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AS IT IS
South American Group Facing Hard Times
January 13, 2019
The Union of South American Nations, UNASUR, building stands forlorn near Quitom Ecuador, Wednesday, Dec. 19, 2018. (AP Photo/Dolores Ochoa)
A community outside Quito, Ecuador’s capital, has a building that appears to resist the laws of gravity.
The unusual-looking structure was supposed to be a sign of South American unity. It lies close to the Equator, the imaginary line dividing the world into north and south.
The building has two glass wings that extend high above a pool of water. They look like something from a Hollywood movie. They are said to represent freedom and openness.
But for all its stately appearance, the headquarters of the Union of South American Nations (UNASUR) seems almost as inactive as the group itself. Once the building was a promising diplomatic center with officials and parties for visiting diplomats. Now it is largely empty, with half the workers it had when it opened in 2014.
The group’s chief organizer, former Brazilian President Luiz Inacio Lula da Silva, is in jail on corruption charges. Another major supporter, Venezuela’s Hugo Chavez, has died.
In addition, a changing political environment has left South America more divided than it has been in many years. Fewer people seem interested in an anti-imperialisticsong identified with the group: “Soy del Sur,” or “I’m from the South.”
“UNASUR was a good idea, but ultimately didn’t deliver concrete results,” said Michael Shifter, head of the Inter-American Dialogue, a Washington-based research group.
UNASUR’s current problems
In April of 2018, half of UNASUR’s 12 member-states suspended their membership. Those countries are Argentina, Brazil, Chile, Colombia, Paraguay and Peru. Then in August, newly elected Colombian President Ivan Duque rejected its treaty, setting the way for his country’s withdrawal in February.
The result is a $20 million deficit that has led to extensive budget cuts. UNASUR has been without a secretary-general for two years. At the current rate, the group will spend all of the money it has by April. That is about the same time that Brazil takes control of UNASUR’s rotating presidency. However, Brazil’s new president, Jair Bolsonaro, has criticized the group.
For critics of UNASUR, its headquarters is an easy target. The $43 million structure was built and donated to the group by former Ecuadorian President Rafael Correa, a follower of Chavez.
Diego Guayasamin, another Ecuadorean, designed the prize-winning building. Seventy-five percent of the structure is underground. It is equipped with a high-technology meeting room and a notable collection of artwork. It also has salonsnamed for Chilean poet Pablo Neruda and Nobel Prize-winning writer Gabriel Garcia Marquez.
Just like in public buildings in Venezuela, Chavez’s bright-red signature and spirited comments are painted on the walls.
“It’s absurd that a building that cost several dozens of millions of dollars has no usefulness,” said Ecuadorian President Lenin Moreno in July. Moreno demanded that UNASUR return the building to the government so that it could be used as a university for the local community. His demand was later found to be illegal.
But for critics, perhaps the building’s biggest problem is the large bronze statue at the entrance of Nestor Kirchner, the first secretary-general of the group. Since his death in 2010, the memory of the former Argentine president has been damaged by reports of corruption. Supporters of Moreno are leading a campaign to have the statue removed.
Successes and failures
UNASUR was created in 2008 to bring life to independence hero Simon Bolivar’s dream of a large, borderless South American “homeland.” Bolivar strongly opposed United States and European influence on the continent.
While plans to create a common monetary system for UNASUR’s members failed, other proposals have had more success. One example is the common Unasur work visa, which has helped South American nations take in the large number of Venezuelans fleeing their country.
However, Michael Shifter said the final blow to the group was its failure to deal effectively with the crisis in Venezuela.
During 2015 and 2016, the group’s then-Secretary-General, Ernesto Samper, traveled to Venezuela with Vatican representatives to support talks between the government and opposition.
When those negotiations collapsed, many blamed Samper, a former Colombian president, for not doing more to get action from the government.
Samper admitted that for UNASUR to survive, it needs to take on a less-progressive plan of action. But, he argued that breaking up the group would be a huge mistake. He said there is a need for South American nations to speak with a common voice. He noted that the administration of U.S. President Donald Trump has threatened military action against Venezuela. He added that the administration is critical of Latino Americans seeking to enter the U.S. and has withdrawn from international efforts to fight climate change.
“The sad thing,” Samper said, “is that at the same time the region desperately needs unity, we are more fragmented than ever.”
I'm George Grow. And I'm Caty Weaver.
Joshua Goodman reported this story for the Associated Press. George Grow adapted his report for VOA Learning English. Mario Ritter Jr. was the editor.
We want to hear from you. Write to us in the Comments Section.
_______________________________________________________________
Words in This Story
wing – n. a solid structure that extends from both sides of an aircraft or building
imperialistic – adj. relating to an extension of a country’s power and influence through military force or diplomacy
rotate – v. to move or cause to move in a circle around something
salon – n. a store or business where a beautician works
absurd – adj. unreasonable; laughable
region – n. a specific area in the world or within a country or territory
fragment – v. to break to cause to break into small pieces
:
AS IT IS
Tradition of Masked Dancers Lives On in Cambodia
January 13, 2019
FILE - Dancers get ready backstage before a performance of masked theater known as Lakhon Khon in Cambodia. Picture taken November 7, 2018. (REUTERS/Athit Perawongmetha)
Cambodia’s centuries-old tradition of masked dance was almost completely lost during the genocidal rule of the Khmer Rouge. But a small number of people have managed to keep the ancient art alive. Now, they are passing it down to a new generation.
The Khmer Rouge came to power in 1975 after a bloody, five-year civil war. During the Communist group’s rule, it opposed education and religion and banned Cambodia’s traditional arts and written language.
An estimated 1.7 million Cambodians were killed in the four years the Khmer Rouge was in power. The deaths were mostly caused by starvation, overwork, disease, execution or torture. Among the victims were artists, writers and dancers.
Sun Rithy’s father and grandfather were both performers of the country’s traditional dance, which is called Lakhon Khol. Study of the dance was banned in Cambodia during most of Sun Rithy’s childhood.
“In the Khmer Rouge, I was young and they didn’t teach people dance. Lakhon Khol was destroyed,” he told the Reuters news agency.
Sun Rithy was finally able to start learning the dance once the Khmer Rouge was removed from power. He was 14 at the time. He is now 48 years old and leads one of the last remaining groups performing the dance. The group includes about 20 performers and students between the ages of 6 and 15.
Sun Rithy says the best way to help the tradition survive is by teaching the dance to new generations. “I don’t want Lakhon Khol to go extinct,” he said.
The traditional dance was recently identified by the United Nations as an art form that should be protected. The U.N.’s Education, Science and Cultural Organization, or UNESCO, added Lakhon Khol to its Intangible Cultural Heritage list.
Different kinds of the dance are performed in other nations in Southeast Asia as well. The dancers wear colorful painted masks that are made to look similar to characters from an ancient poem. The poem is called Ramayana. It tells the story of a prince who rescues his wife from a demon with help from an army of monkeys.
People who study the dance recently rehearsed at a special theater at a Buddhist temple outside Cambodia’s capital, Phnom Penh.
Pum Pork said his 11-year-old son, Pum Meta, is learning the dance. “I want to have my son trained to perform so that in the future we won’t lose the ancient art,” he said.
Cambodia’s Minister of Culture and Fine Arts, Phoeurng Sackona, said the dance needs to be protected. She urged all people to get involved to help. “Elderlyperformers are trying to preserve the dance,” she told Reuters. “But it is up to young people whether they agree or not to receive knowledge from the elders.”
Neighboring Thailand’s version of the dance has not suffered the same problems. But dancers there also see the importance of bringing the art to a new generation of performers.
In Thailand, the dance tradition is called Khon. It is based on royal history. Many Thai schools and universities now teach the dance.
Mom Luang Pongsawad Sukhasvasti followed in his father’s footsteps in making Khon masks. He started doing so at age 10. Now he is 67. He still makes dance masks by hand from his home in Thailand’s Ayutthaya province, north of Bangkok.
Pongsawad said each mask takes about a month to complete. He says he hopes the UNESCO listing will raise awareness of the issue.
“Teachers now must do more than teaching the dance. They need to help students understand the roots, as well, to preserve it,” he said.
I’m Bryan Lynn.
Reuters reported on this story. Bryan Lynn adapted it for VOA Learning English. Ashley Thompson was the editor.
We want to hear from you. Write to us in the Comments section, and visit our Facebook page.
_________________________________________________________________
Words in This Story
mask – n. a covering that hides the face
extinct – adj. no longer existing
demon – n. an evil spirit
rehearse – v. to practice a play, dance, etc. in order to prepare for a performance
elderly – adj. an old or aging person
preserve – v. to keep something the same or prevent it from being damaged or destroyed
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