧方法有全面深入的了解。

以下是Peter老师为学员们录制的视频

五一期间报名第一期（4周）课程或第二期（4周）课程，优惠价仅¥3200/期。坐席有限，报名从速。

课程设置

05.11

下午

第一课 概览

讲故事的传统原则概览；如何找到一个故事概念；如何将故事策划成可以营销的产品；如何加强你的概念；影视戏剧故事的7个元素；15个最流行的故事类型；国际通用的剧本格式，并附送正版Final Draft国际通用剧本写作软件。

工作坊：如何使用Final Draft软件

作业：观看《阳光小美女》，写作一场戏

05.18

下午

第二课 编剧基础1

角色与结构的建立；4种类型的主人公；立即让你的角色与众不同的4种人物特征；了解当代电影的结构；幕、序列、场景；常用的剧情点；深度分析奥斯卡获奖影片《阳光小美女》。

工作坊：《阳光小美女》分析/作业本

作业：创建4个角色；观看《我不是药神》

05.25

下午

第三课 编剧基础2

创建角色；人物故事线；共鸣/敌人；为故事助力的9种角色原型；场景解剖；故事的循环属性；《我不是药神》深度分析。

工作坊：《我不是药神》分析/作业本

作业：在给出的列表中选择观看三部电影，并分析其结构和角色。

06.01

下午

第四课 写作剧本之前1

电影名称；Loglines和梗概；人物小传；书写一页纸和口头60秒提案的7个元素（使用《阳光小美女》和《我不是药神》举例）；剧本大纲写作基础。

工作坊：一页纸的项目提案

作业：写作你的一页纸书面提案，纸习60秒口头提案。

06.08

下午

第五课 写作剧本之前2

剧本项目提案文件的类型以及它们的作用；类型电影的节奏；分场故事构思；大纲写作高级技巧；故事的对称；用一个伟大的想法替换一个好的想法；情节上的缺陷和逻辑上的问题。

工作坊：向同班同学讲述自己的一页纸提案，小组一起写作大纲

作业：写作故事大纲，写作一个4页纸的剧本项目提案

06.15

下午

第六课 写作剧本1

剧本项目提案文件的类型以及它们的作用；类型电影的节奏；分场故事构思；大纲写作高级技巧；故事的对称；用一个伟大的想法替换一个好的想法；情节上的缺陷和逻辑上的问题。

工作坊：向同班同学讲述自己的一页纸提案，小组一起写作大纲

作业：写作故事大纲，写作一个4页纸的剧本项目提案。

06.22

下午

第七课 写作剧本2

用故事中的情感抓住你的读者（好奇/兴趣，迷恋/钦佩，紧张/释放，希望/恐惧，悬疑/吃惊，癫狂/宣泄）。

工作坊：剧本报告，修改意见

作业：写作第一幕

06.29

下午

第八课 写作剧本3

高级剧本写作辅导；接受和落实反馈意见；进入行业；销售你的剧本；剧本代理与经纪；制片人、社交、会议；任务、说明。

工作坊：剧本报告，给出修改意见

作业：写作你的剧本

导师介绍

Peter Walters(皮特)老师现居于北京和洛山机， 是中国电影行业里非常资深的编剧。他同时任教于北京电影学院，并且担任中美好莱坞电影协会北京分部的总监。

学生感言

（滑动启阅）

"Peter treats everyone's work as if it were the real business of film. His teaching method is based on practical experience as a professional screenwriter."

皮特老师用电影的行业标准要求每一位学生的作业。他的讲授是基于真正的专业经验。

"Peter has rich experience in screenwriting and story presentation. He understands what young creators need and will do whatever he can to make you learn."

皮特老师在剧本创作和故事呈现上有丰富的经验。他理解编剧所需并且非常卖力地让你学会。

"Peter's class demystified screenwriting for me. He broke it down into simple pieces which work together to make a point."

皮特的课为我揭开了剧本写作的神秘面纱。他将大的步骤分解成为了简单的小模块，这些小的模块相互效力组成了一整部电影。

"I am fortunate to have been one of Peter's students. The workload is challenging,but creativity is the result."

作为皮特的学生我很幸运。课程的作业量很可观，但是结果是你学会了如何创作。

"Peter's class got me into screenwriting. We did a lot of pitching and theory that made us better at marketing our work. It also helped me let go of my ideas, and made me willing to rewrite until the quality of the script comes through."

皮特的课程让我对剧本写作开始感兴趣。在课上我们进行了大量的提案练习，以便让我们提高剧本销售的能力。这个课程还让我学会了放下自己对故事的偏见，能够坚持不断地重写直到剧本的品质合乎要求。

"Peter's preparation and explanations made me understand exactly what I need to do to write my ideas in a sellable form."

皮特的备课和讲解让我完全明白了从把想法写成可以卖掉的剧本的过程中我需要做哪些事情。

"Thank you so much for the workshop. I couldn’t be more excited to start putting into practice what you taught us. Please come back more often. I will be there everytime."

非常感谢皮特老师的工作坊。我已经等不及要开始练习了。希望他经常开课，我会每次都参加。

报名信息

联系人：秦老师

电话及微信：13366807130

学费及报名方式

总价 ¥8000/人

五一假期报名优惠！

原定于4.28号结束的¥6400/人的早鸟价格，于五一期间延期至5月6日截止

坐席有限，报名从速！（两个阶段课程可分开报名，每个班次为¥3200/人）

会员活动

俱乐部会员半价参加授课活动，详情点击查看：粼国国际影视俱乐部正式启动、粼国国际影视俱乐部章程

含师资、翻译、场地、茶歇、剧本软件、课程资料等费用，全程翻译，沟通顺畅

点击查看粼国国际影视俱乐部正式启动活动链接、粼国国际影视俱乐部章程，加入俱乐部，会员半价参加此次培训授课活动。

   授课地点   

北京市朝阳区光华路SOHO 二期大厦　3Q　会议室

关于Scripted™

Scripted™作家实验室在大中华区有丰富的脚本开发经验。从你最初的灵感火花开始，我们将为从头到尾为你打造你的故事。我们将派出由专业人士领导的多元化团队，为从业者提供卓越的中国市场覆盖、开发、方案、提纲、剧本、翻译以及教学培训班和工作坊。

以下是课程介绍英文版

The following is the English version of the course introduction.

PROFESSIONAL SCREENWRITING WORKSHOP SERIES

Scripted™ Writers Lab

Special May holiday promotion. See below for details.

With the recent rise of the Chinese film industry, there’s more need now than ever for local writers to bring their imaginations to the big screen. But how does one go about learning the art of cinematic storytelling? The good news is you don’t have to travel abroad, or even attend film school, to learn how to write a script. Our 8-week, intensive, hands-on screenwriting workshops cover everything you need to know to get started.

Taught by American screenwriter and Beijing Film Academy instructor, Peter Walters, this series of workshops covers the ins and outs of screenwriting, from getting and nurturing an idea to getting hired and selling your work. Whether you're a beginner with an idea for a film, an experienced writer hoping to fill in the gaps, a director writing out of necessity, or an executive looking for story terms and insights, this series covers traditional techniques and innovative approaches designed to jumpstart the writing process.

During May holiday purchase Part I (4-weeks) or Part II (4 weeks) for only ¥3200. Class begins May 11.

PART I

May 11-June 1

Foundations I

Saturday, May 11

1-3 PM; 4-6 PM

Overview of traditional story principles; getting ideas; thinking  about your idea as a marketable product; strengthening your concept; 7 essential elements of dramatic stories; the 15 most popular genres; screenwriting format (includes Final Draft™)

Workshop: Essential elements, Final Draft™

Homework: Write a scene, watch Little Miss Sunshine

Foundations II

Saturday, May 18

1-3 PM; 4-6 PM

Character vs. structure; 4 types of protagonists; 4 personality  types for instant character differentiation; modern film structure; acts; sequences; scenes; traditional plot moments; in-depth analysis of Oscar-winning film Little Miss Sunshine

Workshop: Little Miss Sunshine analysis/workbook

Homework: Create 4 characters; watch Dying to Survive

Foundations III

Saturday, May 25

1-3 PM; 4-6 PM

Creating characters; character arcs; empathy/enmity; 9 character archetypes that exert forces on the story; scene anatomy; the circular nature of stories; in-depth analysis of award-winning Chinese film, Dying to Survive

Workshop: Dying to Survive analysis/workbook

Homework: Analyze 3 films from list for structure/character

Before the Script I

Saturday, June 1

1-3 PM; 4-6 PM

Titles, loglines and synopses; character descriptions; applying the 7 elements to create a written one-page and verbal 60-second pitch (using Little Miss Sunshine and Dying to Survive as examples); introduction to outlining

Workshop: Pitching, one-pages

Homework: Write your one-page, practice your pitch

PART II

June 8-June 29

Before the Script II

Saturday, June 8

1-3 PM; 4-6 PM

Types of treatments and their purpose; genre beats; sequence  by sequence story ideation; advanced outlining techniques; story symmetry; replacing good ideas with great ideas; plot holes and logic problems

Workshop: Pitching each other, group outline of a concept

Homework: Outline your story, write a 4-page treatment

Writing the Script I

Saturday, June 15

1-3 PM; 4-6 PM

Writing dramatic scenes; scenes of exposition/spectacle; clear/succinct description; describing characters/locations; vivid action; positive and negative beat changes; effective dialog techniques; common dialog mistakes; subtext

Workshop: From outline to script

Homework: Write the first sequence of your film

Writing the Script II

Saturday, June 22

1-3 PM; 4-6 PM

Engaging the reader on every page with the emotions of story (curiosity/interest, fascination/wonder, tension/release, hope/fear, suspense/surprise, cathexis/catharsis)

Workshop: Script coverage, notes

Homework: Write the first act of your film

Writing the Script III

Saturday, June 29

1-3 PM; 4-6 PM

Advanced script mentorship; giving, taking and implementing notes; breaking into the industry; selling your work; agents and managers; producers; networking; meetings; assignments; specs

Workshop: Coverage, notes

Homework: Write your film

EXECUTIVE STORY SEMINAR

Want to gain insights from the Screenwriters Workshop without submitting work or committing to the 8-week writer’s track? Sign up for Scripted Writers Lab’s Executive Story Seminar later this year.

Concept—Traditional story principles; box office vs. art; 15 ways to maximize concept; 10 most successful genres; theme; 7 essential elements of drama (for use in pitches, synopses, scripts, trailers)

Character—Character arcs; 4 types of protagonists; 4 character personalities; traits/values/flaws; motivation/realization; empathy/connection; types and levels of conflict; 9 character archetypes

Structure—Beginning, middle and end; scenes, sequences, acts; modern film structure; traditional plot moments; story symmetry; sequence by sequence story ideation

Treatments & Outlines—Types of treatments and their purpose; one-pages; loglines; synopses; character descriptions; outlining; revision; diagnosing the story in short form

Scenes—Dramatic scenes vs. scenes of exposition/spectacle; description; action; beat changes; dialog; subtext

The Emotions of Story—Curiosity/interest; fascination/wonder; tension/release; hope/fear; suspense/surprise; cathexis/catharsis

Communicating with Writers—Reading scripts; coverage; pros and cons of written vs verbal communication; rhetorical vs specific notes; the psychology of procrastination; offering encouragement

Designed for entertainment industry executives, this 2-day workshop covers everything you need in order to analyze stories and communicate your notes to writers. Price includes lunch, coffee and an executive story development manual.

Contact Tel.(or wechat):13366807130

About the Instructor

Based in Beijing and Los Angeles, Peter is one of the most sought after screenwriters working in the Chinese film industry. He teaches screenwriting at Beijing Film Academy and is the director of China Hollywood Society’s Beijing chapter.

From Peter's Students

"Peter treats everyone's work as if it were the real business of film. His teaching method is based on practical experience as a professional screenwriter."

"Peter has rich experience in screenwriting and story presentation. He understands what young creators need and will do whatever he can to make you learn."

"Peter's class demystified screenwriting for me. He broke it down into simple pieces which work together to make a point."

"I am fortunate to have been one of Peter's students. The workload is challenging, but creativity is the result."

"Peter's class got me into screenwriting. We did a lot of pitching and theory that made us better at marketing our work. It also helped me let go of my ideas, and made me willing to rewrite until the quality of the script comes through."

"Peter's preparation and explanations made me understand exactly what I need to do to write my ideas in a sellable form."

" Thank you so much for the workshop. I couldn’t be more excited to start putting into practice what you taught us. Please come back more often. I will be there every time. "

About Scripted™

Scripted™ Writers Lab has extensive experience developing scripts in Greater China. From your initial spark, we’ll develop your story from beginning to end. Our diverse team led by industry professionals delivers exceptional Chinese market coverage, development, treatments, outlines, scripts, translations and educational seminars and workshops.

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