AA建筑联盟学院2017届毕业生优秀作品│Archi

AA TwentySeventeen Graduates

AA建筑联盟学院2017届毕业生优秀作品

Thispost has been specifically curated to celebrate the graduates of the AA of2017. Thank you and congratulations to you all!

这篇推文专门为2017年从AA建筑联盟学院毕业的学生而写。

祝贺你们！

Diploma 1

Hotel Croydon by James Mak

伊登酒店

Hotel Croydon is emblematic of our cities, wants, and aspirations, however momentary. Our interior desires are always measured within a grid. They are homes without possessions, order without housework, clean sheets without laundry.
Only to move in then to move out.

伊登酒店是我们城市的象征：希望，愿望。然而我们内在的欲望总是在衡量。他们的家庭没有财产，任务里没有家务，没有洗干净的床单。

Diploma2

Sanctuary byShahaf Blumer

避难所

We are losing the contemplative mind.

Gardens by definition are havens of peace,yet their experience within the urban realm is fragmented and superficial. Theintent of the project was to formulate a landscape architectural prototype thatlingers over sensorial experiences found in “wild nature” to accommodateself-reflection.

我们正在失去我们沉思的大脑。

我们生活在一个文化意识形态、愿望和恐惧像以往一样充满活力和活力的时代。根据定义，花园是和平的避风港，然而他们在城市领域的经验却支离破碎。这个项目的目的是要形成一种景观建筑原型，在“野性”的感官体验中徘徊，以适应自我反省。

Diploma3

Narcissus Terminal by Natasha Rieffel

水仙终端

Diploma4

Anti-Acheiropoietic Space by HyunVin

反对-建筑空间

We deal with repeating destructions and reconstitutions of images. Amongst them an analytical recomposition of the Nuremberg courtroom, an architectural recording device, that inaugurated notions of crimes against humanity and reappearances of contested nature. These devices are then deployed to negotiate human and nonhuman relationships in new European institutions.

我们重复这处理者重建破坏的图像，其中一个改造自纽伦堡法庭，一个记录性的装置建筑。初始的概念是有争议的反人类罪和再现自然。这些装置在欧洲展开，构建一个协商人类与非人类之间的关系。

Diploma5

TheInhabitable Fountain byAnthony Ko

适合居住的喷泉

The Inhabitable Fountain creates a new space of public gathering in Beijing through the manipulation and control of water – though it functions as a new Propaganda Tool for the Chinese Government to show domination and total command of China’s most valuable, yet scarce resource. The way this monument is used, or abused, by the people, is the way the fountain comes to life.

通过水在北京聚集而来创造一个居住喷泉的公共空间，他的操控与控制功能能作为一个宣传工具，宣传对水资源短缺与保护水资源的作用。

用纪念碑建筑是被人们使用，是人们生命的源泉。

Diploma6

River Nile House byMaya Laitinen

尼罗河住宅

Byreclaiming the Nile river as a public sphere in Cairo, focusing on women,especially grandmothers participation in it, the River Nile house should giveboth women and the river a stronger voice and visibility in the city – througha structure responding to and interacting with them, through movement.”

通过回收开罗的尼罗河的公共区域，关注女性，尤其是祖母。尼罗河住宅应该是给两个女人更强的声音和可见的城市-通过结构与他们互动。

Diploma7

Powers of Byte byZipu Zhu 

字节的力量

TheLandscapes of Collisions concerns the perception of humans, with the perceptionof digital technologies. They are new views of merged visions created and leftbehind through the interactions. We see more and consume more, the ability tocope with the changes marks the progression of society as Mobility Wellbeing.”

碰撞问题的景观与感知的人类，和数字技术的感知。他们交互，合并下发展为新的视觉。我们会看到更多，增加消费，应变的能力意味着社会的健康进步。

Diploma 8

Beyond Caring by Tyler Bollier

不理会

Couldour cities do with some more Wild? This Department explores preventivehealth at the scale of the City.  By using the tallest mammal on earth,the Giraffe, as an instrument to Re-wild the Landscape of Whitechapel, London.

我们的城市能有更多的野生环境吗？这个部门在探索预防性健康在城市的规模上。通过地球上最高的哺乳动物长颈鹿，重新发现伦敦白教堂的景观。

Diploma 8

House of Radical Togetherness by Stefan Jovanovic

激进的归属感住宅

Welcome to the House of Radical Togetherness.A house that speaks to the unconscious via symbolism and codified narrativeslike the Tarot. This is a space which is porous, runs on simultaneity and callsfor intimacy. It is a conversation between bodies and materials, between silverand silk. The laundry needs to get done, the witch needs to be fed, but mostimportantly of all, the little fool within needs to be let free.

欢迎来到激进的归属感住宅，房子像塔罗牌无意识的象征和编织故事。这是一个多孔的空间，运行着同时型与亲密关系的呼声，之间的材料，银和丝绸互相对话，衣服需要洗，女巫需要被喂食，但最重要的是，这些小傻瓜需要被释放。

Diploma9

1001 utopias by CarolinaGismondi

1001年的乌托邦

 A 1001 utopias tackles the problems of urbandiscontinuities, re-telling the story of an imaginary Milan as an example of anabstract European metropolis.

1001年的乌托邦解决了城市不连续的问题，重新讲述一个虚构的米兰故事，作为一个抽象的欧洲大都会的一个例子

Diploma 10

TuscanSpecial by Lorenzo Luzzi

特殊的托斯卡纳

 The“Tuscan Special” is a transformative method that works against absolutepreservation of Historical Italian cities. Challenging the role of perspective,a geometrical method of translation transforms the existing into an imaginaryscenario. This intangible projections intend to provoke and transform thestagnant condition of Italian architecture into an evolving city, not bydenying the past, but instead by stealing from it.

‘‘特殊的托斯卡纳’’绝对是一个革命性的方法，它与意大利历史城市的绝对保存相违背。从一个具有挑战性的角色的角度来看，用一个几何方法转换成一个虚构的场景，这个无形的打算将引发意大利建筑的停滞不前的状态并且将它转化为一个不断发展的城市，而不是否定过去，而是去提取。

Diploma11

ThroughLeviathan’s Eyes byNathan Su (AA Diploma Honours)

通过利维坦的眼睛

We live in a time where cultural ideologies,aspirations and fears are as diverse and dynamic as ever. And yet, our worldviews are becoming increasingly singular, extreme, and sadly – polarised. Ourmedia echo-chambers feed us personalised, self-affirming realities that keep uswell within the boundaries of our own predispositions and assumptions. But whatif the technologies that currently blind us, could somehow bind us together?

‘Through Leviathan’s Eyes’ is an optimistic,speculative glimpse into a world where reality is constructed collaboratively.The film is a non-narrative tour through a near-future condition of ‘cityness’imagining a rewriting of technological priorities; turning the blinding drivefor personalised reality into a truly mixed reality. Here, the unstable,ever-shifting, yet somehow intelligent collective compose space in a constantstate of re-writing and over-writing, that every so often, coalesces into anurgent, moving obsession. The city renders itself as a tangible, augmented palimpsest.A cultural manifestation of Hobbes’ Leviathan.

我们生活在一个文化意识形态、愿望和恐惧像以往一样充满活力和活力的时代。然而，我们的世界观正变得越来越单一、极端、可悲——两极分化。我们的回音室给我们提供了个性化的、自我肯定的现实，让我们在自己的预设和假设范围内保持良好的状态。但是，如果目前的技术能将我们盲目联系在一起，那该怎么办呢?

“通过利维坦的眼睛”是一种乐观的、投机性进入了一个现实被合作构建的世界。这部影片是一部非叙事性的旅行，讲述的是一种近乎未来的“非城市性”的故事，想象着对科技优先顺序的重写;把盲目的现实生活转变成一个真正复杂的现实。在这里，不稳定的、不断变化的、但不知何故的智慧的集体构成了一个不断重复写作和过度写作的空间，这种状态常常被合并成一种迫切的、动人的痴迷。城市呈现出一种有形的、增强的复写本。这就是霍布斯的《利维坦》的文化表现。

Diploma12

The Great Indoors byEmma Fraser

伟大的室内

Our contemporary condition is one ofinteriority. The relationship between the domains conceived as inside andoutside have shifted immensely and the difference between these domains isbecoming progressively less distinct.

Inresponse to a version of the future where our earth has been consumed by smog,the project proposes an offset of the earth’s habitable crust to form a newpangaea. This colossal structure of unimaginable scale seeks to protecthumanity from the toxic air and provide a new interior version of living.’

我们的当代条件是一个内在的条件。域内和外部之间的关系发生了巨大的变化，这些域之间的差异变得越来越不明显。

作为对地球被烟雾污染的未来的回应，这个项目提出了一个地球可居住地壳的偏移来形成新的盘古大陆。这种难以想象的巨大结构试图保护人类免受有毒空气的影响，并提供一种新的室内生活方式。

Diploma 13

Kill BIM by Anatolios Stathiou

杀死BIM

Kill BIM is a video game that follows theprotagonist, Lewis, and his struggle against a mundane and homogenised builtenvironment. Although BIM encourages a collaborative model betweenprofessionals, in architecture it has facilitated standardisation. Within thegame, Lewis will eventually discover the instruments of change and will decidethe fate of BIM.

《杀死BIM》是一个视频游戏，讲述了主人公刘易斯和他世俗的同质建筑环境的斗争。尽管BIM鼓励专业人员之间的协作模型，但在体系结构中，无疑促进了标准化。在游戏中，刘易斯最终将发现变化的工具，并决定BIM的命运。

Diploma14

Form Follows Threshold- Ceci n’est pas un Dome byFederica Zambeletti

形式遵从阈值-（小心真的不知道怎么翻译以下的。。。）

 Theproject starts from the notion of form follows edge and uses the dome, ascutting plane to challenge how edges and thresholds determine the way we createand perceive. The edge as both the architects limit and as the physical borderthrough which we have delineated and demarked cities and territories. Theproject positions itself at the intersection between mind and architecture.

这个项目从形式的概念开始，并使用圆顶，作为切割平面来挑战边缘和阈值如何决定我们创造和感知的方式。边缘既是建筑师的极限，也是我们划定和划分城市和领土的物理边界。项目定位于心灵与建筑之间的交叉点。

Diploma15

ThePeople’s Economy, Community Capitalism byTané Kinch

人民经济、资本主义社会

The People’s Economy is a communitycapitalism strategy enabling independent traders to use new subdivided spaceswithin existing urban fabric to create turnovers which fund further conversionsof profitable units and increase local domestic stock. The system reassertslocal economic power in a time of gentrifying neighbourhoods and franchiseinvestments.

人民经济是一种社区资本主义战略，允许独立的交易者在现有的城市结构中使用新的细分空间，从而创造出更多的利润空间，并增加本地的国内股票。

Diploma16

Working With(in) Kipling Estate byTsen Yeoh

 使用吉卜林房地产

Housing estates make a large part of London.But why are they so separate from the city? The project inserts a seriesof shared spaces into Kipling Estate to promote collaboration between localstakeholders and the community, transforming the estate into valuable civicspace and reintegrating it into the city.

 住房产业在伦敦占了很大的比重。但是为什么他们如此地远离城市?该项目将一系列共享空间插入吉卜林房地产，以促进当地利益相关者和社区之间的合作，将房地产变成有价值的公民空间，并将其重新整合到城市中。

Diploma 17

Confluence byJoshua Penk (AA Diploma Honours)

交汇处

Strategyfor the archaeological excavations and development of Convoys wharf

This is aproject about the meeting of  eras; the slowly exposed remnants of pastdockyard structures, revealed by years of archaeology. And the fast pacedcomparatively short-lived new developments of large scale housing. They meet inthis project at ground level; this level defines the territory of theinvestigation into this unique site. A place existing +10 meters above sealevel and -10 meters below. A place generated from 1513 until 2000 and thendegenerated before re-generation.

Placesthat demand not to be lost are exposed for the first time to the city at largefor the first time in their existence. Those people that demanded are free toexplore these places for the first time in 500 years and allowed to appreciateall that the place has to offer without displacing the creations ofcontemporary society.

考古发掘与发展车队码头的策略

这是一个关于时代的会议的项目;经过多年的考古发掘，过去的船坞结构的遗迹慢慢暴露出来。而且，快速发展的大型住宅相对短暂的新发展。他们在地面上的这个项目中会面;这个级别将调查的领域定义为这个独特的地点。从1513年到2000年的一个地方，然后在重新生成之前退化。

那些不需要损失的地方，第一次在城市中首次出现。那些要求在500年内第一次自由地探索这些地方的人，允许他们欣赏这个地方必须提供的一切，而不需要取代当代社会的创造。

Diploma 18

SPA by Laurens Paulman

温泉浴场

Theproject SPA is redefining the relationship between people, water and themetropolis. Gradients of treatments, transparency and water atmospheres organizea new medical experience towards a holistic care, integrating body andmind, and integrating the person and the city.”

SPA项目正在重新定义人们、水和大都市之间的关系。治疗的梯度，透明度和水环境组织了一种全新的医疗体验，以全面的治疗，整合身心，整合人与城市。

Diploma 19

Across the Straits, Housing for a Multi-Ethnic Population byTerence Lim

海峡对岸，多民族人口的住宅

A projectthat attempts to reinvent housing outside forms of colonization in Malaysia.

一项试图在马来西亚建立殖民地以外的房屋的项目。

Diploma 20

Whereis the centre? by JonathanCheng (AA Diploma Honours)

中心在哪里?

This project is an exploration of the use ofarts and spaces of creative production as a kind of infrastructure ofparticipation, impacting the formation of the cultural center as a project thathas encapsulated modern policies of widespread cultural access and theelimination of class alienation. This has, however, drawn into question whatexactly is the dominant content in this typology of cultural architecture?Leisure and a collective externalization of domestic programs are reallypropped up by the political agency of creative production and consumption. Anunderstanding of how participation – an active negotiating of resistance anddomination – is, here, driving the formal provocation.

 这个项目是对艺术和创造性生产的使用作为一种参与的基础设施的探索，它影响了文化中心的形成，作为一个包含了广泛的文化交流和消除阶级异化的现代政策的项目。然而，这也引起了人们的疑问:在这种文化建筑的类型学中，到底什么是占主导地位的内容?休闲和集体外化的国内项目是由创造性生产和消费的政治机构支撑的。在这里，人们理解参与是一种积极的对抗和控制的谈判，这将会导致正式的挑衅。

Diploma 21

VOLUPTUOUSITY byKira Sciberras

艳丽地

VOLUPTUOUSITY– An experiential tactile space where the ground is unstable, which uninstallsthe habit of routine. This keeps the user constantly aware of themselves, aswell as of the space. This way the ground never allows one to be productive inany way but rather is constantly aware of the environment.

VOLUPTUOUSITY-一种经验的触觉空间，地面是不稳定的，它不安装常规的习惯。这使得用户能够不断地了解自己以及空间。这样的方式从没在地面产生，但是不断地意识到环境。

Diploma 22

Primitivity byYuyu He

原始性质

With no one question the existing conditioned routines in dailylife, hence leisure has become arepresentation of images produced by consumerism traps.By creating an environment for work, leisure and minimal living, in order to challengeour habitat, the existing understanding of surrounding environment, theawareness of our body and the interaction with others.

由于没有人质疑日常生活中存在的制约规律，因此休闲已经成为消费陷阱所产生的图像的表现形式。通过为工作、休闲和最低生活创造一个环境，以挑战我们的栖息地、对周围环境的现有了解、对我们身体的认识以及与他人的互动。

感谢关注，不定期更新。