STS栏目·全球科技与社会| 牛津何依霖:面部识别技术与当代中国艺术摄影
Editor's Note
The following article is from 港理大CHC Author 研究中心
“科技、社会与文化”讲座系列 5
Sketching from Life? Facial Recognition Technologies and Art Photography in China
讲座摘要
My core focus, though, is the close but often hidden relationship between facial recognition technologies and art-making. To explore this submerged linkage, the talk turns to the work of the Chinese photographer Zhang Wei, an artist who has worked extensively with composite images. Zhang’s work holds up a mirror to the use of such images within the AI realm, and his oeuvre and the algorithm together illuminate the generative interface between facial recognition technologies and experimental art photography. Ultimately, these parallels are worthy of attention because they show that many facial recognition technologies are themselves forms of visual media. They are interventions in the domain of policing and control which borrow from pictorial traditions of portraiture, old and new. This recourse to art, the disdained domain of subjectivity, within the supposedly scientific field of facial algorithms shakes the latter’s foundational myth: namely, that our identity is genomically predetermined in ways which only the most objective methods can disclose.
主讲人简介
Margaret Hillenbrand is Professor of Modern Chinese Literature and Culture at the University of Oxford. Her research focuses on literary and visual studies in twentieth-century China, Hong Kong, and Taiwan, and her books include Negative Exposures: Knowing What Not to Know in Contemporary China (Duke University Press, 2020), and On the Edge: Feeling Precarious in China (Columbia University Press, 2023).
参与方式
https://polyu.zoom.us/meeting/register/tJMudeGuqjsuE9MGeUb0DIYzPE1w3Bh0NFSu